Comic Art
- Original Comic Art
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Drawings, Sketches, Paintings, etc.
- Drawing/Sketch 83 items
- Illustration 18 items
- Painting 27 items
- Prelim 3 items
- Sketch Card 40 items
- Sketch Cover 10 items
- Prints and Lithographs
- Production Art
- Animation Art
- Wall Art/Posters
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Aayla Secura Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Artemis Sketch by Geof Isherwood 2003 One of the most talented pencillers in comics, Isherwood delivers a stunning image of the goddess Artemis here. Beautifully rendered with a lithe figure and piercing gaze, this is a wonderful example of Isherwood's talent |
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Azrael, Raven, Jericho, and Kole Sketch by Luciano Vecchio In auction ending November 18 2000s Pencil and ink on paper. 10" x 14". |
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Bane Sketch by Graham Nolan 2000s A gift from Nolan to noted pro golfer and instructor Tom Ward, this fantastic sketch from Bane's creator sees the villain showing off his newfound skills on the links! Signed by the artist. Pencil and ink on heavy stock which has been matted. Full piece measures 16" x 14 1/2". |
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Barbarian Painting by Barry Blair and Colin Chan 2000 A gruesome action shot with line work and coloring that compliment each other wonderfully. Pencil, ink, watercolor, and airbrush on comic art board (reverse). 8 1/2" x 11". |
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Barbarian Pinup by Mike Hoffman 1999 Hoffman's talent for shading with a pencil takes center stage in this gorgeous piece full of wonderful details like the veins on the warrior's right arm and the intricate helmet design. Signed by the artist. Pencil on heavy, textured paper stock. 14" x 16 1/2". |
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Barbarian Tryout Page by John Toledo 2002 Toledo shows off his sequential skills in this fantastic page that flows well from the wide shot of the two combatants, to an arrow being shot (with just the right amount of panel break!), into a closeup of the arrow finding its mark. Blue line and standard pencil on art board. 11" x 17". |
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Batman '66 Batusi Pinup by Pat Broderick 2016 Industry great Pat Broderick turns in a detailed and expressive piece featuring the Caped Crusader performing his signature dance move! Signed by the artist. Pencil and ink on art board. 11" x 17". |
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Batman Painting by Riccardo Federici 2020s One of the most exciting and unique artists to make a name for themselves in American comics recently, Riccardo Federici's pencil-heavy style has been a joy to behold both on covers and interiors- especially the current run of Detective Comics. This stunning piece is full of texture and detail from the battle damage on Batman's gauntlets to the barely contained rage in his gritted teeth. An outstanding rendition of the Dark Knight from a true talen! Signed by the artist. Pencil, watercolor, and acrylic on art board. 12 1/4" x 16 1/8". |
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Batman Pinup by F. Newton Burcham 2000 While superheroes aren't Burcham's typical subject, he turns in a fascinating Batman here blending bits of Frank Miller and Kelley Jones' iconic depictions of the Dark Knight into something wholly unique. Ink on heavy paper stock. 12" x 17 3/4". |
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Batman Sketch by John Bolton 1980s A rough but evocative sketch by Bolton that highlights the raw power inherent in the character. Signed by the artist. Ink and correction fluid on paper affixed to a piece of heavy board. Sketch measures 6 1/4" x 9 1/4", board measures 7" x 10 1/4". |
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Batman Sketch by John Bolton 1980s A stunning sketch from Bolton that leans into the avenging spirit of Batman, with the trails of his cape forming almost scythe-like figures. Signed by the artist. Ink and correction fluid on paper affixed to a piece of heavy board. Sketch measures 12 3/4" x 8 1/2", board measures 13 1/2" x 10". |
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Batman Sketch by John Bolton 1980s A powerful full-figure sketch of the Dark Knight with Bolton's wild but purposefully deployed crosshatching adding a stunning texture to the piece. Signed by the artist. Ink and correction fluid on paper affixed to a piece of heavy board. Sketch measures 9" x 13 1/4", board measures 10 3/4" x 14 1/4". |
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Batman Sketch by Mike Grell 2015 A beautiful headshot of the Dark Knight, full of texture and atmosphere! Pencil on art board. 11" x 17". |
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Batman the Animated Series Watercolor Illustration by Dustin Nguyen 2017 Created to celebrate the 25th anniversary of the landmark series, Dustin Nguyen's gorgeous watercolor rendition of the iconic key art in his signature style is true treat for Bat-fans. Signed by the artist. Watercolor over pencil on heavy art board. 5" x 7". |
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Battle Babe #2 Sketch by Flint Henry 1990s According to the initial listing for this piece, the artist refers to it as a 'marker rough' which is fairly astounding considering the amount of detail and energy on the page! Pencil and ink on paper. Signed by the artist. 8 1/2" x 11" |
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Bettie Page Pinup by Alex Riegel 2017 A fun and frisky tiki-take on the pin-up queen! Riegel's singular style and fantastic use of color makes this one really pop! Signed by the artist. Colored pencil on heavy, textured art stock. 12" x 12". |
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Bullet Crow Sketch by Chuck Fiala 1981 Fiala's creation delivers some possibly hypocritical advice to the youth in this charming sketch. Pencil and ink on art board. 11" x 14". |
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Captain America Drink and Draw Coaster Sketch by Brent Peeples In auction ending December 13 2024 Signed by the artist. Pencil on coaster. 4" x 4" |
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Catwoman and Vampirella Pinup by Jeffery Egli 2000 Two of comics' most famous (infamous?) bad girls share a tender moment- observed by a cat and a bat! Pencil, ink, and alcohol marker on art board. 11" x 14". |
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Cave Girl Pinup by F. Newton Burcham 2000 A clear homage to Frazetta's iconic depiction of Edgar Rice Burroughs's Cave Girl, Newton's bright color pallet and defined lines add a level of flair to the typically muddy and dour subject matter. Pencil, ink, and watercolor on mixed media stock. 11" x 15". |
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Cavewoman Pinup by Jeffery Egli 2001 Egli makes wonderful use of airbrush in this bright, playful pinup. Pencil, ink, acrylic, and airbrush on art board. 11" x 14". |
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Cheshire Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Conan and Wenches Pinup by F. Newton Burcham 2000 Burcham's brushwork makes for a lively scene here with the legendary barbarian leaping towards a group of wenches who seem scared, but at least a little bit intrigued! Pencil and ink on paper. 12" x 18" |
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Conan the Barbarian Pinup by Di Amorim 2000 A powerful, cover-worthy piece from Amorim that's pratically crackling with energy as everyone's favorite Barbarian finds himself in a situation usually reserved for the ladies he encounters- chained and at the mercy of snarling beast! Blue line and standard pencil on comic art board. 11 1/4" x 17 1/2". |
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Conan the Barbarian Pinup by F. Newton Burcham 2001 A magnificent piece from Burcham that perfectly captures the brutality and danger inherent in Conan. Also a great showcase for Burcham's skill with a brush! Ink on paper. 14" x 17". |
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Crisis on Infinite Earths #7 Homage Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Crisis on Infinite Earths Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Daredevil Commission by Luke Ross 2010s A fantastic action shot of ol' Hornhead leaping out of a sewer to confront a crowd of rioters! Pencil on Dark Horse comic art board. 11 1/2" x 17 1/2". |
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Daredevil Painting by John D. Boren 2020s Gouache on heavy stock. 6" x 9". |
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Dart Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Dart Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Dawnstar Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Death Dealer Pinup by Don Marquez 2004 A downright iconic image of Frazetta's legendary warrior, poised and ready for battle! Signed by the artist. Pencil, ink, and watercolor on art board. 11" x 14". |
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Death Dealer Pinup by Don Marquez 2003 A menacing portrait of the iconic supernatural warrior with his trademark axe gripped tight, stalking right towards you! Signed by the artist. Pencil, ink, and watercolor on art board. 11" x 14". |
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Death Dealer Pinup by Tom Benham 2000 Benham's heavy, rich inks impress on this fantastic illustration of the Death Dealer in action! Pencil and ink on art board. 12" x 8 3/4" |
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Death of Raven Sketch by Luciano Vecchio In auction ending November 18 2000s Pencil and ink on paper. 10" x 14". |
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DiNA Simmons (George Perez's Crimson Plague) Sketch by Luciano Vecchio In auction ending November 18 2000s Pencil and ink on paper. 10" x 14". |
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Doctor Doom Pinup by Pedro 'Saga' Perez 2013 Signed by the artist. Pencil, ink, and alcohol marker on comic art board (reverse). 11" x 17". |
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Doiby Dickles #137 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Doiby Dickles House Ad from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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EC's Old Witch Preliminary Art by Johnny Craig In auction ending December 6 1980s A comics legend whose name has become synonymous with EC's groundbreaking and iconic line of comics that caused a national uproar, Johnny Craig's influence on the medium cannot be understated. In his later years after mostly retiring from comics, Craig took up commission work creating fully painted pieces featuring the characters he helped create and define. This sketch is thought to be a prelim for one of these paintings. Includes a certificate of authenticity indicating that this piece is from the personal collection of Johnny Craig. Signed by the artist. Pencil on vellum which has been affixed to a sheet of heavy board. Art measures 7 1/2" x 9 1/2", full piece measures 9 1/2" x 11 1/2". |
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Emma Frost Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Empowered Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Empowered Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Enchantress Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Enemy Ace Sketch by Joe Kubert in Joe Kubert: How to Draw from Life Hardcover 2011 A testament to what makes Kubert one of the masters of the medium, this fantastic sketch of one of his most iconic creations bristles with steely resolve. |
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Execution Preliminary Sketch by L.B. Cole (c. 1980's) 1980s A prelim full of atmosphere and style from one of the masters of comic art! Cole's brilliant figure work and ability to create a mood shine even in this rough sketch. Signed by the artist in lower right. This item was originally sold as part of a group by Comic Connect who were handling Cole's estate. Included is a COPY of the certificate originally issued with the group before it was broken up for individual sale. Pencil on paper, 8 1/2" x 11". |
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Executioness Pinup by Tom Benham 2000 Banham's talent for pencil shading shines in this gruesome pinup that calls to mind the best of Warren's 70's horror mags! Pencil on art board. 8 1/2" x 14". |
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Fantastic Four vs. Galactus Pinup by Mitch Byrd 2019 Byrd's fantastic interpretation of Galactus in the center of a forming vortex stuns in this action-packed piece! Pencil and ink comic art board (reverse). 11" x 17". |
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Fantom (Coven) Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Firestar Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Four Soldiers Sketch by Will Eisner 1950s Rough but well-textured and evocative sketches of soldiers in varying states of readiness. Blue line and standard pencil on paper. 12" x 9". |
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Ghost Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Giselle (Mystic) Pinup by Aaron Lopresti 2003 A stunning, rich pencil sketch of Crossgen's mistress of magic from one of comics' most talented artists! Pencil on Crossgen comic art board. 11" x 17". |
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Golden Age Sandman & Dr. Mid-Nite Cover from The Secret History of All-American Comics by Larry Guidry (Unused) 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Goth Girl Pinup by Deacon Black 2000s An outstanding pinup from an artist known for great pinups! Black's bold lines and gorgeous rendering (all in pencil, no less!) make this piece an absolute stunner. Signed by the artist. Pencil on art board. 9" x 16". |
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Green Lantern (Genderbent) Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Green Lantern Family #164 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil with spot inks on art board. 11" x 17". |
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Hawkgirl Sketch by Mitch Byrd 2013 An incredible Hawkgirl piece that makes fantastic use of perspective for a truly majestic image of the winged hero surveying a city from on high. Signed by the artist in bottom margin. Pencil and ink on comic art board (reverse). 11" x 17". |
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Hellgirl Christmas Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Jade Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Jungle Girl Pinup by Mike Hoffman 2001 An alluring, beautifully textured illustration of one of Hoffman's favorite subjects! Signed by the artist. Pencil on heavy paper stock. 11" x 13 1/2". |
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Justice League of America #10 Homage Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Kamikazai Painting by Barry Blair and Colin Chan 1990s Blair's detailed line work is wonderfully enhanced with Chan's inks and colors in this fantastic pinup. 10 1/2" x 18". Pencil, ink, colored pencil, watercolor, and airbrush on heavy stock. |
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Kid Flash/Electron/Hawklad from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Kitty Pryde Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Knight Sketch by Jack Kirby 1980s A powerful sketch from the man responsible for creating the worlds and characters that have become cultural institutions! This sketch has all the hallmarks of Kirby's singular design work and is practically krackling with energy! Signed by Kirby with "Happy Birthday John". Pencil on paper. Art has been professionally matted with the matting affixed to a sheet of heavy board with glue. Visible art area measures 7 3/4" x 10 3/4", matting measures 11 1/4" x 14 3/4". NOTE: Piece displays some minor foxing |
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Lady Death Pinup by Dire Wolf 2000 An appropriately apocalyptic setting for the Bad Girl sensation to strike a pose, this piece does a great job at capturing the danger and allure of Lady Death. Signed by the artist. Pencil and ink on art board. 11" x 17". |
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Lady Death Sketch by Stephanie Lantry 2001 A fun, playful sketch of the 90's breakout bad girl that perfectly captures her essence, dig the subtle sneer and confrontational pose! Pencil, ink, and alcohol marker on backer board. 6 3/4" x 10 1/2". |
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Lady Deathstrike Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Lantern Legion #240 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Lantern Legion #263 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil with on art board. 11" x 17". |
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Lantern Legion #304 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Leopard Girl Pinup by Don Marquez 2003 Marquez's brilliant watercolor work shines in this piece, particularly in the coloring on the huntress as she stalks alongside her feline companion. Signed by the artist. Pencil, ink, and watercolor on heavy art stock. |
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Leopard Girl Pinup by F. Newton Burcham 2000s Burcham's rendition of Frazetta's iconic piece is interesting in that rather than ape Frazetta's style, he keeps the form and design and renders it very much in the aesthetic of Golden Age jungle adventure comics. Pencil, ink, and watercolor with sealant applied over the art area. |
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Lilith (Borderlands) Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Lillith and Dragon Painting by Tommy Castillo 2000 Originally intended to serve as cover art for his first art book Dragons, Myths, and Mayhem: The Art of Tommy Castillo, this piece is packed with details- the mouth expelling ravens on the dragon's headpiece represents future wealth and promise and its cowl is adorned with the shield of Medusa, the famed Necronomicon makes a cameo amongst the gruesome objects floating in Lillith's spell, and many others! Pencil, ink, and acrylic on heavy board. 10 3/4" x 14 1/4". |
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Magik Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Magik Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Magik Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Magik Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Magik Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Magik Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Magneto (Genderbent) Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Mantis Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Mary Jane Watson Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Mary Marvel Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Mecha Dragon Rider Pinup by Mitch Breitweiser 2000s A fantastic melding of genres by Breitweiser here, drawing influence from everything from pulp heroes like Airboy to mecha-anime and HR Giger for this tremendous piece. Signed by the artist. Pencil, ink, and watercolor on art board. 11" x 17". |
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Molly and the Indian Agent (1982 Novel) Preliminary Cover Sketch by Enric Torres-Prat 1980s A legendary painter whose work has graced the covers of Eerie, Vampirella, and countless paperbacks, even Enric's prelims stun! This prelim for a western novel is a wonderful example of his talent, rich and full of detail even in this early stage. Signed by the artist. Pencil on art board. 10" x 14 1/2". |
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Mongol Tyrant Painting by F. Newton Burcham 2000s A properly moody and evocative rendition of Frazetta's classic piece from prolific fantasy and sci-fi artist F. Newton Burcham. Acrylic on art board. 11" x 14". |
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Morrigan (Darkstalkers) Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Morrigan (Darkstalkers) Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Morrigan (Darkstalkers) Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Mystique Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Necromancer vs. Shaman Sketch by Ron Spencer In auction ending November 18 2000s A ferocious fantasy battle rendered in fantastic detail by Spencer, a noted artist for two of the most popular fantasy games in existence- Dungeons and Dragons & Magic: The Gathering. Signed by the artist. Pencil on parchment paper. 9" x 12". |
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Nick Fury Sketch by Jim Steranko 2000s A beautiful bust of Marvel's premiere superspy from the artist who made him an icon! Pencil and ink on backer board. Signed by the artist (personalized). 7" x 10 1/2". |
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Now You See It... Now You Don't! Sketches by Will Eisner 1960s Three preliminary sketches for PS Preventive Maintenance Monthly by Eisner for a feature titled "Now You See It... Now You Don't!" Two rough head sketches (pencil on vellum) measure approximately 4" x 12", rough feature sketch (blue line and standard pencil on paper) measures 18" x 11" unfolded, most complete sketch (blue line and standard pencil on vellum) measures 9" x 12". |
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Odin Splash Page Recreation by John Floyd (Printed Pencils by Jack Kirby) 2023 A prolific inker, Floyd often honed his skills by inking over classic pages. Ink over printed pencils on comic art board. 11" x 17". |
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Optimus Prime Painting by Brian Shearer 2022 An eye-catching bust shot of the iconic Transformer with Shearer's solid linework making a great foundation for the beautifully painted colors. Signed by the artist. Pencil, ink, and watercolor on heavy stock. 9" x 12". |
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Pantha Painting by Gene Gonzales 2000 Is she a shapeshifter from Drakulon or an Egyptian Pharaoh cursed with immortality and intermittent amnesia by the gods for her murderous rampage? Either way, she looks great in a classic pinup pose on this beautiful piece. Signed by the artist. Pencil, ink, and watercolor on heavy board. 11" x 17". |
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Peacemaker Sketch by Tod Smith 1987 Long before Peacemaker became a household name thanks to movies and TV shows, the former Charlton character made his entrance into the DC Universe with a 4 issue miniseries drawn by Tod Smith that reimagined the character for a new audience. This sketch, done shortly before the series was published, is a wonderfully iconic image of Peacemaker- locked, loaded, and ready for action! Signed by the artist. Pencil and ink on paper. 9 3/4" x 11 3/4". |
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Phantom Lady Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Phantom Lady Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Raven Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Rita Rabbit 'Geared Up' Pinup by Juan 2002 Juan's detailed pencil work shines in the titular gear adorning this woman of action! Also included is a prelim sketch on parchment paper. Signed by the artist. Pencil on comic art board. 11" x 17". |
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Ritual Preliminary Sketch by L.B. Cole (c. 1980's) 1980s L.B. Cole is one of the legends of comic art having produced gorgeous work in every genre there is, though his horror work stands apart! A prelim sketch that stuns in its own right, this piece highlight's Cole's masterful design sensibilities and expressive character work! This item was originally sold as part of a group by Comic Connect who were handling Cole's estate. Included is a COPY of the certificate originally issued with the group before it was broken up for individual sale. Pencil on paper, 8 1/2" x 11". |
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Ruse Movie Pitch Art Pencils by Mike Perkins, Inks by Rick Magyar 2000s CrossGen Comics Created to help pitch a proposed movie adaptation of Ruse, this cover-quality illustration shows Simon and Emma watching in horror as their nemesis Malcom Lightbourne is dragged away by the Voodoo Child and his dark army. Signed by Perkins in bottom margin. Pencil and ink on Crossgen comic art board. 11" x 17" |
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Ruse Movie Pitch Art Pencils by Mike Perkins, Inks by Rick Magyar 2000s CrossGen Comics Created to help pitch a proposed movie adaptation of Ruse, this stunning widescreen splash-style illustration portrays a gruesome hanging! Signed by Perkins in lower right. Pencil and ink on Crossgen comic art board. 11" x 17" |
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Ruse Movie Pitch Art Pencils by Mike Perkins, Inks by Rick Magyar 2000s CrossGen Comics Created to help pitch a proposed movie adaptation of Ruse, this cover-quality illustration of the movie's new villain Voodoo Child makes for a fantastic introduction to the character. Signed by Perkins in middle right. Pencil and ink on Crossgen comic art board. 11" x 17" |
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Sandman Lil' Endless Pinup by Jill Thompson 2000s A fantastically fun piece featuring Thompson's brilliant children's book interpretation of the iconic Endless (and lil' Daniel Hall!) with wonderful spot coloring. Ink and alcohol marker on paper affixed to matting with two pieces of tape. Signed by the artist. Piece measures 9" x 12", matting measures 16" x 13". |
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Sapphire Painting by Barry Blair and Colin Chan 1990s A magnificent, fully illustrated piece that sees Sapphire, the titular heroine of Blair's erotic fantasy series, alongside one of her Katmite companions- and a dragon! 10 1/2" x 18". Pencil, ink, colored pencil, watercolor, and airbrush on heavy stock. |
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Secret Invasion #1 Impossible Man Sketch Cover by Steven Butler 2010s Is it the real Impossible Man? Is it a Skrull imposter? Does he even know the truth himself??? Signed by the artist. Pencil and ink on sketch cover. |
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Secret Invasion #1 Rawhide Kid Sketch Cover by Steven Butler 2010s Butler's Skrull-ified version of the Rawhide Kid is a lot of fun, note how his cowboy hat is altered to include holes for the long Skrull ears! Signed by the artist. pencil and ink on sketch cover. |
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Secret Invasion #1 Shanna the She-Devil Sketch Cover by Steven Butler 2010s A beautiful piece with a lot of texture and a full background! Signed by the artist. Pencil and ink on sketch cover. |
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Self Portrait by Bill Melendez 2000 A playful and self-portrait from a genuine legend of animation! Melendez's decades-spanning career is packed with classics- Pinocchio, Fantasia, Dumbo, Bambi, Looney Tunes and Merrie Melodies, and Gerald McBoing-Boing to name a few. Melendez is perhaps best known for shepherding the Peanuts to the screen, with his studio producing every single television special and direct to video film featuring Charles Schulz's creations. Signed by the artist (personalized). Ink and watercolor on art board. 9 1/2" x 12". |
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The Shadow Illustration by George Tuska 2000s In his later years, legendary comics artist George Tuska released three portfolios titled "Shadows, Villains, Good Girls" and his appreciation for the pulp hero is clear in this stunning pinup, likely produced for one of the hard to find portfolios. Tuska's ability to capture figures in motion is in full effect here with the Shadow appearing in complete control as he both fires at his enemy and keeps a firm grip on the damsel in quite a bit of distress. Signed by the artist. Pencil, ink, and correction fluid on art board. 12" x 17". |
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Sigil Pinup by Vincenzo Cucca & Andrew Hennessey 2000s This fantastic, action-packed image that would have made for a great cover sees Sam and Roiya taking on a group of Saurians! Pencil and ink on Crossgen comic art board. 11" x 17" |
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Silver Sable Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Silver Sable Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Silver Sable Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Silver Surfer Parable Page Recreation by John Floyd (Printed Pencils by Moebius) 2023 A prolific inker, Floyd often honed his skills by inking over classic pages. Ink over printed pencils on comic art board. 11" x 17". |
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Silver Surfer Parable Page Recreation by John Floyd (Printed Pencils by Moebius) 2023 A prolific inker, Floyd often honed his skills by inking over classic pages. Ink over printed pencils on comic art board. 11" x 17". |
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Snake Eyes Pinup Print by Nate Niles and Jarrod Alberich 2020s A striking black, white, and red piece that captures the Joe's resident ninja perfectly! Signed by the artists. High quality print on heavy matte stock. 11" x 17". |
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Solforge Creature II Sketch by Clint Langley 2000s Solforge Creature II Sketch by Clint Langley. Signed by the artist. Pencil on paper (matted to textured stock). 7" x 10", B&W. |
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Solforge Mechanical Medusa Sketch by Clint Langley 2000s Solforge Mechanical Medusa Sketch by Clint Langley. Signed by the artist. Pencil on heavy board. 7" x 10 3/4", B&W. |
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Space Girl Pinup by Daniel 'Raly' Rivera 2000 Rivera does some stunning rendering in colored pencil in this bold pinup. Pencil and colored pencil on art board. 11 1/4" x 15 1/4". |
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Spanish Scott (Stray Bullets) Sketch by David Lapham 1995 An extremely cool sketch featuring one of the most iconic characters from Lapham's decades-spanning cult hit crime saga. Signed by the artist. Ink on matte backing board. 7" x 10 1/4". |
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Spawn 30th Anniversary Edition (2022 Image) #1 Sketch Cover by Surjit Chana 2020s Signed by the artist. Pencil, ink, and watercolor on sketch cover. |
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Spawn Pinup by Mark Hester 1990s A great, full piece that captures the iconic dark hero in all of his glory- chains flying, energy flaring, and cape overtaking the page! Pencil and ink with correction fluid on comic art board. 11" x 17" |
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Species/Aliens Pinup by Caesar Antomattei 1998 A beautiful, moody rendering of Giger's most iconic creations- the alien form of Sil from Species holding hands with an Alien Xenomorph! Antomattei's talent with ink is more than apparent in this stunning piece. Signed by the artist. Pencil, ink, and correction fluid on DC Comics art board and covered with sealant. 11" x 17". |
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Spider-Man Drink and Draw Coaster Sketch by Mark Texeira In auction ending December 13 2024 Signed by the artist. Marker on coaster. 4" x 4" |
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Spider-Man Painting by John D. Boren 2020s Gouache on heavy stock. 9" x 12". |
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Storm Sketch by Dave Cockrum 2000s A goddess rendered by a legend! Cockrum's beautiful, flowing anatomy shines in this gorgeous sketch of Ororo in flight. Signed by the artist (personalized). Pencil, ink, and marker on paper which has been affixed to a piece of foam board and matted. Full piece measures 12 3/4" x 15 3/4". |
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Super Héroes Presenta El Motorista Fantasma Vol. 2 #1 Cover Recreation by Rafael Lopez Espi 1980s Repackaging an American comic for foreign markets oft necessitated new covers that would appeal to the country's audience, a job typically reserved for artists from that country such as the immensely talented Rafael Lopez Espi. Espi's lush, fully painted covers are an absolute joy to behold, especially on this gorgeous recreation featuring that classic subject- a hero rescuing a damsel about to sacrificed by a cultist! Signed by the artist. Gouache watercolor on art board. 11 1/2" x 16 1/2". |
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Super Héroes Presenta El Motorista Fantasma Vol. 2 #3 Cover Recreation by Rafael Lopez Espi 1980s Repackaging an American comic for foreign markets oft necessitated new covers that would appeal to the country's audience, a job typically reserved for artists from that country such as the immensely talented Rafael Lopez Espi. Espi's bright, bold recreation is stunner, with Ghost Rider leaping into action against a group of warriors as a menacing serpent statue keeps watch. Signed by the artist. Gouache watercolor on art board. 11 1/2" x 16 1/2". |
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Supergirl Sketch by Jose Luis Garcia Lopez and Dan Adkins 2000s One of the few artists known for depicting iconic versions of the characters we know and love perfectly poses the Maid of Might in one of her Bronze Age costumes with Adkins' clean inked lines making it pop off the page. Pencil and ink on art board. 11" x 14". |
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Supergirl Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Superman #123 Homage Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Superman Commission by Dick Ayers 1994 A powerful, poised image of the Big Blue Boy Scout that practically jumps off the page thanks to Ayers' intricately drawn background design! Signed by the artist (personalized). Pencil and ink on paper. 9" x 12". |
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Superman with Ben Hogan and Byron Nelson Painted Commission by Al Plastino 2013 A beautiful and unique piece with Plastino deliving an iconic image of Silver Age Superman waving to two golfing legends. Pencil, ink, watercolor, and gouache on art stock affixed to a sheet of heavy board. Painting measures 18" x 13", full piece measures 20" x 16". |
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Sword of the Atom Oversized Sketch by Gil Kane 1990s Gil Kane's brilliant reimagining of the Atom that brought a sword and sorcery aesthetic to the mostly science-focused character is one of the high points of DC's 80's output and that magic comes to life in this oversized sketch that's absolutely bubbling with energy! Signed by the artist (personalized). Pencil and ink on the reverse of a poster for the NEA's honoring of Kane's work on Star Hawks. The poster has been affixed to a piece of foam board at the top with glue. Both the poster and art measure 11" x 17". |
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The Shadow Pinup by Mitch Byrd 2015 A wonderful piece that captures The Shadow's pulp origins with all the tropes you could want- a masked hero, a beautiful dame, and a horrific villain! Signed by the artist. Pencil, ink, and alcohol marker on paper. 11" x 14" |
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Thor Joe Sinnott Inking Challenge #3 Page by John Floyd 2011 The Joe Sinnott Inking Challenge was created by the legendary inker to illustrate the importance of the inker's role in crafting the look of a comic. Each year, Sinnott would pencil a piece and make it available for inkers to finish with the results typically being auctioned for charity. Ink over printed blue line pencil with additional printed inks on comic art board. 11" x 17". NOTE: A portion of the inks on this piece are printed, mainly the larger solid black areas as well as the screentone texture on Thor's cape and the artist signatures. |
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Tor Sketch by Joe Kubert in Abraham Stone Country Mouse, City Rat GN 1991 This edition of Kubert's western noir features a fantastic pen sketch of Kubert's prehistoric hero Tor on the first page. |
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Ultra Boy Sketch by Andy Lanning 2010s Ultra Boy sketch by Andy Lanning. Signed by the artist. Pencil on paper. 5" x 8", B&W. |
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Unidentified Painted Art by Paul Harmon 2000s Indie comics luminary Paul Harmon delivers a cover-worthy piece on this beautiful, horror-tinged page. Signed by the artist. Paint on art board. 10 1/2" x 16 1/4". |
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Unidentified Preliminary Sketch by Roy Krenkel 1950s A beautifully drawn scene from the legendary fantasy artist! Pencil on paper. 8 1/4" x 11". |
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Untitled Monster Painting by Clint Langley 2010s Untitled Monster Painting by Clint Langley. Signed by the artist. Paint and ink on heavy board. 14 3/8" x 10 3/4", full color |
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Untitled Painting by Clint Langley 2010s Untitled Painting by Clint Langley. Signed by the artist. Airbrush, watercolor, and ink on heavy stock. 11 3/4" x 16 1/2", B&W. |
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Vampirella and Lady Death Painting by Gene Gonzales 2000 The two iconic bad girls share a tender and cheeky moment in this playful pinup painting. Signed by the artist. Ink and gouache on heavy board. 10" x 17". |
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Vampirella and Lady Death Pinup by Dustin George 2001 A fantastic cover-quality piece that sees two of comics' most iconic and enduring bad girls splayed on a pile of skulls. George's clean, detailed linework shines wonderfully in the original art! Also included is an 8 1/2" x 11" colored print of the art printed on glossy photo stock. Signed by the artist. Pencil and ink on heavy stock. 14" x 11" |
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Vampirella and Pantha Pinup by Deacon Black 2000s Impressive pencil work both in the line art and shading from Black on this alluring pinup of the sometimes-rivals. Signed by the artist. Pencil on art board. 10 3/4" x 16". |
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Vampirella Painting by Don Hillsman II 2000 A cover-worthy piece from Hillsman with great colors and a rich texture that really pops! Hillsman gives Vampi the attention she deserves with fantastic detail on her costume and boots as she kneels in a grim tableau of bones, bats, and weapons! Acrylic and airbrush on comic art board. 11" x 17". |
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Vampirella Painting by Gene Gonzales 2000 A bright, bold pinup with clean lines and solid rendering! Gouache on art board. 12 1/2" x 19". |
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Vampirella Pinup by Louis Paradis 2000 Paradis' mastery of figure and technique come together beautifully in this piece, which sees the vampiric vixen leaping through the air before a full moon. Pencil on art board. 8 1/2" x 11 3/4". |
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Vampirella Pinup by Louis Paradis 2000 An absolutely beautiful piece from Paradis that eschews Vampi's traditional color pallet to create an incredible sense of mood. Mixed media on heavy board. 7 1/2" x 11 1/4". |
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Veronika Kotlajic Pinup by Jeff Pittarelli 2003 An eye catching and beautifully textured piece of Playboy model and fashion designer Veronika Kotlajic from noted erotic artist Jeff Pittarelli was featured in one of his ArtFantastix books. Pencil and airbrush on paper. 17" x 14" |
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Vor the Maelstrom Sketch by Clint Langely 2010s Vor the Maelstrom Sketch by Clint Langely. Signed by the artist. Pencil on heavy board. 12 1/2" x 10", B&W. |
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Wasp Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Weapon X Cover Style Commission by Eder Messias 2010s Pencil, ink, and alcohol marker on Marvel Comics art board. Also included is Messias' full sized pencil prelim. Both measure 11" x 17". |
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Witchblade Painting by Barry Blair and Colin Chan 2000s An eye catching image of one of the baddest 90's bad girls that absolutely pops off the page thanks its brilliant coloring. Signed by the artists. Pencil, ink, alcohol marker, watercolor, and airbrush on heavy stock. 11 1/4" x 17 1/2". |
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Wolf Sketch by Ron Spencer In auction ending November 18 2000s The prolific D&D and Magic: The Gathering artist turns in a beautiful sketch of everyone's favorite early-game enemy- a ferocious wolf! Signed by the artist. Pencil on parchment paper. 9" x 12". |
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Wolverine Painting by Mark McHaley 1991 A piece that could have easily graced the cover of a graphic novel, this impressive painting sees Wolverine in all of his 80's glory- stogie included! McHaley adds some fantastic touches, especially on the gleam of Wovlerine's claws. Mixed media on heavy board. 14 1/4" x 18 3/4". A protective overlay is attached with tape along the top back edge of the piece. |
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Wolverine Pinup by John Toledo 2003 A truly stunning piece from Toledo! Wolverine at his most savage with two of the X-Men's most iconic enemies to boot! Toledo pulls out all the stops here on this cover-quality piece that's worth pouring over- seriously, zoom in on the cables going into Wolvie's thighs or the mechanical strands that make up Mojo's hair! Blue line and standard pencil on art board. 11" x 17". |
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Wolverine Sketch by Ethan Van Sciver 2001 Signed by the artist. Marker on backing board. 6 3/4" x 10 1/2". |
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Woman in Profile Sketch by Will Eisner Pre1950 A simple but still stunning sketch from one of the masters. Pencil and ink on vellum. Measures approximately 6 1/2" x 9" |
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Woman Working on Truck Sketch by Will Eisner Pre1950 A wonderfully detailed sketch. While its place of publication is unknown, it's consistent with Eisner's work on PS The Preventive Maintenance Monthly. Ink on vellum. Measures approximately 8" x 10". |
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Wonder Woman Commission by JG Jones 2007 A rich, stunning piece of the Amazon toying with her magic lasso. Pencil, ink, and inkwash on heavy board. 10 1/4" x 13 1/2". |
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Wonder Woman Painting by Gene Gonzales 2000 A majestic image of Diana soaring along with a flock of doves in a bright blue sky. Signed by the artist. Pencil and gouache on comic art board. 11" x 17". |
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Wonder Woman Pinup by Michael Dooney and Page Groth 2002 The Amazonian Princess looks lovely in this pinup with a powerful figure and lively lines. Signed by the artists. Pencil and ink on art board. 9" x 12" |
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X-Men Pinup by Elton Ramalho 2000s A packed page featuring Wolverine, Jean Grey, Storm, and Nightcrawler with lovingly rendered, stylized figures reminiscent of Madureira and early Larroca Pencil on comic art board. 11 1/4" x 17 1/2". |
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Xenomorph Painting by K. Cross 1992 An absolute beauty of a piece, packed with gruesome detail! Leaning into the insectoid nature of the Xenomorph, Cross crafts a gruesome scene with the creature emerging from a pool of lovingly rendered gore. Ink, watercolor, and gouache on heavy art stock. 10" x 14". |
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Zombie Pirate Sketch by Scott Hampton 2000s A moody, spooky, and beautifully illustrated piece from one of comics' modern masters! Pencil and ink with some correction fluid the reverse of DC Comics art board. 11" x 17", B&W. |
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Avengers Invaders #1 (2008) Sketch Cover by Joe Rubinstein from Avengers Invaders (2008 Marvel Dynamite) 1A 2009 Comics legend Joe Rubinstein delivers a pitch perfect Wolverine sporting a magnificently menacing smile! Signed by the artist. Pencil and ink on sketch cover. |
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Avengers Invaders #1 (2008) Sketch Cover by Joe Rubinstein from Avengers Invaders (2008 Marvel Dynamite) 1A 2009 An iconic image of Charles Xavier, deep in contemplation from veteran Joe Rubinstein. Signed by the artist. Pencil and ink on sketch cover. |
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Captain Canuck Sketch Cover by Richard Comely from Captain Canuck (2015 Chapter House) 1A 2010s A bold bust sketch with beautiful coloring by the Canadian champion's creator himself! Signed by the artist. Pencil and alcohol marker on sketch cover. |
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Original Art from Dungeons and Dragons: The Book of Exalted Deeds (2003) Page 125 'Barachiel The Messenger' by Ron Spencer In auction ending January 15 from Dungeons and Dragons Book of Exalted Deeds HC (2003 Wizards of the Coast) 1-1ST 2003 Wizards of the Coast The D&D equivalent of angels, archons are an entirely good/lawful race and tome archon Barachiel stands at their head, the defender of the Seven Heavens. Spencer delivers a beautiful rendition of the here, with his trademark longsword and glistening metallic form contrasting well with a flowing cloak that mirrors the night sky. Signed by the artist (once on the piece and once on the overlay). Paint over pencil on art stock with protective overly affixed with tape on the reverse. 8 1/2" x 11". |
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Fallen Son: The Death of Captain America #3 (2007) Sketch Cover by Randy Emberlin from Fallen Son Death of Captain America (2007) 3A 2009 A classic Cap, looking determined as ever (even though he's dead) from veteran inker Randy Emberlin. Signed by the artist. Pencil on sketch cover. |
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The Marvels Project #1 (2009) Sketch Cover by Mitch Gerads from Marvels Project (2009 Marvel) 1A 2010s It's almost hard to believe this is a sketch cover and not a finished piece of art! Superstar artist Mitch Gerads delivers a dynamic and richly textured drawing of Captain America in action. Signed by the artist. Pencil, watercolor, and ink on sketch cover. |
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The Marvels Project #1 (2009) Sketch Cover by Mitch Gerads from Marvels Project (2009 Marvel) 1A 2010s No hook can catch the King of Atlantis! Gerads brings a wonderful sense of motion to this image of Namor (along with some aquatic acquaintances) just saying no to a fishing boat. Signed by the artist. Pencil, watercolor, and ink on sketch cover. |
