Comic Art

• Original Comic Art
  • Comic Art: Cover 23 items
  • Comic Art: Splash Page 18 items
  • Comic Art: Double Page Splash 6 items
  • Comic Art: Interior Page 191 items
  • Comic Art: Double Page Spread 7 items
  • Comic Art: Complete Story 9 items
  • Comic Art: Partial Story 1 item
  • Comic Art: Comic Strip 16 items
  • Comic Art: Unpublished Page 9 items
• Drawings, Sketches, Paintings, etc.
• Prints and Lithographs
• Production Art
• Animation Art
• Wall Art/Posters

Original Art from Action Comics #666 (1991) Page 10 Pencils by Ed Hannigan, Inks by Willie Blyberg Price: $600.00 from Action Comics (1938 DC) 666 1991 DC One of the enduring tropes of Superman comics, this vision of a world where Superman broke bad sees the hero struggling with the violent impulses that led him to slaughter of all his enemies- and then start on the heroes trying to stop him. After taking on the combined armed forces of the world, only the Doom Patrol is left to stand against him. Will they succeed? No. No they won't. Signed by Hannigan in bottom margin, though signature is faded. Pencil and ink on DC Comics art board. 11" x 16 1/2", B&W.

Original Art from Action Comics #704 (1994) Page 16 Pencils by Jackson 'Butch' Guice, Inks by Denis Rodier Price: $2,000.00 from Action Comics (1938 DC) 704 1994 DC In the aftermath of Zero Hour, the tendrils of broken continuity wrap around the Man of Steel! After discovering a body lying in the tomb of his memorial, Superman is struggling with whether he's the real deal- and the Eradicator has answers (or so he hopes). This stunning splash page sees Superman gaining the upper hand over his former doppelganger, still engulfed in flames from the being's energy attack. A powerful image that captures everything we love about 90's Superman. Signed by Rodier in bottom margin. Pencil and ink on DC Comics art board. 11" x 17", B&W.

Original Art from Adventures in the DC Universe #5 (1997) Page 10 Pencils by John Delaney, Inks by Ron Boyd Price: $150.00 from Adventures in the DC Universe (1997) 5 1997 DC A page full of fantastic action as Martian Manhunter takes on a genuine flying saucer over his adopted home city of Denver! This story also does some nice character work with the civilians as we've previously learned in the issue that Megan is a recent Metropolis transplant who fancies herself as unfazed by the destruction of a superhero battle. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Adventures in the DC Universe #5 (1997) Page 12 Pencils by John Delaney, Inks by Ron Boyd Price: $120.00 from Adventures in the DC Universe (1997) 5 1997 DC A great big action page that sees Martian Manhunter heading back towards the flying saucer he damaged in order to stop it from crashing into an abandoned house where children were (unwisely!) trying to observe the battle. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Adventures in the DC Universe #6 (1997) Page 1 Pencils by John Delaney, Inks by Ron Boyd Price: $70.00 from Adventures in the DC Universe (1997) 6 1997 DC Some classic criminal hijinks to open this Aquaman-centric issue as a pair of goons prepare some hand-crafted cement shoes for a former associate who double crossed the outfit. Delightful cartooning on this page, especially in the fourth panel as poor Fred hears what's swimming in the water below! Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Adventures in the DC Universe #6 (1997) Page 16 Pencils by John Delaney, Inks by Ron Boyd Price: $85.00 from Adventures in the DC Universe (1997) 6 1997 DC The second chapter of this issue's story opens with the focus switching from Aquaman to Power Girl (seen in an instantly recognizable silhouette in the first panel) as the police ask for her help in stopping a group of criminals on their way to stage a jailbreak a Bell Reve! Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Adventures in the DC Universe #8 (1997) Page 16 Pencils by John Delaney, Inks by Ron Boyd Price: $95.00 from Adventures in the DC Universe (1997) 8 1997 DC Though the face of Vic Sage is visible, this is undoubtedly a Question page as he tells off a slimy mogul before confidently striding past the barricades to investigate a crime scene while clad in his trademark trench coat and fedora. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Adventures in the DC Universe #8 (1997) Page 17 Pencils John Delaney by Inks by Ron Boyd Price: $125.00 from Adventures in the DC Universe (1997) 8 1997 DC A fantastic 9-panel page that sees Vic Sage (better known as The Question!) doing what he does best- investigating, finding a clue, and leaping to follow it! Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Adventures in the DC Universe #9 (1997) Page 17 Pencils by John Delaney Inks by Ron Boyd Price: $95.00 from Adventures in the DC Universe (1997) 9 1997 DC Working off a lead that there would be a microchip heist, Black Canary arrives to find that the robbery has already taken place and gets a nice dose of exposition from the battered security guard. The fifth panel on this page is especially great as we see Canary reflected in the broken glasses of the guard. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Adventures in the DC Universe #9 (1997) Page 19 Pencils by John Delaney Inks by Ron Boyd Price: $170.00 from Adventures in the DC Universe (1997) 9 1997 DC A frenetic action page as Canary leaps into action with a quip that doesn't quite land for her literal-minded foe. The stylization of the DCAU line shines here with the physically opposite designs for the two villains making a fun nice contrast while Canary tries to take them both on. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Adventures in the DC Universe #9 (1997) Page 20 Pencils by John Delaney Inks by Ron Boyd Price: $250.00 from Adventures in the DC Universe (1997) 9 1997 DC An action-packed fight page with Black Canary using her fighting prowess (thanks, Ted!) to take down the massive Hammer. Not much else to say other than SMEK! THUNK! KLANG! SPAK! KLUNK! Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Adventures in the DC Universe #9 (1997) Page 21 Pencils by John Delaney, Inks by Ron Boyd Price: $115.00 from Adventures in the DC Universe (1997) 9 1997 DC Having just taken down the massive Hammer, Canary turns her attention to his slim partner Morrie- but being the brains of the operation he immediately takes a hostage rather than fight. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Adventures in the DC Universe #9 (1997) Page 22 Pencils by John Delaney, Inks by Ron Boyd Price: $120.00 from Adventures in the DC Universe (1997) 9 1997 DC A dramatic and somewhat gruesome final page caps off Morrie's short-lived life of crime (this is his only appearance!) with a THOP! Canary uses the villain's talent for remembering everything he's ever seen or heard against him, depicted marvelously in the first panel with a dizzying array of memories and information filling his mind. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Adventures in the DC Universe #11 (1998) Page 15 Pencils by John Delaney, Inks by Ron Boyd Price: $140.00 from Adventures in the DC Universe (1997) 11 1998 DC Trapped in a dimension of nightmares without his ring, Kyle Rayner is in need of a rescue- thankfully a lack of superpowers doesn't phase Wonder Woman as she stages a jailbreak in this action heavy page. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Adventures in the DC Universe #11 (1998) Page 16 Pencils by John Delaney, Inks by Ron Boyd Price: $175.00 from Adventures in the DC Universe (1997) 11 1998 DC A beautifully drawn full-length panel of Toxxis, the ruler of The Pit of Despair, is the centerpiece of this page that sees the de-powered Wonder Woman and Green Lantern fight for lives against an army of henchmen. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Adventures in the DC Universe #11 (1998) Page 17 Pencils by John Delaney, Inks by Ron Boyd Price: $115.00 from Adventures in the DC Universe (1997) 11 1998 DC Depowered and trapped in an alternate dimension known as The Pit of Despair, Wonder Woman and Green Lantern make a daring escape via jumping blindly through a hole in the wall! Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Adventures in the DC Universe #11 (1998) Page 20 Pencils by John Delaney, Inks by Ron Boyd Price: $120.00 from Adventures in the DC Universe (1997) 11 1998 DC After regaining his confidence thanks to Wonder Woman, Kyle and the Amazonian have turned the tide in their battle to escape Toxxis' Pit of Despair leading to some classic dialogue from the villain- "How dare you?! I will crush you for this insolence!" Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Adventures in the DC Universe #13 (1998) Page 20 Pencils by John Delaney, Inks by Ron Boyd Price: $150.00 from Adventures in the DC Universe (1997) 13 1998 DC A great hero-entrance page that sees Connor Hawke, the Green Arrow leaping in to stop Nightfall and her stepfather's gang with a barrage of arrows. The third panel here is especially eye-catching as Arrow's arrows find their targets, pinning the goons to the wall. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Adventures in the DC Universe #13 (1998) Page 22 Pencils by John Delaney, Inks by Ron Boyd Price: $110.00 from Adventures in the DC Universe (1997) 13 1998 DC A classic comic trope for the final page of this Green Arrow story as the beautiful villainess Nightfall reveals her double cross and makes a quick escape- albeit without the loot! Pencil and ink on DC Comics art board. 11 1/2" x 15 1/2".

Original Art from Adventures in the DC Universe #14 (1998) Page 2 Pencils by John Delaney, Inks by Ron Boyd Price: $90.00 from Adventures in the DC Universe (1997) 14 1998 DC A fun page that sees Wally and Linda Park trying to deal with Wally's identity becoming public when all they want is a relaxing vacation in Hawaii- of course with Superboy operating in the state, that's not looking too likely! Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Adventures in the DC Universe #15 (1998) Page 10 Pencils by John Delaney, Inks by Ron Boyd Price: $125.00 from Adventures in the DC Universe (1997) 15 1998 DC With Zeus testing the hero by only allowing him to access his powers while in the form of Billy Batson, Captain Marvel has to figure out a way to foil a criminal plot to unleash a powerful robot. A fantastic onomatopoeia fourth panel and a great shot of the adult Captain Marvel kicking in a door (it's flimsy!) close out this page. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Adventures in the DC Universe #15 (1998) Page 9 Pencils by John Delaney, Inks by Ron Boyd Price: $100.00 from Adventures in the DC Universe (1997) 15 1998 DC With Zeus' machinations leaving Billy stuck in his child form as the only way to access his powers, he finds help from a young Batman fan who's seen the true plans of the thought-to-be-foiled bank robbers. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Adventures in the DC Universe #18 (1998) Page 5 Pencils by John Delaney, Inks by Ron Boyd Price: $145.00 from Adventures in the DC Universe (1997) 18 1997 DC A fantastic half splash of Amazo carving out a message in the middle of Metropolis Park with a Lantern construct opens this page with Green Lantern watching from the satellite and delivering a classic Looney Tunes line. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Adventures in the DC Universe #19 (1998) Page 18 Pencils by John Delaney, Inks by Ron Boyd Price: $200.00 from Adventures in the DC Universe (1997) 19 1998 DC Double crossed by her ancient god-powered employer after stealing Wonder Woman's lasso, Catwoman proves she's not JUST a callous thief by showing up to save Diana's life and help fight the monster. A fun action page with the feline felon wielding the lasso and showing off her acrobatic skills! Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Art from All Out War #1 (1979) Page 38 Pencils & Inks by ER Cruz Price: $375.00 from All Out War (1979) 1 1979 DC What a war page! Thanks to Pooch, Gunner & Sarge get the drop on a Japanese tank- as shown in the beautifully inked third panel of the two Marines' grenades hitting their mark with Pooch making a last minute leap for safety and getting a hearty 'Good boy' as his reward. Pencil and ink on comic art board. 10 1/2" x 15 3/4".

Original Art from Archard's Agents The Case of the Puzzled Pugilist (2003) Pg 14 Pencils and Inks by Mike Perkins Price: $150.00 from Archard's Agents (2003 One-Shot) The Case of the Puzzled Pugilist 1 2003 CrossGen Comics On the run from some unsavory folks, bareknuckle boxer Peter Grimes takes refuge as a hired hand at a country estate- but is high society even more dangerous than organized crime? Signed by Perkins in lower right. Pencil and ink on Crossgen comic art board. 11" x 17".

Original Art from Archie #441 (1995) Page 1 Pencils by Stan Goldberg, Inks by Henry Scarpelli Price: $150.00 from Archie (1943 Archie Comics) 441 1995 Archie Publications If you're a Reggie fan, this page is just for you- Reggie gets the girl AND wins the game. Now, this is just the first page so hopefully he doesn't get any comeuppance later in the story!

Original Art from Archie #479 (1999) Complete 6-Page Story 'Guy Magnet' Pencils by Stan Goldberg, Inks by Bob Smith Price: $600.00 from Archie (1943 Archie Comics) 479 1999 Archie Publications If you ever needed proof of what a decent guy Archie is, look no further than this story! After a modern makeover makes Archie the toast of the ladies of Riverdale, he reverts back to his old look after realizing all the attention is causing problems for his mom. What a guy! Pencil and ink with title/credits stats and text corrections on six pages of Archie Comics art board. Each measures 11 1/2" x 17".

Original Art from Archie and Friends #153 (2011) Page 4 of 'The King of Fools' Pencils by Tania del Rio, Inks by Jim Amash Price: $149.95 from Archie and Friends (1991) 153 2011 Archie Publications In attempt to win a contest as the country's best 'prank artist', Reggie sets in motion a zany series of events that results in Veronica (who Reggie tricks into bleaching her hair) unwittingly becoming Archie's partner in a skateboarding competition on this action-packed page. Signed by Amash in bottom margin. Pencil and ink on comic art board. 11" x 17".

Original Art from Archie's Double Digest #217 (2011) Complete 8-Page Story 'The Mad Cowboy of Riverdale High' Pencils by Jeff Shultz, Inks by Mark McKenna Price: $600.00 from Archie's Double Digest (1982) 217 2011 Archie Publications A very special entry of Archie featuring Dallas Cowboys tight end Jason Witten! With prom less than 24 hours away, the gang learns that the party they planned to attend was going to feature an uninvited guest- alcohol! Thankfully, Witten's speech to the school helps the students understand the dangers of drink! Pencil and ink on 8 sheets of comic art board, each measures 11" x 17".

Original Art from Army of Darkness #5 (2006) Page 3 Pencils by Kevin Sharpe In auction ending January 15 from Army of Darkness (2006 2nd Series) 5A 2006 Dynamite Entertainment Getting ready to start the day is even more of a drag when you have to reattach your head to your neck! The Deadites have risen again, led by one possessing the body of Ash's former love, Linda- and she's bringing friends with her! Pencil on Dynamite Comics art board. 11" x 17", B&W.

Original Art from Army of Darkness #11 (2006) Page 6 Pencils by Kevin Sharpe In auction ending January 15 from Army of Darkness (2006 2nd Series) 6A 2006 Dynamite Entertainment Evil Ash from the mirror universe (yep, Evil Dead has one too!) demonstrates how deftly Evil Dead combines horror with comedy by performing a little puppet theatre for our hero! Pencil on Dynamite Comics art board. 11" x 17", B&W.

Original Art from Army of Darkness #7 (2006) Page 11 Pencils by Kevin Sharpe Price: $99.95 from Army of Darkness (2006 2nd Series) 7A 2006 Dynamite Entertainment Freed from the control of the Deadites, renowned parapsychologist/demonologist Madeline Rothleschilde realizes that Ash has destroyed the cabin and severed the Deadites' spirit anchor...but did he survive? Pencil on Dynamite Comics art board. 11" x 17", B&W.

Original Art from Army of Darkness #7 (2006) Page 12 Pencils by Kevin Sharpe In auction ending January 15 from Army of Darkness (2006 2nd Series) 7A 2006 Dynamite Entertainment It's usually not a good thing when Ash's past loves rise from the dead, but this time Sheila's got a message for Ash- he's the chosen one and the only person who can stop the Deadites! Pencil on Dynamite Comics art board. 11" x 17", B&W.

Original Art from Army of Darkness #7 (2006) Page 20 by Kevin Sharpe Price: $99.95 from Army of Darkness (2006 2nd Series) 7A 2006 Dynamite Entertainment Original Art from Army of Darkness #7 (2006) Page 20 by Kevin Sharpe. A gloriously gruesome page that sees a monster hunter's henchman accidentally reanimating the severed head of Dracula! Signed by the artist in top margin. Pencil on Dynamite Comics art board. 11" x 17", B&W.

Original Art from Army of Darkness #10 (2006) Page 14 Pencils by Kevin Sharpe In auction ending January 15 from Army of Darkness (2006 2nd Series) 10A 2006 Dynamite Entertainment A fantastic fight page where a newly lycanthrope Ash has to be put down- and the only woman for the job is Eve, daughter of Dracula! Pencil on Dynamite Comics art board. 11" x 17", B&W.

Original Art from Army of Darkness #10 (2006) Page 16 Pencils by Kevin Sharpe In auction ending January 15 from Army of Darkness (2006 2nd Series) 10A 2006 Dynamite Entertainment Though he clearly hasn't made the best first impression, Ash is going to need help from Eve- daughter of Dracula! A gruesome origin page that sees Dracula making a deal with a demon to save the life of his beloved, Eve's mother. Pencil on Dynamite Comics art board. 11" x 17", B&W.

Original Art from Army of Darkness #11 (2006) Page 10 Pencils by Kevin Sharpe Price: $99.95 from Army of Darkness (2006 2nd Series) 11A 2006 Dynamite Entertainment We've all heard of the Trojan Horse, but how about the Trojan Frankenstein's Monster? Dracula thinks he's got Ash right where he wants him, which should work out just fine for him! Pencil on Dynamite Comics art board. 11" x 17", B&W.

Original Art from Army of Darkness #11 (2006) Page 12 Pencils by Kevin Sharpe Price: $99.95 from Army of Darkness (2006 2nd Series) 11A 2006 Dynamite Entertainment When you're fighting monsters, it helps to have one on your side- but is Frankenstein's monster (though he prefers 'Michael') going to be able to fight off Dracula's werewolf and vampire minions? Pencil on Dynamite Comics art board. 11" x 17", B&W.

Original Art from Army of Darkness #11 (2006) Page 17 Pencils by Kevin Sharpe Price: $99.95 from Army of Darkness (2006 2nd Series) 11A 2006 Dynamite Entertainment The final showdown begins! Dracula has taken over New York City and the only person who can stop him is...his daughter? Looks like she'll have a tough go of it! Pencil on Dynamite Comics art board. 11" x 17", B&W.

Original Art from Army of Darkness #11 (2006) Page 8 Pencils by Kevin Sharpe Price: $99.95 from Army of Darkness (2006 2nd Series) 11A 2006 Dynamite Entertainment Don't call him Frankenstein! After deciding not to side with Dracula in his takeover of New York City, the monster shows his true power- and his true name ("Michael. It's a biblical name.") Pencil on Dynamite Comics art board. 11" x 17", B&W.

Original Art from Artemis Requiem #2 (1996) Page 8 Pencils by Ed Benes, Inks by Doug Selogy Price: $585.00 from Artemis Requiem (1996) 2 1996 DC An ominous page that brings to mind the horror mags of the 70's! Artemis has only just brushed the dirt off after rising from the grave and finds herself in the midst of a satanic nazi cult's human sacrifice ritual! Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Avengers #10 (1964) Page 10 Pencils by Don Heck, Inks by Dick Ayers Price: $11,875.00 from Avengers (1963 1st Series) 10 1964 Marvel Avengers #10 saw the first appearance of Immortus (though with the hindsight of several retcons, it's technically his second after Kang debuted in #8!) and this page features the villain's first meeting with the Mighty Avengers! Having kidnapped Rick Jones, Immortus reveals his scheme to challenge the team by forcing each of them to fight a champion from history whose power (theoretically) exceeds their own. The first matchup is Giant Man against...the biblical Goliath. Pencil and ink with some correction fluid on art board. 13 1/2" x 20", B&W.

Original Cover Art for Avengers #11 (2011) Pencils by John Romita Jr., Inks by Klaus Janson Price: $7,500.00 from Avengers (2010 4th Series) 11A 2011 Marvel An incredibly powerful cover- but what else would you expect from two legends like John Romita Jr. and Klaus Janson? Parker Robbins, The Hood, has been levelling up. After seizing control of organized crime in the Marvel Universe, the villain now seeks to control the Infinity Gems- and he's got three already. JRJR and Janson grace this cover with all of the power and weight that should come a long with a story centered around the Infinity Gems with the God of Thunder making a dramatic stand against the overpowered hoodlum. Also included is a copy of the published issue. Pencil, ink, and correction fluid on Marvel Comics art board. 11" x 17 1/4".

Original Art from Baby Snoots #15 (1973) 'In the Nap of Time' Story Page 7 Price: $150.00 from Baby Snoots (1970 Gold Key) 15 1973 Gold Key A fanciful page that sees Baby Snoots and Uptite Mouse trying to help an alien from the pastry-themed world of Doughbovia find a new crown for his king! Artists are uncredited. Pencil and ink on art board. 14" x 20 1/2".

Original Art from The Badger #10 (1986) Page 9 Pencils by Bill Reinhold, Inks by Sam de la Rosa Price: $375.00 from Badger (1983 1st Series Capital/First) 10 1986 First Comics Norbert Sykes, better known as the Badger, takes a trip to visit an old Vietnam buddy who's having some trouble with a local militia. A great example of the Rambo-esque charm that made this series a fan-favorite. Pencil and ink on art board. 11 3/4" x 15 1/4".

Original Art from Batman #692 (2009) Page 11 Pencils by Tony Daniel, Inks by Sandu Florea In auction ending December 27 from Batman (1940) 692 2009 A magnificent mafia montage! In the process of tracking down Black Mask, Batman (Dick Grayson era) gets a tip from Selina Kyle about a large estate in unincorporated Gotham- owned by the Falcone Crime Family! The inset family photo of the criminal clan sees Daniel altering his style just a tad to capture Tim Sale's iconic renditions of the Falcones. Signed by Daniel in lower right margin. Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Cover Art for Batman Eternal #44 (2014) Pencils and Inks by Ethan Van Sciver Price: $2,600.00 from Batman Eternal (2014) 44 2014 DC Think the TSA was a pain? Try flying out of Gotham! This action-packed, detailed cover sees Batman doing his best to make sure Professor Milo doesn't make his flight! Also included is a copy of the published issue. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Batman Gotham Knights #35 (2003) Page 15 Pencils by Roger Robinson, Inks by John Floyd Price: $175.00 from Batman Gotham Knights (2000) 35 2003 DC An adorable moment between Dick and Babs (perhaps better known as Nightwing and Oracle) as Barbara looks for leads in the tattoo-related killings that have been plaguing the city. Pencil and ink on DC Comics art board. 11" x 17". NOTE: Panels 3 and 4 are pasted in stats with printed art.

Original Art from Batman Gotham Knights #35 (2003) Page 16 Pencils by Roger Robinson, Inks by John Floyd Price: $350.00 from Batman Gotham Knights (2000) 35 2003 DC Bane has returned to Gotham with a shocking revelation- that hey believes himself to be the illegitimate son of Thomas Wayne! While Bruce and the rest of the Bat-family await the results of a DNA test to confirm, Bane makes himself at home- which in the Bat Cave means some gear-free sparring! Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Batman Gotham Knights #35 (2003) Page 17 Pencils by Roger Robinson, Inks by John Floyd Price: $150.00 from Batman Gotham Knights (2000) 35 2003 DC With Bane making himself at home while operating under the belief that he is Bruce's half brother, it's a good thing that Alfred is around to cut the villain down to size! As a bonus for all the Nightwing fans out there, this page ends with a shot of the former Boy Wonder freshening up in the background. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Batman Gotham Knights #35 (2003) Page 18 Pencils by Roger Robinson, Inks by John Floyd Price: $125.00 from Batman Gotham Knights (2000) 35 2003 DC It's a turbulent time in Wayne Manor! With a killer on the loose and Gotham and Bane showing up with the revelation that he may be Thomas Wayne's illegitimate son, Bruce has a lot on his mind. Thankfully Alfred is there to dispense some much-needed wisdom in the beautiful last panel. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Batman Gotham Knights #35 (2003) Page 19 Pencils by Roger Robinson, Inks by John Floyd Price: $100.00 from Batman Gotham Knights (2000) 35 2003 DC Bruce makes use of his playboy persona to try to get a lead on the tattoo-themed killer currently plaguing Gotham- though he might need to find a new date for the next charity ball! Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Batman Gotham Knights #35 (2003) Page 20 Pencils by Roger Robinson, Inks by John Floyd Price: $90.00 from Batman Gotham Knights (2000) 35 2003 DC Ariadne Pinxit, the tattoo-themed villain better known as Pix continues enacting her revenge across the city in this gruesome page. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Batman Gotham Knights #35 (2003) Page 22 Pencils by Roger Robinson, Inks by John Floyd Price: $500.00 from Batman Gotham Knights (2000) 35 2003 DC A dramatic last page and an interesting example of the process of creating certain effects in comics in an age before everyone had a tablet and suite of image-editing software! Batman has finally tracked down the tattoo-killer who's been taking bloody revenge on those who've wronged her. To achieve the effect of Batman's reflection as he waits for his moment to strike, the image had to be fully drawn on a separate sheet and sent in to DC's offices so that the image could be given a semi-transparent effect! Also included is a copy of the published issue. Pencil and ink on two sheets of DC Comics art board. 11" x 17".

Original Art from Batman Gotham Knights #36 (2003) Page 1 Pencils by Roger Robinson, Inks by John Floyd Price: $150.00 from Batman Gotham Knights (2000) 36 2003 DC The thrilling life of a Gotham City vigilante in all its glory! To protect them from the potential threat of Bane, Batman sends Dick and Babs to track down a lead he knows is bogus- thought at least the two lovebirds get some time alone! Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Batman: Gotham Knights #36 (2003) Page 3 Pencils by Roger Robinson, Inks by John Floyd Price: $237.00 from Batman Gotham Knights (2000) 36 2003 DC A great action page that sees Batman almost effortlessly defuse a hostage situation where both the hostage and their captor have deadly intentions! Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Batman: Gotham Knights #36 (2003) Page 5 Pencils by Roger Robinson, Inks by John Floyd Price: $118.00 from Batman Gotham Knights (2000) 36 2003 DC After threatening a reporter who was nosing around Bruce Wayne's medical records, Bane does something fairly surprising- quotes Willy Wonka as the terrified man sprints away- directly into the path of a speeding ambulance. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Batman: Gotham Knights #36 (2003) Page 6 Pencils by Roger Robinson, Inks by John Floyd Price: $213.00 from Batman Gotham Knights (2000) 36 2003 DC While Batman and his allies protect the city of Gotham, it's always been Alfred who protects Batman. After a few weeks of everyone fretting over the possibility that Bruce and Bane are related, a blood test has confirmed that they aren't and Alfred can finally rest with the Wayne's legacy and reputations secured. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Batman: Gotham Knights #36 (2003) Page 7 Pencils by Roger Robinson, Inks by John Floyd Price: $199.00 from Batman Gotham Knights (2000) 36 2003 DC Ah, the glamorous and danger-filled life of the superhero glitterati! A charming page that should especially appeal to all you Dick/Babs fans out there that finds the Bat-pair stuck in traffic and playing a game of Six Degrees of Red Bee to pass the time! Pencil and ink on DC Comics art board. 11" x 17".

Original Art for Betty and Veronica (1987) Issue 147, Complete Story 'Guest Distress' by Dan DeCarlo and Rudy Lapick Price: $555.00 from Betty and Veronica (1987 1st Series Archie) 147 2000 Archie Publications Original Art for Betty and Veronica (1987) Issue 147, Pages 27-31 "Guest Distress" by Dan DeCarlo and Rudy Lapick. Pencil and ink on Archie Comics Bristol board. 11 1/2" x 17" each, B&W.

Original Art from Betty & Veronica #217 (2006) Page 30 Pencils by Jeff Shultz Price: $350.00 from Betty and Veronica (1987 1st Series Archie) 217 2006 Archie Publications Despite all of the amenities Riverdale has to offer, including a lovely beach, nothing can compare to yapping on the phone with your bestie. Pencil and ink on comic art board. 11" x 17".

Original Art for Bishop War College #5 (2023) Complete Issue by Sean Damien Hill Price: $3,000.00 from Bishop War College (2023 Marvel) 5 2023 Marvel The final issue in Bishop's (overdue) spotlight miniseries for the Krakoan age is full of fantastic action pages as Bishop and his team of young mutants in training fend off an assault by Orchis and the Fenris twins in the tunnels below Krakoa. Hill's rich, bold pencil work shines in these original pages- especially in the issue's opening closeup of Bishop being (once again) pulled through time and space against his will. Also included is a copy of the published issue. 21 pages (cover and 20 interior pages) on Marvel Comics art board. Cover is pencil and ink, interior pages are pencil. All measure 11" x 17". NOTE: While the cover art included here is nearly identical, the published cover was drawn by Ken Lashley and Juan Fernandez. The cover art included with this set was drawn by series artist Sean Damien Hill and was not published.

Original Art from Blaze # 7 (1995) Page 7 Pencils by Henry Martinez, Inks by Bud Larosa Price: $250.00 from Blaze (1994) 7 1995 Marvel If Johnny Blaze thought being free of the Spirit of Vengeance would mean a nice quiet life, he was sorely mistaken! After rejecting the talents of trick-shooter Double Tap for the Quentin Carnival, Johnny's stunt performance is violently interrupted by the shootist in this action packed page! Also includes a copy of the original issue. Pencil and ink on Marvel Comics art board. 11 1/4" x 17 1/4", B&W.

Original Art from The Lizard of Oz (2004) Page 33 by Mark Bode Price: $374.95 from Bode's The Lizard of Oz (2004 Fantagraphics Books) 1-1ST 2004 Fantagraphics A beautiful half-splash from Mark Bode's realization of some of the last story concepts his father wrote before his passing with some especially great color work on the 'All Mighty Oz'. Pencil, ink, and watercolor on art board. 10 1/2" x 13 1/2".

Original Art from The Lizard of Oz (2004) Page 35 by Mark Bode Price: $374.95 from Bode's The Lizard of Oz (2004 Fantagraphics Books) 1-1ST 2004 Fantagraphics A nice character showcase with some great scenery in this boldly colored and lushly illustrated panel page. Pencil, ink, and watercolor on art board. 10 1/2" x 13 1/2".

Original Art from Cable #2 (1993) Page 23 Pencils by Art Thibert, Specific Inker Not Credited In auction ending January 15 from Cable (1993 1st Series) 2 1993 A fantastic example of the effort involved in making comics in the pre-digital age! Cable and Clan Chosen have infiltrated the Canaanite time travel base and are working on sending Kane back to the present, but with the timelines closely aligned it takes a little effort to find the correct one. In order to make the holographic images that Hope is sifting through pop and appear more futuristic, the page was photocopied and the images cut out and placed appropriately on the overlay so that they could be printed in red ink. Additionally the images, which were initially hand-drawn on the page, are meticulously covered up with pieces of art board. You can see in the image of the published page how the 'holograms' feel separated from the rest of the art in a way that gives them more impact on the page. Also included is a copy of the published issue. Pencil and ink on Marvel Comics art board with semi-translucent overlay affixed to board at top with tape. 11" x 17.

Original Art from Cage #8 (1992) Page 31 Pencils by Dwayne Turner, Inks by Chris Ivy Price: $255.00 from Cage (1992 1st Series) 8 1992 Marvel As Luke Cage gives a reporter an earful for his muckracking on television, Luke's brother James realizes Luke may be hot on his trail- and closer to discovering the secret that their father is still alive! Some absolutely fantastic cartooning from Turner and Ivy, especially in the first two panels. Signed by Ivy in top margin. Pencil, ink, and screentone on Marvel Comics art board with plastic overlay affixed at the top with tape (one text stat attached to overlay). 11" x 17".

Original Art from Captain America #9 (1997), Page 18 by Joe Bennett, inks by Mark McKenna Price: $1,200.00 from Captain America (1996 2nd Series) 9 1997 Original Art from Captain America #9 (1997) page 18 by Joe Bennett, inks by Mark McKenna. This action-packed page from Cap's Heroes Reborn era sees the Star-Spangled hero taking down members of the Sons of the Serpent in almost every large panel! Pencil and ink on Image Comics art board. 11" x 17", B&W. Note: The issue credits Sandra Hope and Homage Studios with inks for this issue, but this page is signed by Mark McKenna. Also includes a copy of the original issue.

Original Art from Captain America #10 (1997), Page 6 by Joe Bennett with Inks by Sandra Hope Price: $2,000.00 from Captain America (1996 2nd Series) 10 1997 Original Art for Captain America #10, Page 6 by Joe Bennett and Sandra Hope (1997). This striking splash page captures the bombast and style of the 90's in spectacular fashion as Captain America and the armored soldiers of SHIELD's Stealth Flight Gamma dive into action to take down the Sons of the Serpent. Pencil and ink on Image Comics art board. 11" x 17", B&W. Includes a copy of the original issue.

Original Cover Art for Captain America The 1940s Newspaper Strip #3 (2010) by Butch Guice Price: $8,000.00 from Captain America 1940s Newspaper Strip (2010) 3 2010 Marvel Original Cover Art for Captain America The 1940s Newspaper Strip #3 by Butch Guice (2010). Quite possibly one the most iconic Captain America vs the Red Skull cover in the modern era! Without the busy background or coloring present on the final cover, Guice's beautiful brushwork practically jumps off of the page, highlighting this truly striking cover. Pencil and ink on Marvel Comics art board with title logo and cover copy stats professionally added to the piece. 11" x 17 1/4", B&W. Includes a copy of the original issue.

Original Art from Captain Atom #6 (1987) Page 1 Pencils by Pat Broderick, Inks by Bob Smith Price: $300.00 from Captain Atom (1987 DC) 6 1987 DC An ominous opening to this issue- who is the mysterious man with the long coat and bad aura? Could he be one of THOSE types? Well, fortunately (or unfortunately) it's not a flasher- it's Dr. Spectro! Pencil and ink on DC Comics art board. 11" x 16 1/2".

Original Art Captain Paragon & the Sentinels of Justice #4 (1995)Story Page 15 Pencils by Erik Larsen, Inks by Jim Sanders III Price: $265.00 from Captain Paragon and the Sentinels of Justice (1985) 4 1995 Americomics (AC) With a traitor in their midst, Captain Paragon consults with new head of security Detective Diamond to try and crack the case. Pencil and ink on art board. 12" x 17".

Original Art from Cartoon Network Presents #13 (1998) Page 11 Pencils by Graham Manley, Inks by Jorge Pacheco Price: $190.00 from Cartoon Network Presents (1997) 13 1998 DC A great Herculoids page that sees Zandor and Gloop riding Zok as they bring down an alien ship that's been dumping radioactive fuel over the Herculoids valley with great spotlights for Gloop's shapeshifting and Zok's laser eyes! Signed by Pacheco in bottom margin. Pencil and ink on DC Comics art board. 11" x 17".

Original Cover Art for China Sea Graphic Novel (1989) by Barry Blair Price: $350.00 from China Sea GN (1989 Aircel) 1-1ST 1989 Aircel A beautiful painted cover for Blair's homage to Golden Age adventure comics and comic strips (specifically Terry and the Pirates) with striking silhouettes of Troy Adams and The Kid facing the sunset. Ink and airbrush on watercolor paper. 12" x 17".

Original Art from Conan the Adventurer #11 (1995) Page 23 Pencils by Rafael Kayanan, Inks by John Floyd Price: $1,100.00 from Conan the Adventurer (1994) 11 1995 Marvel After escaping the clutches of the depraved Grand Inquisitor with the help of blind master Shimata-Kawai, Conan is ready for his next adventure in this beautiful last-page splash that features a full hero shot of the barbarian! Signed by Kayanan in top left margin. Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from Conan the Barbarian #234 (1990) Page 13 Pencils by Ron Lim, Inks by Dan Adkins In auction ending January 15 from Conan the Barbarian (1970 Marvel) 234 1990 Marvel A fantastically creepy page that sees an army of subterranean beasts transformed into Hyperboreans for an assault on the Northern Cimmerians- including Conan's parents! Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from Conan the Barbarian #275 (1993) Page 47 Pencils by Mike Docherty, Inks by John Floyd Price: $650.00 from Conan the Barbarian (1970 Marvel) 275D 1993 Marvel The final issue of Conan's long running Marvel series is an oversized saga that follows the Barbarian doing what he does best- bouncing from place to place at the whims of fate, encountering old friends and enemies wherever he goes. A fantastic fight page, Conan's attempt to mediate an accord between the Kozaks and the Turanians of course leads to violence, which in turn leads to Conan's new ally Tania taking drastic action. Pencil and ink on Marvel Comics art board. 11" x 17" NOTE: While Floyd is not credited in this issue, this page is noted on the back by Floyd as having been inked by him and dated 9-20-93.

Original Art from Countdown to Final Crisis #24 (2008 DC), Page 15 Pencils by Thomas Derenick and Wayne Faucher Price: $900.00 from Countdown (to Final Crisis 2007 DC) 24 2008 DC Original Art from Countdown to Final Crisis #24 (2008 DC), Page 15 Pencils by Thomas Derenick and Wayne Faucher. Ever since Frank Miller's seminal Dark Knight Returns, a Batman vs. Superman fight has been a fan-favorite staple in comics. Here on Earth-15, however, it's not a very long fight as Superman Prime effortlessly dispatches this world's Batman in the freezing void of space before hurling him back to earth in this bold 2/3 splash page. Pencil and ink on DC Comics art board. 11 1/2" x 17", B&W.

Original Art from Crossgen Chronicles #3 (2001) Page 9 Pencils by George Perez, Inks by Mike Perkins Price: $600.00 from CrossGen Chronicles (2000) 3 2001 CrossGen Comics A prequel story that deepens the lore of the world of Meridian, this issue tells the story of how Sephie's parents met. This fancifully romantic page sees Ideria realize that her feelings for Turos may mean more than her desire for adventure. Perez and Perkins make a fantastic penciller/inker team! Blue line pencil and ink on Crossgen comic art board. 11" x 17".

Original Art from Crux #22 (2003) Page 1 Pencils by Steve Epting, Inks by Roland Paris Price: $350.00 from Crux (2001) 22 2003 CrossGen Comics A powerful opening splash page that sees the Atlantean seer Verityn returning to Atlantis only to realize that something feels off. Pencil and ink on Crossgen comic art board. 11" x 17".

Original Art from Curse of Rune #2 (1995) Pages 2-3 by Kyle Hotz Price: $1,350.00 from Curse of Rune (1995) 2 1995 Malibu Graphics Inc. An incredible 'widescreen' double page spread from Hotz opens this issue that sees the vampiric extraterrestrial battle the Soul Gem to control its power. A fantastic example of Hotz's craftsmanship, the oversized layout for this page allows him render the battle-damaged Rune in gruseome detail. Pencil and ink with correction fluid on two sheets of comic art board attached to each other with tape on the reverse. 17" x 22 3/4".

Original Art from Curse of Rune #3 (1995) Pages 2-3 Pencils and Inks by Kyle Hotz Price: $1,250.00 from Curse of Rune (1995) 3 1995 An eye-popping spread that expertly captures the cosmic-horror of Rune in all its exquisite detail! Picking up from the last issue's cliffhanger ending, Gemini believes he's gotten the upper hand on Rune by removing the Soul Gem from what he believed was the space vampire's corpse- only to find that doing so freed Rune from the gem's influence and allowed Rune to regenerate and take full control. The montage on these two pages is fantastic, with a flashback to Rune's battle with the Silver Surfer bleeding into a horrifying vision of a future where Rune controls the Infinity Gems and sits triumphant on the bodies of the Ultraverse's ravaged heroes. Pencil, ink and white paint on two sheets of comic art board affixed on the rear with tape. Full piece measures 22 3/4" x 17 1/2".

Original Art from Danger's Dozen #1 (2008) Page 4 Pencils and Inks by Norm Breyfogle In auction ending January 15 from Danger's Dozen (2007) 1A 2008 In the heat of combat, Boss Aman is struck by a vision from the Wadjet Eye- a blast cosmic chaos that Breyfogle renders beautifully on this splash page. Signed by the artist in lower margin. Pencil and ink on comic art board. 11" x 17".

Original Art from Daredevil #86 (1972) Page 8 Pencils by Gene Colan, Inks by Tom Palmer Price: $2,050.00 from Daredevil (1964 1st Series) 86 1972 Marvel A stunner of a page with Colan's signature realism enhanced by Palmer's bold inks and a fantastic use of screentone that really pops in this original art. This page sees Matt consoling his longtime friend Foggy Nelson as the two navigate this socialite function (also attended by Black Widow, seen in panel 3) but it looks like trouble is never far away as the large "CRASH" in the final panel signals the arrival of this issue's villain- The Ox! Also included is a copy of the published issue. Pencil, ink, and screentone on comic art board. 10 1/2" x 15 3/4".

Original Cover Art for Dark Web #1F (2022) by Carlos Gomez Price: $4,500.00 from Dark Web (2022 Marvel) 1F 2022 Marvel A stunner of a cover featuring every major player in this Spidey event! Spider-Man, MJ, Venom, Black Cat, Gold Goblin (Norman!), Ms. Marvel, Chasm (Ben Reilly!), and Hallow's Eve all look ready for action here thanks to Gomez's tight pencils and bold, blocky shading. Signed by the artist in lower right. Also included is a copy of the published issue. Pencil on art board. 11 3/4" x 16 1/2".

Original Art from DC Ghosts Giant (2019) #1, Page 13 Pencils by Scot Eaton, Inks by Claudette Eaton Price: $165.00 from DC Ghosts Giant (2019 DC) 1 2019 DC After (naturally) finding a supernatural element to a murder he's investigating, Jim Corrigan realizes the case is more suited to the talents of the Spectre! This gorgeous 2/3 splash sees Spectre trapped in the forces of time by the villain who has been selling clocks that steal the life force of those who use them! NOTE: The page with pencils was published with inks later added by Wayne Faucher, the inked page was done by Scot's wife Claudette for fun and was not published. Pencils on DC Comics art board, inks over printed pencils on art board. Both pages measure 11" x 17". Three photocopies of the preliminary pages are also included.

Original Art from Deadly Hands of Kung Fu #24 (1976) Page 24 Pencils and Inks by Rudy Nebres In auction ending January 15 from Deadly Hands of Kung Fu (1974 Magazine) 24 1976 Marvel In the wake of an otherworldly battle with Dhasha Khan in Feng Tu, Danny is returned to the land of the living- with a lot of things to sort out. This beautifully inked page sees Danny trying to talk it out with Bowman (also known as Lancelot, yes THAT Lancelot) though he may not get the answers he wants. Signed by the artist. Pencil and ink on comic art board. 11 1/2" x 17 1/2".

Original Art from Deadpool #19 (2010) Page 22 Pencils by Carlo Barberi, Inks by Juan Vlasco Price: $600.00 from Deadpool (2008 2nd Series) 22A 2010 Marvel A downright iconic last-page splash of the Merc With a Mouth! After (kind of) winning Spider-Man over to his cause, the pair come up with a plan to take on Hit-Monkey- one that will put Wade right in the assassin's crosshairs! Blue line pencil and ink on art board. 11" x 17".

Original Art from Deadpool Badder Blood #3 (2023) Page 1 Pencils and Inks by Rob Liefeld Price: $4,000.00 from Deadpool Badder Blood (2023 Marvel) 3A 2023 Marvel "SOMEWHERE WITHIN THE SENTIENT TORTURE TESSERACT KNOWN AS KILLVILLE..." reads the opening caption on this incredible splash page from the legendary Rob Liefeld, and what a perfect way to begin a comic like this! Trapped within this Sentient Torture Tesseract, Wade finds himself confronted with a massive mirror image of himself infected by a Symbiote (in case the tongue didn't give it away!) and a fight for survival ensues. All of the raw power that made Liefeld a pillar in comic art is present on this stunner of a page. Signed by Liefeld, once in the lower left and in his stylized signature in the top right margin. Pencil and ink over printed roughs on Image Comics art board. 11" x 17".

Original Art from Deathstroke #14 (2017 DC), Page 13 Pencils by Joe Bennett with Inks by Norm Rapmund Price: $1,000.00 from Deathstroke (2016 3rd Series) 14A 2017 DC Original Art from Deathstroke #14 (2017 DC), Page 13 Pencils by Joe Bennett with Inks by Norm Rapmund. skeeeeRUNNCH! It's a shame lettering is done digitally these days as the onomatopoeia of Slade Wilson crashing through a window and locking blades with his target that appears in the final issue perfectly captures the action and dynamism on this fantastic fight page! Pencil and ink on DC Comics art board. Signed by Rapmund at bottom. 11" x 17", B&W.

Original Art from Detective Comics #734 (1999) Page 3 Pencils by Damion Scott, Inks by John Floyd Price: $900.00 from Detective Comics (1937 1st Series) 734 1999 DC Cassandra Cain makes her second comics appearance in this fantastic action page as she bursts through a window to stop her estranged father (and deadly assassin), David Cain, from taking out Jim Gordon. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Detective Comics #734 (1999) Page 4 Pencils by Damion Scott, Inks by John Floyd Price: $700.00 from Detective Comics (1937 1st Series) 734 1999 DC A triad of page length panels emphasize the verticality of the action taking place high above the streets of Gotham after David Cain's attempted assassination of Jim Gordon turns into a rescue mission for Batman! Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Detective Comics #734 (1999) Page 6 Pencils by Damion Scott, Inks by John Floyd Price: $600.00 from Detective Comics (1937 1st Series) 734 1999 DC A dramatic 'cut to black' closes this page that sees Cassandra Cain choosing to fall to her death after stopping her estranged father from killing Jim Gordon- though that iconic bat silhouette may have other plans! Pencil and ink on DC Comics art board. 11" x 17".

Original Cover Art from Dick Tracy Monthly #44 (1951) by Joe Simon Price: $1,825.00 from Dick Tracy Monthly (1948-1961 Dell/Harvey) 44 1951 Harvey Wow, what a cover! Tracy and his partner Pat Patton are pinned down in a warehouse shootout and things aren't looking great! The fantastic design and layout by Simon here calls to mind Jim Steranko's iconic cover for Nick Fury Agent of SHIELD #1- published 17 years later! Pencil, ink, and title/logo stats on heavy board. 12" x 17 1/2". NOTE: Several stats are missing from the piece including the subtitle 'Comics Monthly', the cover price, and the story copy from the bottom left.

Original Cover Art from Dick Tracy Monthly #145 (1961) by Joe Simon Price: $1,650.00 from Dick Tracy Monthly (1948-1961 Dell/Harvey) 145 1961 Harvey The legendary Joe Simon gives this final issue of the daring detective's long-running series the send off it deserves in this action packed cover. Also included is a copy of the published issue. Pencil, ink, and stats on art board. 13 1/2" x 18 1/2". NOTE: The original art portion of this cover is on a sheet of art board that has been cut to fit and pasted onto a larger board containing the title logo/copy stats.

Original Art from Django Unchained #3 (2013) Page 10 Inks by John Floyd, Printed Pencils by Denys Cowan Price: $308.00 from Django Unchained (2012 DC Vertigo) 3A 2013 DC An incredibly charming page thanks in large part to the face on the snowman our heroes use for target practice, but of course the real star here is the amazing half page hero shot of Django effortlessly hitting his target dead center! Also included is a partial page with redraws of certain elements and panels from the full page. These changes were likely done at the behest of editorial and were then scanned and placed over the scan of the full page digitally. Ink over printed pencils on comic art board. Full page measures 11" x 17", partial page measures 11" x 6". NOTE: Portions of the inks on the full page, mainly solid black areas, are also printed in addition to the pencils. All inks on the partial page are hand inked over printed pencils.

Original Art from Django Unchained #3 (2013) Page 1 Inks by John Floyd, Printed Pencils by Denys Cowan Price: $237.00 from Django Unchained (2012 DC Vertigo) 3A 2013 DC A tremendous first page that sees Django's partnership with King Schultz begin in earnest as he checks out his new gear and the two head off to take down their next bounty. Everything you could want on a western page! Also included is a partial page with redraws of certain elements and panels from the full page. These changes were likely done at the behest of editorial and were then scanned and placed over the scan of the full page digitally. Ink over printed pencils on comic art board. Full page measures 11" x 17", partial page measures 11" x 7 1/4". NOTE: Portions of the inks on the full page, mainly solid black areas, are also printed in addition to the pencils. All inks on the partial page are hand inked over printed pencils.

Original Art from Django Unchained #3 (2013) Page 2 Inks by John Floyd, Printed Pencils by Denys Cowan Price: $266.00 from Django Unchained (2012 DC Vertigo) 3A 2013 DC As Django and Schultz hit the trail in search of their next target, Django sees a vision of his lost love Broomhilda and vows to find her again. A fantastic half splash of our heroes closes out this title page. Ink over printed pencils on comic art board. 11" x 17". Also included is a partial page with redraws of certain elements and panels from the full page. These changes were likely done at the behest of editorial and were then scanned and placed over the scan of the full page digitally. Ink over printed pencils on comic art board. Full page measures 11" x 17", partial page measures 11" x 9 3/4". NOTE: Portions of the inks on the full page, mainly solid black areas, are also printed in addition to the pencils. All inks on the partial page are hand inked over printed pencils.

Original Art from Django Unchained #3 (2013) Portions of Pages 20 & 22 Inks by John Floyd, Printed Pencils by Denys Cowan Price: $150.00 from Django Unchained (2012 DC Vertigo) 3A 2013 DC An interesting look at the process for creating an issue that features multiple artists in the digital age! As Django and Schultz roll into town (to the shock of townsfolk not accustomed to seeing a black man ride his own horse) he's reminded of his recent time as a slave sent to auction and separated from his wife in a sequence drawn by Jason Latour and inserted later. Ink over printed pencils on comic art board. 11" x 17". NOTE: Portions of the inks on the page, mainly solid black areas, are also printed in addition to the pencils.

Original Art from Django Unchained #3 (2013) Page 3 Inks by John Floyd, Printed Pencils by Denys Cowan Price: $199.00 from Django Unchained (2012 DC Vertigo) 3A 2013 DC "It's good luck. You always keep the handbill of your first bounty" is the advice given by Schultz to Django later in the issue as he examines the piece of paper and thinks back to the event. Ink over printed pencils on comic art board. 11" x 17". NOTE: Portions of the inks, mainly solid black areas, are also printed in addition to the pencils.

Original Art from Django Unchained #3 (2013) Page 4 Inks by John Floyd, Printed Pencils by Denys Cowan Price: $213.00 from Django Unchained (2012 DC Vertigo) 3A 2013 DC On the trail of his first bounty, Django stares down his sights and has second thoughts before getting a pep talk from Schultz. Fantastic work by Cowan and Floyd here as even without word balloons present, the storytelling is as clear as can be! Ink over printed pencils on comic art board. 11" x 17". Also included is a partial page with a redraw of panel 3, swapping a wider shot of the two men for a closeup on Django's face as he hesitates to take the shot. An interesting change in the storytelling likely suggested by the editor! This panel was likely scanned and placed over the scan of the full page digitally. Ink over printed pencils on comic art board. Full page measures 11" x 17", partial page measures 11" x 8 1/2". NOTE: Portions of the inks on the full page, mainly solid black areas, are also printed in addition to the pencils. All inks on the partial page are hand inked over printed pencils.

Original Art from Django Unchained #3 (2013) Page 5 Inks by John Floyd, Printed Pencils by Denys Cowan Price: $166.00 from Django Unchained (2012 DC Vertigo) 3A 2013 DC After hesitating over whether to take the shot on their bounty, Schultz reminds Django of the man's crimes and tells him to "Quit your pussyfootin' and shoot him." which Django then does immediately in the fantastic final panel. Ink over printed pencils on comic art board. 11" x 17". NOTE: Portions of the inks, mainly solid black areas, are also printed in addition to the pencils. On this page, the entirety of panels 1 and 3 are printed with no hand drawn art

Original Art from Django Unchained #3 (2013) Page 6 Inks by John Floyd, Printed Pencils by Denys Cowan Price: $199.00 from Django Unchained (2012 DC Vertigo) 3A 2013 DC After taking out his first bounty from afar, this grim page sees Django take a long walk to face the reality of what bounty hunting entails. Ink over printed pencils on comic art board. 11" x 17".NOTE: A small portion of the inks on this page, parts of the grass in the last panel, are also printed in addition to the pencils.

Original Art from Django Unchained #3 (2013) Page 7 Inks by John Floyd, Printed Pencils by Denys Cowan Price: $285.00 from Django Unchained (2012 DC Vertigo) 3A 2013 DC Django's bounty hunter training progresses as he perfects his draw in this extremely cool page! Also included is a partial page with a redraw of the last panel from the full page. This change was likely done at the behest of editorial and was then scanned and placed over the scan of the full page digitally. Ink over printed pencils on comic art board. Full page measures 11" x 17", partial page measures 4 3/4" x 11". NOTE: Portions of the inks on the full page, mainly solid black areas, are also printed in addition to the pencils. All inks on the partial page are hand inked over printed pencils.

Original Art from Django Unchained #3 (2013) Page 8 Inks by John Floyd, Printed Pencils by Denys Cowan Price: $275.00 from Django Unchained (2012 DC Vertigo) 3A 2013 DC A great western action page that sees Django and Schultz taking out a gang of outlaws in an ambush. Ink over printed pencils on comic art board. 11" x 17". NOTE: Portions of the inks on the full page, mainly solid black areas, are also printed in addition to the pencils. All inks on the partial page are hand inked over printed pencils.

Original Art from Django Unchained #3 (2013) Page 9 Inks by John Floyd, Printed Pencils by Denys Cowan Price: $225.00 from Django Unchained (2012 DC Vertigo) 3A 2013 DC Django's bounty hunter training moves along to target practice as Schultz gives him a practical definition of the word "Accurate". Also included is a partial page with redraws of certain elements from the full page. These changes were likely done at the behest of editorial and were then scanned and placed over the scan of the full page digitally. Ink over printed pencils on comic art board. Full page measures 11" x 17", partial page measures 6 1/4" x 11". NOTE: Portions of the inks on the full page, mainly solid black areas, are also printed in addition to the pencils. All inks on the partial page are hand inked over printed pencils.

Original Art from Doctor Strange #53 (1993) Page 6 Pencils & Inks by Geof Isherwood Price: $950.00 from Doctor Strange (1988 3rd Series) 53 1993 Marvel What a page! After seemingly escaping the clutches of Nightmare in the Astral Plane, Morbius heads to the Sanctum only to learn that Doctor Strange's corporeal form has been inhabited by the villain- and finds himself on the receiving end of Strange's mastery of the mystic arts! A striking page that shows off Isherwood's talent with a brush! Signed by Isherwood in bottom margin. Pencil and ink on Marvel Comics art board. 11 1/2" x 17 1/2", B&W.

Original Art from Doomsday Clock #10 (2019) Page 19 Pencils and Inks by Gary Frank Price: $1,540.00 from Doomsday Clock (2017 DC) 10A 2019 DC One of the best words to describe Gary Frank's art would be 'timeless', a quality that made him the perfect artist to bring a story like Doomsday Clock to life. A sprawling, existential story that sought to both break and repair DC's continuity at the same time, Frank captured snapshots of DC's history from the Golden Age to the present perfectly. A pivotal moment from the story, this page sees Dr. Manhattan observing the iconic origin of Superman throughout several iterations which works as an inventive meta commentary on DC's multiple reboots with Dr. Manhattan observing in much the same way a reader who has read the multiple depictions would. Frank also makes fantastic use of the 9-panel format, staging Manhattan only at the edges of panels as an unseen voyeur attempting to make sense of the ever shifting reality- probably the most relatable the character has ever been! Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Elektra #1 (1996) Page 2 Pencils by Mike Deodato Jr., Inks by Deodato Studios In auction ending January 15 from Elektra (1996 1st Series) 1A 1996 Marvel "She's going to fall, he thinks. She's going to crash right down onto the...but no. Just Look at her. She's enjoying it." read Peter Milligan's fantastic narration on this page which Mike Deodato captures in the way only he can. Deodato lays out thsi page beautifully with the silhouette of Elektra crashing through the skylight creating a natural reading path to follow and the the flowing, poised panels of her acrobatics providing a great sense of action. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Epic Illustrated #31 (1985) Page '17' Cobalt 60 by Mark Bode Price: $449.95 from Epic Illustrated (1980 Magazine) 17 1985 Marvel Rich colors make this appropriately 'epic' 2/3 splash battle scene almost hop off of the page! Pencil, ink, and watercolor on art board. 12" x 16".

Original Art from Eternal Warrior #7 (1992) Page 22 Pencils & Inks by Barry Windsor-Smith Price: $8,000.00 from Eternal Warrior (1992) 7 1992 Valiant A haunting, time bending epilogue to the issue that saw Gilad take on Master Darque, the world's most powerful necromancer! Making good on a repeated phrase in Windsor-Smith's two issue arc "I dream that I am falling, not throught sky or space, but through time", Darque here rises from his defeat at Gilad's hands a year in the past. The highlight here is the third panel where Windsor-Smith injects the closeup of Darque's eyes with a look of pure evil and contempt, proving why he's one of the masters of sequential art! Signed by the artist in bottom margin and "For John. Happy Birthday. 1994" in bottom of last panel. Standard and blue line pencil, ink, and correction fluid on comic art board. 11" x 17".

Original Art from Exiles #67 (2005) Page 16 Pencils by Jim Calafiore, Inks by Mark McKenna Price: $150.00 from Exiles (2001 1st Series Marvel) 67 2005 Marvel The multiverse hopping mutants find themselves in a world plagued by giant monsters, kept at bay only by the Science Squad! Arriving on this earth seeking the aid of its Curt Conners, the team must first help the Science Squad defeat Krakoa, The Island that Walks Like a Man. Hey, those ships look kind of familiar...wonder if they can combine to form a large mech... Signed by Calafiore in bottom margin. Pencil and ink on Marvel Comics art board.

Original Art from Exiles #67 (2005) Page 5 Pencils by Jim Calafiore, Inks by Mark McKenna Price: $150.00 from Exiles (2001 1st Series Marvel) 67 2005 Marvel The multiverse-hopping mutants find themselves in a world plagued by giant monsters, kept at bay only by the Science Squad! On this action page we see the ship the team teleported into trying to escape Krakoa, The Island Who Walks like a man- hopefully Science Squad Members Tony Stark and Hank Pym have the piloting skills to get out of this jam! Signed by Calafiore in bottom margin. Pencil and ink on Marvel Comics art board.

Original Art from Fantastic Four #114 (1971), Page 21 by 'Big' John Buscema with inks by Frank Giacoia Price: $6,000.00 from Fantastic Four (1961 1st Series) 114 1971 Marvel Original Art from Fantastic Four #114 (1971), Page 21 by "Big" John Buscema with inks by Frank Giacoia. The first panel features Mr. Fantastic in a striking pose, looking out from the Baxter building and considering his next move. The rest of page follows the mysterious Over-Mind as he returns to his ship and tames a wild dog with his powers. Nice, tight line work on beautiful Bronze Age art! Pencil and ink on art board. 15 3/4" x 10 3/4", B&W.

Original Art from Fantastic Four #114 (1971), Page 23 by 'Big' John Buscema with inks by Frank Giacoia Price: $6,000.00 from Fantastic Four (1961 1st Series) 114 1971 Marvel Original Art from Fantastic Four #114 (1971), Page 23 by John Buscema with inks by Frank Giacoia. The Over-Mind, an Eternal known also as Grom, makes his second appearance in comics in this powerful Bronze Age page. Over-Mind is seen here in all his powerful glory tossing aside scrap cars as well as opening his ship with telekinesis. A fantastic showcase for this deadly villain! Pencil and ink on art board. 15 3/4" x 10 3/4", B&W.

Original Art from Fantastic Four #137 (1973), Page 9 by 'Big' John Buscema with inks by 'Joltin' Joe Sinnott Price: $4,500.00 from Fantastic Four (1961 1st Series) 137 1973 Marvel Original Art from Fantastic Four #137 (1973), Page 9 by "Big" John Buscema with inks by fan-favorite FF inker "Joltin" Joe Sinnott. The First Family are trapped on an earth modelled after 'idyllic' 1950's America created by the Shaper of Worlds! Making exposition look great, legends Buscema and Sinnott turn in a page full of thrilling vignettes- Reed and Medusa in the Fantasticar! Johnny and Medusa at the mercy of rock n' roll bikers! Reed and Ben trapped in quiz show isolation booths! Capped off with a tense scene on this page between the two antagonists of the story, this page has a little bit of everything and is a nice early Bronze Age appearance of the Shaper! Pencil and ink on art board. 10 1/2" x 16", B&W.

Original Art from Fantastic Four #304 (1987), Page 20 by 'Big' John Buscema with inks by 'Joltin' Joe Sinnott Price: $5,000.00 from Fantastic Four (1961 1st Series) 304 1987 Marvel Original Art from Fantastic Four #304 (1987), Page 20 by 'Big' John Buscema with inks by 'Joltin' Joe Sinnott. It's a battle for the ages as Quicksilver, mad with jealousy, kidnaps Alicia Masters and attacks the FF! On this very climactic page, Ben sets him up and Johnny knocks him down (with a PLOW!) ending the battle with a single flaming punch! A Bronze Age battle page at its best! Pencil and ink on art board. Signed by Sinnott on the reverse and dated 1/87. 16 1/2" x 10 3/4", B&W. Minor light glue staining.

Original Art from Fantastic Four #388 (1994) Page 17 Pencils by Paul Ryan, Inks by Danny Bulanadi Price: $1,900.00 from Fantastic Four (1961 1st Series) 388 1994 Marvel Time travel almost never works out the you want it to, even if you're in the Fantastic Four! After showing up in the Silver Age on the trail of the mysterious Dark Rider, the FF's 90's looks and attitudes find themselves tangling with their past selves- and the Avengers! Bulanadi does a beautiful job inking Ryan here, with a level of detail and texture not apparent in the colored published pages. Signed by Ryan in left margin. Pencil and ink on Marvel Comics art board. 11" x 17". NOTE: One word balloon is missing from the 6th panel ("YOW!").

Original Art from Fantastic Four #388 (1994) Page 29 Pencils by Paul Ryan, Inks by Danny Bulanadi Price: $1,900.00 from Fantastic Four (1961 1st Series) 388 1994 Marvel A stunner of a first panel opens this tragic page! After the mysterious Dark Raider strikes a decisive blow, killing the Reed and Sue of the Silver Age the villain disappears into the time stream, leaving the Avengers and both groups of FFs to ponder their next move- with the Franklin Richards of the future making plans of his own. Signed by Ryan below third panel. Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from Fathom #5 (2006) Page 19 Pencils by Koi Turnbull, Inks by Jason Gorder Price: $315.00 from Fathom (2005 Aspen 2nd Series) 5 2006 Aspen A long-awaited reunion between father and daughter quickly turns to panic as Aspen's appearance at her adopted father's desert home triggers a trap set by Maylander. Some fantastic sequential work by the artists here as Captain Matthew's expression turns from warmth to terror in an instant. Also included is a copy of the published issue. Pencil and ink on Aspen Comics art board. 11" x 17".

Original Art from Fathom #8 (2006) Page 4 Pencils by Koi Turnbull, Inks by Jonathan Glapion Price: $315.00 from Fathom (2005 Aspen 2nd Series) 8A 2006 Aspen A romantic scene on the beach as Aspen and Chance mourn their lack of alone time in a quiet moment before she heads off to the city of Saba. Also included is a copy of the published issue. Pencil and ink on Aspen Comics art board. 11" x 17".

Original Art from The First #18 (2002) Page 12 Pencils by Andrea Di Vito, Inks by Rob Hunter Price: $190.00 from First (2000) 18 2002 CrossGen Comics The long lost leader Altwaal watches the fire and waits for the intruder he knows his coming! Pencil and ink on Crossgen comic art board. 11" x 17". NOTE: Tape affixed to the top of the page in margin.

Original Art from The First #36 (2003) Pages 14-15 Pencils by Marat Mychaels, Inks by Armando Durruthy Price: $425.00 from First (2000) 36 2003 CrossGen Comics With panic and confusion gripping The First after some shocking revelations, Trenin and House Dexter take the opportunity to mount an assault on Sehan and House Sinister. This powerful double page splash sees the first blow landed by Sehan as the rest of groups let the two titans fight. Pencil and ink on two sheets of Crossgen comic art board affixed with tape on the rear. 20 1/2" x 17".

Original Art from First Love Illustrated #10 (1951 Harvey), Story Page 6 from My Sister's Husband Price: $300.00 from First Love Illustrated (1949-1963 Harvey) 10 1951 Harvey Original Art from First Love Illustrated #10 (1951 Harvey), Story Page 6 from "My Sister's Husband" Pencils by Al Avison. The dramatic final page to a story that seems to have been heavily edited! With the pasted-in text corrections missing due to age and the penciled editor's notes, we can see that the story was originally about a younger sister having an affair with her brother-in-law but was changed to be about her hiding the secret of his unemployment! Pencil and ink on art board. 13" x 19", B&W. Note: Several pasted in text corrections are missing.

Original Art from First Love Illustrated #60 (1956 Harvey), Page 25 'Acceptable Accessories!' Pencils and Inks by Tom Hickey Price: $725.00 from First Love Illustrated (1949-1963 Harvey) 60 1956 Harvey Original Art from First Love Illustrated #60 (1956 Harvey), Page 25 'Acceptable Accessories!' Pencils and Inks by Tom Hickey. A check list for the essential accessories- Hats, Gloves, Leather Belts, Jewelry, Purses, and Opera Pumps. All finely illustrated by Tom Hickey. Pencil and ink on art board. 15" x 22", B&W.

Original Art from First Love Illustrated #67 (1956 Harvey), Page 8 'Dinner Date Data' Pencils and Inks by Tom Hickey Price: $725.00 from First Love Illustrated (1949-1963 Harvey) 67 1956 Harvey Original Art from First Love Illustrated #67 (1956 Harvey), Page 8 'Dinner Date Data' Pencils and Inks by Tom Hickey. Romance comics weren't just drama- they were also full of advice! Excellent illustrations by Hickey here, especially in the fourth panel. First published in First Love Illustrated #34 (1953) Pencil and ink on art board. 14 1/2" x 19 3/4", B&W.

Original Art from First Love Illustrated #77 (1956 Harvey) Complete 6-Page Story 'Too Young to Know!', Pencils by Lee Elias Price: $1,750.00 from First Love Illustrated (1949-1963 Harvey) 77 1956 Harvey Original Art from First Love Illustrated #77 (1956 Harvey) Complete 6-Page Story 'Too Young to Know!', Pencils by Lee Elias. The art for this story, first published in First Romance Magazine #8 (1951), is especially interesting as you can see the many, many edits to it that were made to both art and text in the previously published story due to the recently implemented Comics Code! The final panel of the third page has a paste-in edit that's loose enough to see the original underneath where a kiss on the neck was removed! Pencil, ink, and correction fluid on art board. Pages measure 15" x 20". Note: Several paste-in edits, both art and text, are partially detached due to age.

Original Art from First Love Illustrated #90 (1956 Harvey) Complete 6-Page Story 'Choose Well, My Heart!', Artist(s) Uncredited Price: $950.00 from First Love Illustrated (1949-1963 Harvey) 90 1956 Harvey Original Art from First Love Illustrated #90 (1956 Harvey) Complete 6-Page Story 'Choose Well, My Heart!', Artist(s) Uncredited. A dramatic tale of a woman forced to choose between her poor but loving boyfriend and a rich guy who hit her with his car. Pencil and ink on art board. Pages measure 14" x 19".

Original Art from Fury of Firestorm #10 (2012) Page 20 Inks by Marlo Alquiza, Printed Pencils by Yildiray Cinar In auction ending January 15 from Fury of Firestorm (2011) 10 2012 DC A magnificent last-page splash that sees Ronnie Raymond fully powered up and ready for a fight against the Rogue Firestorms who have been causing havoc across the world. A powerful splash with bold inks from Alquiza who perfectly captures not just Firestorm's heroic visage but the wild energy of his nuclear powers! Ink over printed pencils on DC Comics art board. 11" x 17".

Original Art from GI Combat #202 (1977) Page 49 Pencils and Inks by Romeo Tanghal Price: $375.00 from GI Combat (1952) 202 1977 DC From the short and nasty story titled "AWOL...Until DOOMSDAY", a great page that sees some nazis get their comeuppance! After massacring a group of Canadian soldiers and dumping their bodies in the river, the nazis decide to go for a swim themselves- not realizing that retribution can happen in an instant as they're grabbed from below. Pencil and ink on comic art board. 10 1/2" x 15 3/4"

Original Art from GI Combat #206 (1978) Page 18 Pencils and Inks by ER Cruz Price: $375.00 from GI Combat (1952) 206 1978 DC From the OSS story titled "The 2 Faces of the General" a dramatic opening scene of General Eisenhower being assassinated by Axis forces...or was he? The shocking opening is revealed to be staged for the benefit of the real Eisenhower in the beautifully drawn fourth panel, contrasting the action of opening with the shadow world of intelligence operations. Pencil and ink on comic art board. 10 1/2" x 15 1/2".

Original Art from GI Combat #206 (1978) Page 26 Pencils and Inks by ER Cruz Price: $375.00 from GI Combat (1952) 206 1978 DC Having not heeded the warning of the OSS about an assassination attempt, General Eisenhower's camp finds itself under assault by disguised nazi forces in this stunning page. The fourth panel is especially striking as Cruz depicts the attack as it would actually appear in real life, a mass of violent shadows struggling to survive. Pencil and ink on comic art board. 10 1/2" x 15 1/2".

Original Art from GI Combat #225 (1981) Page 24 Pencils & Inks by ER Cruz Price: $375.00 from GI Combat (1952) 225 1981 DC A prime example of how suited Cruz's art was to depicting the espionage of World War 2! Under orders from Control, operative Phoenix has snuck himself into Italy to ambush and capture Hitler's head of chemical weapons. Cruz's inking truly shines here, especially in the first panel as the mounted nazis are bathed in machine gun fire. Pencil and ink on comic art board. 10 1/2" x 15 3/4".

Original Art from Green Arrow #15 (2002) Page 9 Pencils by Phil Hester, Inks by Ande Parks Price: $1,234.00 from Green Arrow (2001 2nd Series) 15 2002 DC It doesn't get much better than this, a big iconic page from one of the best and most beloved comic runs of the 00's! Hester and Parks are in fine form here with their energetic figure work and expressive faces bringing this page to glorious life. A pivotal page from the series, this is actually the first blow traded between Ollie and Onomatopoeia as their tense standoff in a hospital where Connor Hawke is being operated on finally breaks. Also included is a certificate from Bodnar's Auctions signed by writer Kevin Smith noting this piece as part of his personal collection. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Green Lantern Corps #63 (2011) Page 2 Pencils & Inks by Joe Prado Price: $465.00 from Green Lantern Corps (2006 1st Series DC) 63A 2011 DC A fantastic showcase for Boodikka, a Lantern from a warrior society (and one time sexual partner of Lobo!) who eventually gave up much of her organic body to become an Alpha Lantern. Here we see her in all three forms- as an Alpha Lantern grappling with her new life, as a warrior on the planet Bellatrix, and as a member of the Green Lantern Corps! Signed by the artist in bottom margin. Pencil and ink on DC COmics art board.

Original Art from Green Lantern Mosaic #11 (1993) Page 18 Pencils by Mitch Byrd, Inks by John Floyd Price: $275.00 from Green Lantern Mosaic (1992) 11 1993 DC "Does everybody who dies keep living in my head?" John Stewart's dream continues as he encounters Old Timer, also known as Appa Ali Apsa- the mad Guardian who created Mosaic World Pencil, ink, and screentone on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Green Lantern Mosaic #11 (1993) Page 19 Pencils by Mitch Byrd, Inks by John Floyd Price: $250.00 from Green Lantern Mosaic (1992) 11 1993 DC John Stewart's troubling dreams continue as he's guided towards the end of his journey by Appa Ali Apsa, leaving the vision of Ch'p behind and approaching a massive door in the sky. What could it hold? Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Green Lantern Mosaic #11 (1993) Page 20 Pencils by Mitch Byrd, Inks by John Floyd Price: $275.00 from Green Lantern Mosaic (1992) 11 1993 DC "Don't fear the Red, John. You can't just hold the Green." An intense end to John Stewart's dream finds him confronted with a glowing red door- and we all know what that means for Lanterns. Though he's been guiding John through this dream for several pages now, it might not be best to take advice from the mad Guardian who created Mosaic World in the first place! Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Green Lantern New Guardians #6 (2012) Page 19 Pencils by Tyler Kirkham, Inks by BATT Price: $285.00 from Green Lantern New Guardians (2011) 6A 2012 DC A powerful 2/3 splash that you can only see in the original art! Facing off against Invictus, the Blue Lantern Saint Walker finds his powers not working as well as he expected! For the final issue, the page was rearranged so that the large panel includes an inset panel, zoomed in to show Invictus' fist clenching around Saint Walker's as well as to likely fit the word balloons in more elegantly. Pencil and ink on DC Comics art board. 11" x 17", B&W. Also included is a high quality print of the final, edited page on photo stock.

Original Art from Guardians of the Galaxy #55 (1994) Page 1 Pencils by Kevin West, Inks by Steve Montano Price: $600.00 from Guardians of the Galaxy (1990 1st Series) 55 1994 Marvel What a way to introduce a villain! West and Montano strike a perfect balance between mood and the boldness of the 90's style on the first page to Guardians of the Galaxy #55 that sees the "Interplanetary Serial Killer, Ripjack" waiting to pounce on the Gaurdians! Signed by West on the reverse. Pencil and ink on Marvel Comics art board. 11" x 17, B&W.

Original Art from Guardians of the Galaxy #55 (1994) Page 14 Pencils by Kevin West, Inks by Steve Montano Price: $475.00 from Guardians of the Galaxy (1990 1st Series) 55 1994 Marvel A fantastic villain showcase page, here we see the intergalactic serial killer known as Ripjack planning his next move after escaping an assault by the Gaurdians. Signed by the artists on the reverse. Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from Harley Quinn #37 (2003) Page 12 Pencils by Mike Huddleston, Inks by Doug Hazelwood In auction ending January 15 from Harley Quinn (2000) 37 2003 DC Tasked with tracking down a young girl who's had the code to an account flush with cash surgically implanted behind her eye, Harley has come to the end of the road. After discovering that accessing the code will kill the girl, Harley finds herself in a tense standoff with her former employer in this fantastic noir-tinged page. Signed by Huddleston in bottom margin. Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Art from Harley Quinn the Animated Series Legion of Bats #2 (2023) Page 8 Inks by Roberto Poggi, Printed Pencils by Shae Beagle Price: $189.00 from Harley Quinn the Animated Series Legion of Bats (2022 DC) 2A 2023 DC Harley and Ivy's trip to the mall is rudely interrupted by Bane, who's found himself on Knockout's bad side! An incredibly lively page that makes for a great showcase of the vibe Beagle and Poggi brought to this series that captures the kinetic and exaggerated energy of animation perfectly. Ink over printed pencils on art board. 11 3/4" x 16 1/2". NOTE: A portion of the black line art is also printed in addition to the blue line pencils.

Original Cover Art for Hellblazer #162 (2001) Pencils and Inks by Tim Bradstreet Price: $3,200.00 from Hellblazer (1988) 162 2001 DC Tim Bradsteet's lengthy run as cover artist for DC's mature-readers mystic series made him synonymous with the character, with his trademark hardboiled grimy aesthetic making for some of the character's most iconic covers. This cover perfectly captures the energy of the issue's 70's-set flashback story with Constantine in full punk regalia- spiked leather jacket, torn Clash t-shirt, safety pins, and of course a casually held cigarette. Also included is a copy of the published issue. Pencil and ink on art board. 11 1/4" x 17".

Original Cover Art for Icon vs. Hardware #1C (2023) Inks by John Floyd, Printed Pencils by Denys Cowan Price: $4,000.00 from Icon vs. Hardware (2023 DC) 1C 2023 DC Cowan and Floyd kick off this miniseries the right way with a powerful, energetic homage to the cover of the iconic Batman #497. As is typically the case for their collaborations, the finished art captures all of the energy and detail of Cowan's raw pencils thanks to Floyd's brilliant inking instincts. Ink over printed pencils on DC Comics art board (reverse). 11" x 17".

Original Art from Incredible Hulk #409 (1993) Page 9 Pencils by Gary Frank, Inks by Cam Smith Price: $1,800.00 from Incredible Hulk (1962 Marvel 1st Series) 409 1993 A delightful page that highlights the pitch perfect action/comedy tone of Peter David's Hulk run, illustrated with the masterful comedic timing of a Looney Tunes short- complete an 'Ain't I a stinker?' panel as Madman gets a small victory over the Jade Giant. Pencil and ink on Marvel Comics art board. 11" x 17", B&W.

Original Art from Invaders #1 (1993) Page 1 Pencils by Dave Hoover, Inks by Brian Garvey Price: $450.00 from Invaders (1993 Marvel 2nd Series) 1 1993 Marvel A bold scene-setting first page takes us back to the height of World War 2 where a Nazi sub is set to attack a blacked-out New York City! Thankfully it looks like help is arriving in the last panel! Signed by Hoover in third panel. Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from Invaders #1 (1993) Page 17 Pencils by Dave Hoover, Inks by Brian Garvey Price: $1,500.00 from Invaders (1993 Marvel 2nd Series) 1 1993 Marvel Wow, what a gorgeous showcase for Marvel's Golden Age heroes! This WW2-set revival of the team from 1993 introduced a Nazi superteam named the Battle Axis- who have just trounced our heroes! The tremendous second panel sees the group soaring over Manhattan on their way back to headquarters to regroup. Signed by Hoover in bottom margin. Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from Iron Man #211 (1986) Page 17 Pencils by Alex Saviuk, Inks by Sam de la Rosa Price: $250.00 from Iron Man (1968 1st Series) 211 1986 Marvel After finding her estranged, addict husband (for the second time) Bethany Cabe makes a shocking discovery- the street gang she fended off earlier has found her husband and caused him to overdose. An intense page with some outstanding closeup shots from Saviuk and de la Rosa, especially the third panel! Pencil, ink, and screentone on Marvel Comics art board. 11" x 16 1/4".

Original Art from Iron Man #211 (1986) Page 8 Pencils by Alex Saviuk, Inks by Sam de la Rosa Price: $250.00 from Iron Man (1968 1st Series) 211 1986 Marvel With the shocking news that her estranged, drug-addicted husband was still alive, Bethany Cabe sets off to find him in Berlin- and does. Though she may not have gotten the reception she was looking for! Pencil, ink, and screentone on Marvel Comics art board. 11" x 16 1/4".

Original Art from Iron Man Bad Blood #2 (2000) Pencils and Inks by Bob Layton Price: $645.00 from Iron Man Bad Blood (2000) 2 2000 Marvel A fantastic Iron Man page from one of the character's defining creators! A story that sees Tony starting to slip over the edge this page features a range of great panels, opening with a shot of the defeated Spymaster clearly in shock of Iron Man's brutality (with a crushed, bloody fist to prove it!), a great hero shot of Iron Man flying over the Space Needle, and a tense discussion in the lab between Tony and Rhodey! What more could an Iron Man fan ask for? Signed by the artist in bottom margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from JLA Foreign Bodies (1999) Page 14 Pencils by Val Semeiks, Inks by Prentis Rollins Price: $235.00 from JLA Foreign Bodies (1999) 1 1999 DC With the world engulfed in nightmarish visions, Kobra sits in his 'Psychlone Chamber' and plans his next move. A gorgeous page full of detail (note the snakes mixed in with the machine's cables!) and energy. Signed by Semeiks & Rollins in top margin, signed again by Semeiks in bottom margin. Pencil and ink on DC Comics art board. 11" x 17", B&W.

Original Art from JLA Foreign Bodies (1999) Page 39 Pencils by Val Semeiks, Inks by Prentis Rollins Price: $325.00 from JLA Foreign Bodies (1999) 1 1999 DC After many of the Justice League had their minds swapped with each other, it's time to regroup and fight back! Martian Manhunter, in Aquaman's body, teams up with Plastic Man. What may seem like an odd pairing works exceedingly well as Manhunter searches his new body's memories for a template for Plas to match- and he does so with gusto! A gorgeous, near splash with delightful inset panels of Plastic Man in more...recognizable forms! Signed by Semeiks & Rollins in top margin, signed again by Semeiks in bottom margin. Pencil and ink on DC Comics art board. 11" x 17", B&W.

Original Art from JLA Incarnations #5 (2001) Page 20 Pencils by Val Semeiks, Inks by Prentis Rollins Price: $300.00 from JLA Incarnations (2001) 5 2001 DC A brilliant miniseries chronicling the untold stories of the Justice League through the years, this issue finds the Detroit-era Leaguers smack dab in the midst of Crisis on Infinite Earths! Bathed in a sea of Kirby Krackle, fan-favorites Vibe and Gypsy begin to use their unique skills to hold the timelines together on a page punctuated with a downright iconic shot of the Caped Crusader entering the scene! Signed by Semeiks in bottom margin. Pencil and ink on comic art board. 11" x 17".

Original Art from John Aman Amazing Man #2 (2014) Page 14 Pencils & Inks by Steven Butler Price: $200.00 from John Aman Amazing Man (2014 Gallant Comics) 2B 2014 A classic trope plays out as the loner Amazing Man attempts to play nice with the government's X-Bureau during a briefing on a mission to rescue his 'close friend' Zoe Henderson from the clutches of Horace Googer as Blue Beetle and Miss Masque look on. Signed by Butler in bottom margin. Pencil and ink on Gallant Comics art board. 12" x 18".

Original Art from John Aman Amazing Man #2 (2014) Page 16 Pencils & Inks by Steven Butler Price: $400.00 from John Aman Amazing Man (2014 Gallant Comics) 2B 2014 A stunner of a splash page that finds John Aman in his full glory as his explodes out of the roof of an X-Bureau transport and into the sky, deciding to attempt to rescue his kidnapped friend Zoe Henderson without their aid. Signed by Butler in bottom margin. Also included is a copy of the published issue. Pencil and ink on Gallant Comics art board. 12" x 18".

Original Art from John Aman Amazing Man #3 (2014) Complete Captain Battle Story Pages 19-24 Pencils & Inks by Steven Butler Price: $950.00 from John Aman Amazing Man (2014 Gallant Comics) 2B 2014 A thrilling story tracing the origins of Captain Battle that takes place during the American Revolution! Butler's bold linework hops off the page in this tense story that finds an assassin, disguised with the help of a magical coin, make an attempt on the life of George Washington! All pages are signed by Butler in bottom margin. Blue line pencil and ink on 6 sheets of Gallant Comics art board. Each sheet measures 11 1/2" x 18".

Original Back Cover Art for Just Imagine Stan Lee's The Flash #1 (2001) by Adam Hughes Price: $4,000.00 from Just Imagine Flash (2001) 1 2001 DC One of the modern masters of comic art brings Kevin Maguire and Stan Lee's reimagining of the Flash to thrilling life in this kinetic image! The sleek design of Mary Maxwell's suit seems almost tailor-made for Hughes' style, especially with Hughes' trademark eyes giving the reader a glance through her visor as she refuses to acknowledge the concept of traffic! Signed by Hughes and Stan Lee. Also included is a copy of the published issue Pencil and ink on the reverse of Blanc Noir comic art board. Title and cover copy stats are reproductions, affixed to the page with tape on the reverse. Page measures 11" x 17 1/2", full piece measures 12 1/4" x 18".

Original Art from Justice League of America #159 (1978 DC), Page 19 Pencils by Dick Dillin and Finishes by Frank McLaughlin Price: $1,500.00 from Justice League of America (1960 1st Series) 159 1978 DC Original Art from Justice League of America #159 (1978 DC), Page 19 Pencils by Dick Dillin and Finishes by Frank McLaughlin. In the middle of the annual JLA/JSA meet-up (always a favorite when these two teams get together), the heroes of two worlds are attacked- by DC heroes of the past! As Wonder Woman's invisible jet goes down (after colliding with Viking Prince's flying longboat), the Mighty Amazon finds herself swashbuckling on the wing with The Black Pirate. Also featuring The Flash and Elongated Man, this page is packed full of action and drama, the perfect encapsulation of Bronze Age DC comics! Pencil and ink on DC Comics art board. 15 1/2" x 10 3/4", B&W. Note: Small amount of tape on edges.

Original Art from Justice League of America #243 (1985) Page 12 Pencils by George Tuska, Inks by Mike Machlan Price: $900.00 from Justice League of America (1960 1st Series) 243 1985 DC With the rest of the team attempting to stop Amazo as he blazes a path of destruction across the country, Martian Manhunter and Dale Gunn take a trip up North to the Fortress of Solitude to investigate how the adapting android broke loose in the first place. Signed by Tuska in fourth panel. Pencil and ink on DC Comics art board. 11" x 16". NOTE: Page displays some minor staining in the lower right corner.

Original Art from JSA 80-Page Giant (2010) #1 Page 32 Pencils by Roberto Castro, Inks by John Floyd Price: $250.00 from Justice Society of America 80-Page Giant (2010) 1 2010 DC Markus Clay, the third hero to take up the mantle of Amazing Man, gets a great spotlight in this story which sees him tested by the elemental gods who give him his matter absorption powers. After the elementals remove his powers and toss him into the middle of a monster attack, Markus finds himself trapped in a crumbling structure with a group of civilians- and displays the kind of heroism that doesn't require superpowers which convinces the gods to restore his powers just in the nick of time. Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Art from JSA 80-Page Giant (2010) #1 Page 33 Pencils by Roberto Castro, Inks by John Floyd Price: $300.00 from Justice Society of America 80-Page Giant (2010) 1 2010 After having his powers removed by the gods who granted them, Amazing Man regains them just in time to save a group of civilians trapped in a building! A great showcase for Amazing Man's powers here as he learns that his matter absorption powers can be transferred to those in contact with him- illustrated here as he turns the civilians to a liquid form to keep them from drowning! Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Art from JSA 80-Page Giant (2010) #1 Page 34 Pencils by Roberto Castro, Inks by John Floyd Price: $250.00 from Justice Society of America 80-Page Giant (2010) 1 2010 Castro and Floyd deliver some Kirby-tinged panels here as Amazing Man realizes that what he thought was a life-or-death monster attack was in fact created by the gods who gave him his powers. Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Art from Ka-Zar the Savage #14 (1982) Page 5 Layouts by Brent Anderson, Finishes by Armando Gil Price: $615.00 from Ka-Zar the Savage (1981 Marvel) 14 1982 Marvel Superheroes, they're just like us! A fantastic Ka-Zar page that sees the jungle hero grappling with the revelation that Shanna has married- and a cheeky appearance by the She-Devil herself in the last panel! Pencil and ink on comic art board. 10 1/2" x 16 1/4".

Orginal Art from Lady Pendragon #4 (1999) Pages 11-12 Pencils by John Stinsman, Specific Inker Not Credited Price: $860.00 from Lady Pendragon Dragon Blade (1999) 4 1999 Image A magnificent double page spread that sees Jennifer Drake confronted by the first wave of Morgana's forces- a rider on a black horse backed by a horde of undead warriors! Some fantastic closeups of Jennifer and her allies on the right page make this an outstanding showcase for the series as a whole! Signed by Stinsman in top margin of page 12 Pencil and ink on two unattached sheets of Image Comics art board. Each sheet measures 11" x 17".

Original Art from Lady Vampré #1 (1995) Page 27 Pencils by Dave Gutierrez, Inks by Mostafa Moussa Price: $80.00 from Lady Vampre (1995) 1 1995 Blackout A great panel page from this Bad Girl vampire yarn as Detective Trip Johnson reveals to Vampre and others afflicted with vampirism by the evil Lord Barclaw realize he can be killed without it causing their own deaths. The third panel here is especially fantastic as Jean St. Michael is decapitated in silhouette with a streak of correction fluid used to depict the blood spray. Signed by the artists in top margin. Pencil and ink on art board.

Original Cover Art for Laugh Comics Digest #185 (2003) Pencils by Jeff Shultz, Inks by Henry Scarpelli Price: $400.00 from Laugh Comics Digest (1974) 185 2003 Archie Publications Veronica isn't feeling so merry on this fantastic cover that proves that in Riverdale, even when you're angry you've gotta make a pun about it. Pencil and ink on Archie Comics art board. 11 1/2" x 17 1/2".

Original Art from Lobo #0 (1994) Page 11 Pencils by Val Semeiks, Inks by John Dell Price: $1,200.00 from Lobo (1993 2nd Series DC) 0 1994 DC You can't ask for a better Lobo page than this! A group of ne'er do wells on the run from the Main Man recount the legends of his origin as they flee, here recounting the genocide of Czarnia at Lobo's hands (or more accurately, swarms of nanotech insects). An incredibly powerful image packed full of gruesome detail! Signed in bottom margin by Semeiks. Pencil, ink, and screentone on DC Comics art board. 11" x 17".

Original Art from Lobo #0 (1994) Pg 13 Pencils by Val Semeiks, Inks by John Dell Price: $750.00 from Lobo (1993 2nd Series DC) 0 1994 DC A group of lowlifes on the run from Lobo swap tales of the Main Man as they attempt to escape his clutches, arriving at his encounters with Superman. The third panel features a great action shot of the Main Man tossing the Man of Steel into a building, while the fourth sees the two duking it out in space framed nicely in front of a roaring sun. The wonderful character design on Bob also shouldn't go unnoted- a perfect blend of a Predator and a Klingon! Signed in bottom margin by Semeiks. Pencil, ink, and screentone on DC Comics art board. 11" x 17".

Original Art from Lobo #7 (1994) Page 6 Pencils by Val Semeiks, Inks by John Dell Price: $275.00 from Lobo (1993 2nd Series DC) 7 1994 DC Tasked by a mystery benefactor with assembling a team of the baddest mercs in the galaxy, Lobo heads to the planet Jim Beam's World to recruit Ratty- who seems to be in a bit of a pickle. A great final panel punctuates this page with Lobo sneaking up on the group in full mysterious stranger garb. Signed in bottom margin by Semeiks. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Lobo #0 (1994) Pg 19 Pencils by Val Semeiks, Inks by John Dell Price: $275.00 from Lobo (1993 2nd Series DC) 9 1994 DC Who in the galaxy could possibly be a match for Lobo? That's right- Lobo. After assembling a team to track down a mysterious enemy, Lobo finds that it was all a setup and he's been captured by an erstwhile clone. As the two duke it out, Vril Dox has tracked the Czarnian and begins reigning down bombs on the planet hoping to rid the universe of all the Lobos once and for all! Signed in bottom margin by Semeiks. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Lobo/Deadman The Brave & the Bald (1995) Page 15 by Martin Emond Price: $800.00 from Lobo Deadman The Brave and the Bald (1995) 1 1995 One of the artists who helped cement the 90's as a particularly adventurous period in comic art, Martin Edmond's signature blend of realism, grotesqueries, and cartooning was a perfect match for Alan Grant's work on Lobo. This phenomenal page sees Deadman's beach vacation being interrupted by Lobo, as someone has put out a bounty on the body-hopping ghost. Edmond's work is a treat to behold, with a plethora of detail and beautifully rendered anatomy to pour over. Pencil and ink on heavy paper stock. 11 3/4" x 16 1/2".

Original Art from Lobo Gallery, Portraits of a Bastich (1995) Page 29 Pencils and inks by John Dell Price: $1,300.00 from Lobo Gallery, Portrait of a Bastich (1995) 1 1995 DC Fetal's Gizz, what a page! Long-time Lobo inker John Dell provides the full art for this pinup that can only be described as fraggin' beautiful. The detail on both Lobo himself and the array of weaponry pointed in his direction is a sight to behold, especially in contrast with the ink splatter background. Also included is a copy of the published issue. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Master of Kung Fu #117 (1982) Page 14, Pencils and Inks by Gene Day Price: $1,425.00 from Master of Kung Fu (1974 Marvel) 117 1982 Marvel A glorious fight page that masterfully blends the genres of horror and martial arts! Having escaped the dungeon of Fu Manchu who wants his blood, Shang-Chi must now contend with his father's experiments gone wrong. Day elegantly depicts the brutal fight with a solid 9 panel structure that he punctuates with a stunning page-length silhouette of Shang-Chi ending the fight for good! Pencil and ink on comic art board. 10 3/4" x 16", B&W.

Original Art from Meridian #32 (2003) Pages 14-15 Inks by Roland Paris, Printed Pencils by Greg Tocchini Price: $375.00 from Meridian (2000) 32 2003 CrossGen Comics Banished from Cadador, Sephie and her crew head to Akasia to liberate the child laborers working in its factory- which she does spectacularly in this (literally) explosive double page splash! But is this the kind of help Akasia needs? Ink over printed pencils on Crossgen comic art board. 20" x 16 1/2". NOTE: The inker credited for this issue is Tony Simmons, however this page is signed twice by Paris in what was likely an uncredited assist.

Original Art from Mickey Spillane's Mike Danger #10 (1997) Page 2 Pencils by Brad Gorby, Inks by Terry Beatty Price: $465.00 from Mike Danger (1996 Big) 10 1997 Big Entertainment A fantastic page emblematic of the pulpy energy of Mike Danger as he and a femme fatale slug it out in bed- before he shoots her and she turns to dust! Pencil and ink on Tekno Comix/Big Entertainment art board. 11" x 17". NOTE: Page displays some staining, mostly outside of the art area.

Original Cover Art for Milestone 30th Anniversary Special (2023) Inks by John Floyd, Printed Pencils by Denys Cowan Price: $4,500.00 from Milestone 30th Anniversary Special (2023 DC) 1A 2023 DC For this oversized celebration of the groundbreaking Milestone line, Cowan and Floyd turn in an incredible homage to the iconic cover to Flash #123 featuring Static in place of the speedsters. Cowan's always-energetic figure work is displayed nicely here in the mirrored versions of Static, with Floyd doing some absolutely incredible inking- particularly on the unseen villain! Ink over printed pencils on comic art board. 11" x 17".

Original Cover Art for Milestone Compendium #2 (2023) Inks by John Floyd, Printed Pencils by Denys Cowan Price: $3,200.00 from Milestone Compendium TPB (2021 DC) 2-1ST 2023 DC A powerful cover for this hefty volume that contains the full 'Worlds Collide' crossover which saw the Milestone and DC universes collide due to the uncontrolled reality warping powers of a mailman! Floyd does a fantastic job with his inks here, refining a bit wile still retaining the explosive energy of Cowan's pencils. Ink over printed pencils on DC Comics art board (reverse). 11" x 17".

Original Art from Modeling With Millie #32 (1963) Page 12 Pencils and Inks by Stan Goldberg Price: $500.00 from Modeling with Millie (1963) 32 1963 Marvel A classic fashion page by comics veteran Stan Goldberg who does some especially neat work on the textures of these fan-designed outfits. Pencil and ink with title logo stat on art board. 13 1/2" x 21", B&W.

Original Art from The Monster (1953) #2, Page 3 of the Story 'Kohnoori's Curse' Pencils and Inks by Bill Discount Price: $400.00 from Monster (1953) 2 1953 A beautiful page, rich in texture thanks to clever use of screentone and great brushwork! The intro to the story of a cursed treasure, chronicling the downfall of a Maharajah who fell victim to the curse, this page has it all- ghosts, torture, wildlife, and a stunning panel featuring a terrified servant girl. Pencil, ink, and screentone on Doubletone Drawing Board. 13 1/4" x 19 1/4", B&W.

Original Art from Myst: The Book of the Black Ships (1997) Page 5 by Doug Wheatley Price: $500.00 from Myst Book of the Black Ships (1997) 1A 1997 Dark Horse An absolutely magnificent splash page from this series that furthered the lore of one of the most popular computer games of the 1990's, Myst! A beautiful showcase for artist Doug Wheatley whose work runs the gamut from comics mainstays like Superman and the Hulk to Star Wars and Aliens as well as work for various film and television productions and adaptations. Wheatley's tight, intricate pencil work shines on this page with an astounding amount of detail to pour over. Pencil on vellum which is affixed to the reverse of a sheet of Dark Horse comic art board with tape at all edges. 11" x 17". NOTE: The lower right corner of the vellum displays a slice which has been sealed with tape, presumably by the artist.

Original Art from Mystery in Space #5 (2007) Page 9 Pencils by Shane Davis, Inks by Matt 'BATT' Banning Price: $275.00 from Mystery in Space (2006 2nd Series) 5 2007 DC Undercover on Hardcore Station, Captain Comet investigates the ELC church and their army of cloned psychic assassins- and finds a tank of floating lifeforms who symbiotically attach to the dead of the universe! Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Art from Mystic #39 (2003) Page 17 Pencils by Aaron Lopresti, Inks by Matthew Ryan Price: $250.00 from Mystic (2000 CrossGen) 39 2003 CrossGen Comics A thrilling final showdown between hero and villain! With Giselle stripped of her powers and Archemus without his staff, the only path to victory is martial combat! A charming example of the zany tone that made Mystic a fan favorite! Also included is a second page with the background drawn once to be digitally inserted into the panels on the full page. Full page is signed by Lopresti in the bottom margin. Pencil and ink on Crossgen comic art board. 11" x 17".

Original Art from New Mutants #29 (1985), Page 17 by Bill Sienkiewicz Price: $8,000.00 from New Mutants (1983 1st Series) 29D 1985 Marvel Original Art from New Mutants #29 (1985), Page 17 by Bill Sienkiewicz. Kidnapped and whisked away to battle to the death in the Mutant Arena, Sunspot's cries of anger are answered- by Axe! Sienkiewicz' talents are on full display in this bold, action-packed panel page. Signed by Sienkiewicz in bottom left. Pencil and ink on Marvel Comics art board. 11" x 17", B&W.

Original Art from New Super-Man #20 (2018) Page 16 Pencils by Brent Peeples Price: $170.00 from New Super Man (2016) 20A 2018 DC The Aqua-Man of China makes his first appearance in this issue, learning of his aquatic heritage and powers in the most dramatic fashion possible- as an unexpected reaction to being tortured by the government in his home nation of North Korea. This powerful page sees Ahn Kwang-Jo transforming into a massive crustacean and taking bloody revenge on the men torturing him! Signed by Peeples in bottom margin. Pencil on DC Comics art board. 11" x 17", B&W.

Original Art from New Super-Man #21 (2018) Page 2 Pencils by Brent Peeples, Inks by Matt Santorelli Price: $140.00 from New Super Man (2016) 21A 2018 DC Usually when giant crabs show up, it's fair to assume they're antagonistic- but that's not always the case as Kenan Kong learns from his ally in the Justice League of China, Peng Deilan the Wonder-Woman. Peeples and Santorelli's monster design really shines on this original page! Signed by Peeples in bottom margin. Pencil and ink on DC Comics art board. 11" x 17", B&W.

Original Cover Art for Nightwing Annual #2 (2007) by Joe Bennett with Inks by Jack Jadson Price: $5,300.00 from Nightwing (1996 DC) Annual 2 2007 DC Original Cover Art for Nightwing Annual #2 (2007) by Joe Bennett with inks by Jack Jadson. This issue is a touching and turbulent trip through the personal history of Dick Grayson and Barbara Gordon, perfectly captured on this iconic cover featuring the two heroes in their classic costumes swinging over Gotham City. Original pencil and ink on DC Comics art board. The title logo and cover copy stats are on a sheet of acetate affixed to the back of the art. 11 1/2" x 17", B&W. Also included is a copy of the issue itself.

Original Art from Normandy Gold #1 (2017) Page 13 Pencils and Inks by Steve Scott Price: $250.00 from Normandy Gold (2017 Titan) 1A 2017 Titan A powerful partial splash with a large, intense closeup of titular protagonist Detective Normandy Gold not taking any guff from the officers of the D.C. police department. Signed by the artist in bottom margin. Pencil and ink on art board. 11" x 17".

Original Art from Normandy Gold #1 (2017) Page 16 Pencils and Inks by Steve Scott Price: $200.00 from Normandy Gold (2017 Titan) 1A 2017 Titan The 1970's setting of this conspiracy noir come to beautiful life thanks to Scott's knack for fashion and detail. Signed by the artist in bottom margin. Pencil and ink on art board. 11" x 17".

Original Art from Over the Edge #4 (1996) Page 14 Pencils by Robert Brown, Specific Inker Not Credited Price: $365.00 from Over the Edge (1995) 4 1996 Marvel A wonderful example of 90's tacti-cool as the Ghost Rider Task Force gears up and moves out once again to go after the bike-bound demon who has supposedly gone on a bombing spree in Brooklyn! The specific inker for this page is not credited, but the list of inkers credited with work on this issue is: Tom Palmer, Brad Vancata, Bud LaRosa, and Mike Witherby. Pencil and ink on Marvel Comics art board. 11" x 17 1/4". NOTE: One word balloon is missing from the page, second panel "Once and for all, like the commish says."

Original Cover Art for Poison Elves: Lusiphur & Lirilith #4 (2001) by Jason Shawn Alexander Price: $3,500.00 from Poison Elves Lusiphur and Lirilith (2001) 4 2001 Sirius "Life is what you make of it...and sometimes...sometimes you're what life makes you." The final issue of this prequel series that expands on the star-crossed lovers' relationship and its subsequent dissolution gets a phenomenal cover from the multi talented Alexander. With Lusipher's mind set on murderous revenge and Lirilith committed to a life as a healer, the end is nigh- something Alexander captures wonderfully here with small touches their body language and the detail of Lusiphur's bloodied hands reaching out for her. Also included is a copy of the published issue signed by Alexander. Pencil, watercolor, and oil paint with sealant. 18" x 23 1/4".

Original Art from Power Pack #2 (2000) Page 20 Pencils by Colleen Doran, Inks by Terry Austin In auction ending January 15 from Power Pack (2000 2nd Series) 2 2000 Marvel The drama just keeps piling up for the Power family! As the kids fend off a Snark attack AND try to deal with both bullies and young love, Margaret suddenly loses consciousness. A great sequential page from Doran and Austin that captures the manic sitcom quality of Power Pack that makes it such a joy. Signed by Doran in bottom margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Red Tornado #2 (2009) Page 3 Pencils by Jose Luis, Inks by JP Mayer Price: $300.00 from Red Tornado (2009 DC 2nd Series) 2 2009 DC A great action page that sees everyone's favorite red robot taking on...The United States Air Force over Pearl Harbor? Having parsed the clues, Red Tornado has just found his long lost 'sister', a water elemental named Red Torpedo. Unfortunately, due to some past events, the military isn't too fond of unidentified flying objects around this particular base! Pencil and ink on DC Comics art board. 11 1/2" x 17", B&W.

Original Art from Route 666 #19 (2004) Page 19 Pencils by Karl Moline, Inks by Andrew Hennessy Price: $150.00 from Route 666 (2002) 19 2004 A great splash page that sees the demon disguised as Agent Melchior putting his own twist on the 'how many people can fit in a phone booth' fad. Pencil and ink on Crossgen comic art board. 11" x 17"

Original Art from Route 666 #21 (2004) Pages 16-17 Pencils by Karl Moline, Inks by Andrew Hennessey Price: $300.00 from Route 666 (2002) 21 2004 CrossGen Comics It seems that the Cold War may not be as cut and dry as Cassie thought! Having been shanghaied to Rodana, Cassie and Cisco find a surprise- the real leader of the country has been replaced by a demon duplicate and now wages a guerilla campaign to take back his country (and hopefully avoid global nuclear war!). This beautiful double page spread montage sees Premier Popov recounting the hidden story of how he was deposed. Pencil and ink on Crossgen comic art board. 22" x 17".

Original Art from Ruse #8 (2002) Pages 10-11 Pencils by Jackson 'Butch' Guice, Inks by Mike Perkins Price: $400.00 from Ruse (2001) 8 2002 CrossGen Comics Having escaped captivity and deduced the secret of the Telestroud, Archard of course must monologue about it- leaving a moment open for the genetically 'invisible' citizens of the city to attack! A fantastic double-page spread with a great widescreen action panel. Signed by Perkins in right margin. Pencil and ink on Crossgen comic art board. 22" x 17".

Original Art from Ruse #26 (2004) Pages 2-3 Pencils by Jackson 'Butch' Guice, Inks by Mike Perkins Price: $425.00 from Ruse (2001) 26 2004 CrossGen Comics A gorgeous double page spread opens the final issue of the beloved detective series with some great full body shots of Simon and Emma alongside a sprawling look at the town of Chaff. Signed by Perkins in right margin. Pencil and ink on Crossgen comic art board. 22" x 17".

Original Art from Sable #4 (1988) Page 6 Pencils by Bill Jaaska, Inks by Doug Hazelwood Price: $350.00 from Sable (1988) 4 1988 First Comics A shocking and impactful title page that doesn't hit until page six! An assassin's bullet delivered just as Jon Sable tells Myke Blackmon that he loves her, the creative team did a wonderful job building to this moment with several pages of scenes from the sniper's point of view as she followed the couple around town on a date. Signed by Hazelwood in bottom margin. Pencil and ink with title and credit states on First Comics art board. 11" x 17".

Original Art from Sad Sack and Sarge #58 (1966) Complete 5-Page Story 'Spit and Polish' Price: $600.00 from Sad Sack and the Sarge (1957 Harvey) 58 1966 Harvey It's a shame that Sad Sack isn't around to see Sarge get some comeuppance for his own fashion follies in this five-pager! Pencil and ink on five sheets of art board. Each measures 14 3/4" x 23". NOTE: First page displays some moisture damage to the top of the page, well outside of the art area.

Original Art from Sad Sack and Sarge #58 (1966) Complete 2-Page Story 'All Wet' Price: $250.00 from Sad Sack and the Sarge (1957 Harvey) 58 1966 Harvey Another day, another Sisyphean task awaits Sad Sack as he does his best to mop the mess hall during a torrential downour. Artists uncredited. Pencil and ink on two sheets of art board. 14 1/4" x 20 1/2".

Original Art from Saga of the Sub-Mariner #7 (1989) Page 8 Pencils by Rich Buckler, Inks by Mike Gustovich Price: $450.00 from Saga of the Sub-Mariner (1988) 7 1989 Marvel A chronicle of Namor's eventful life, this issue sees Namor return to Atlantis after his time fighting in World War 2 to find his grandfather the emperor near death thanks to an assassin from the surface. Soon after, Namor and his newly human-passing cousin Namora head upwards for vengeance! Pencil and ink on comic art board. 10 3/4" x 16 1/4". NOTE: Panels three and four are pasted in printed stats. There appears to be hand drawn work underneath them which indicates that these were redraws made due to editorial changes.

Original Art from Scion #17 (2001) Pages 18-19 Pencils by Andrea Di Vito, Inks by Rob Hunter Price: $450.00 from Scion (2000) 17 2001 CrossGen Comics A powerful double-splash with a tremendous amount of detail that sees Prince Eric, overcome with the horror of the atrocities created in Doctor Tyrrus' labs, make sure that it can never happen again- by smashing. Pencil and ink on Crossgen comic art board. 20 1/2" x 17". NOTE: The credited inker for the issue is Rob Hunter, however the name written on this page for inker is "Bobby C". It's likely that the assigned inker was changed after the pencils were produced.

Original Cover Art for Scion #40 (2003) Pencils by Luke Ross, Inks by John Dell Price: $425.00 from Scion (2000) 40 2003 CrossGen Comics A terrific hero pose from Prince Ethan on the cover for this pivotal issue that sees him tested like never before! Also included is a copy of the published issue. Pencil and ink on Crossgen comic art board. 11" x 17".

Original Cover Art for Scion #43 (2004) Pencils by Luke Ross, Inks by John Dell Price: $600.00 from Scion (2000) 43 2004 CrossGen Comics A thrilling, action-packed cover for the final issue of the series that sees Prince Ethan and Princess Ashleigh taking on a mech from the Tigris Empire which has launched a surprise assault on their lands! Also included is a copy of the published issue. Pencil and ink on Crossgen Comic Art board. 11" x 17". NOTE: The cover was possibly intended to be used for issue #42 as evidenced by the notation at the top.

Original Art from Scout: War Shaman #4 (1988) Page 15 Pencils and Inks by Timothy Truman Price: $275.00 from Scout War Shaman (1988) 4 1988 Eclipse An intense fight page from Truman's cult classic post-apocalyptic saga sees Scout taking on Captain Yuma and his band of marauders. Truman's art looks stunning on the original page with his gorgeous brush work, realistic detail, and smart use of texture popping off of the board! Signed by the artist (personalized) in lower right margin. Pencil and ink on comic art board. 11 3/4" x 17".

Original Art from Secret Origins #34 (1988), Page 18 by Alan Weiss with Inks by Joe Rubinstein Price: $395.00 from Secret Origins (1986 DC 2nd Series) 34 1988 DC Original art from Secret Origins #34 (1988), page 18 by Alan Weiss with inks by Joe Rubinstein. Captain Atom's entry to the DC Universe came as the Cold War was winding down and thus necessitated a new origin- one that was a bit more cynical. On this final page of his Secret Origins story, we see a cabal of military and private interests discussing the cover story for this new origin around a table featuring a model of the 'classic' Captain Atom, beautifully emphasized in the final panel. Pencil and ink on DC Comics art board. 10 1/4" x 16", B&W. Includes a copy of the original issue.

Original Cover Art for Sgt. Rock #327 (1979) Pencils and Inks by Joe Kubert Price: $8,500.00 from Sgt. Rock (1977) 327 1979 DC An absolutely iconic cover from Sgt. Rock's creator himself, the legendary Joe Kubert! Kubert's trademark brush work is showcased beautifully on this cover, especially in the closeup of Rock's face as he surveys the gruesome scene in front of Easy Company. Signed by Kubert. Also included is a copy of the published issue. Pencil and ink on DC Comics art board with title stats. 11 1/4" x 17". NOTE: Page displays oxidation, mainly to the reverse.

Original Cover Art for Shade the Changing Man #70 (1996) Pencils & Inks by Duncan Fegredo Price: $2,950.00 from Shade the Changing Man (1990 2nd Series) 70 1996 DC A poignant, bittersweet cover from the legendary Duncan Fegredo, the final issue of the series tells the story of all the things that can go wrong when you're trying to make them right, an idea captured beautifully by Fegredo here. Signed by Fegredo (personalized) in lower left. Also included is a copy of the published issue. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Showcase #85 (1969 DC) Pages 14-15 Double Page Splash Pencils and Inks by Joe Kubert Price: $5,400.00 from Showcase (1956-1978) 85 1969 DC Original Art from Showcase #85 (1969 DC) Pages 14-15 Double Page Splash Pencils and Inks by the legendary Joe Kubert. This absolutely magnificent double page splash from the first appearance and origin story of Firehair is a prime example of what makes Kubert one of the masters of comic art. Depicting Firehair's visions during his time in a sweat lodge, Kubert captures the majesty and wonder of Firehair's life caught between two worlds as only he could. Pencil and ink on two 11" x 16" art boards, B&W. Note: Pages are separate pieces and not taped together.

Original Art from Showcase '93 #6 (1993) Page 46 Pencils by Gary Barker, Inks by Jose Marzan Jr. Price: $525.00 from Showcase 93 (1993) 6 1993 DC A tremendous 2/3 splash page closes out the first chapter of Peacemaker's Showcase tale as Deathstroke (here going by 'The Terminator' shortly before the popularity of James Cameron's film forced DC to quietly revert his name to just Deathstroke) saves Peacemaker from a Kobra ambush. This page is full of wonderful details, from the crosshatching on Peacemaker's shadow in the first panel to the subtle pencil shading enhancing the screentone's effect on his helmet in the second panel this is prime example of the craft of making comics! Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2", B&W.

Original Art from Sigil #17 (2001) Pages 6-7 Pencils by Scot Eaton, Inks by Andrew Hennessey Price: $425.00 from Sigil (2000) 17 2001 CrossGen Comics A fantastic double page spread! After Sam mysteriously vanished in the midst of a heated battle, his shocked allies and enemy prepare for next steps- and Sam comes to just in time to avoid a very bad haircut! Pencil and ink on two sheets of Crossgen comic art board affixed with tape on the rear. 20 1/2" x 17".

Original Art from Silver Surfer Annual 1997 Page 38 Pencils by Val Semeiks, Inks by Klaus Janson In auction ending January 15 from Silver Surfer (1987 2nd Series) Annual 1997 1997 Marvel A dramatic final page for this issue that saw the Silver Surfer encountering a being named Scrier who claimed to be older than Galactus. After being asked by Scrier to retrieve an infant being raised in poverty, Surfer refuses to separate the child from his mother and Scrier declares that Surfer has failed his 'test'- though it's revealed on this page that Surfer's rebellion was for naught and Scrier continues on with his machinations. Signed by Semeiks once in top margin and once in bottom margin. Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from Solo Ex-Mutants #3 (1988) Page 18 Pencils by Myke Maldonado, Inks by Jimmy Palmiotti Price: $345.00 from Solo Ex-Mutants (1988) 3 1988 Eternity After a solo trek into the wasteland to clear her mind, Ex-Mutant Angie finds herself the captive of a horde of mutants intent on making her the bride of their leader! Pencil, ink, and screentone on DC Comics art board. 11 1/4" x 16 3/4".

Original Art from Sonic Universe #7 (2009) Page 13 Pencils by Tracy Yardley, Inks by Jim Amash In auction ending January 15 from Sonic Universe (2009) 7 2009 Archie Publications Sonic's Freedom Fighters are making their assault on Castle Mobius and though Tails is still a bit inexperienced, he makes short work of the guards in the action-packed bottom panel. Pencil and ink on comic art board. 11" x 17", B&W.

Original Art from Sonic Universe #8 (2009) Page 10 Pencils by Tracy Yardley, Inks by Jim Amash Price: $229.95 from Sonic Universe (2009) 8 2009 Archie Publications A chaotic montage illustrates the chaos engulfing Angel Island in this future-set tale! Pencil and ink on comic art board. 11" x 17", B&W.

Original Art from Spider-Man The Mutant Agenda #1 (1994) Page 20 Pencils by Scott Kolins, Inks by Sam de la Rosa Price: $800.00 from Spider-Man The Mutant Agenda (1994) 1 1994 Marvel An extremely cool Spider-Man origin page from comics veterans Scott Kolins and Sam de la Rosa that sees Peter meditating on the circumstances that led to his powers as he tours Brand conference. Signed by Kolins in bottom left. Also included is a copy of the published issue. Pencil and ink on Marvel Comics art board with acetate overlay. 11" x 17".

Original Art from Star Trek #78 (1995) Pages 11-13 Pencils by Rachel Forbes-Seese (as Rachel Ketchum), Inks by Mark Heike In auction ending January 15 from Star Trek (1989 2nd Series DC) 78 1995 DC Some classic Trek shots in this three page group from this issue that finds the crew of the Enterprise in- you guessed it -the Klingon Neutral Zone! With Kirk and Spock with the away team on the ground of Klingon colony that transmitted a distress call, it's up to Scotty to man the captain's chair and deal with the Klingon ship that's just arrived! All three pages are signed by Forbes-Seese in the bottom margin. Pencil and ink on DC Comics art board. Each measures 11" x 17".

Original Art from Stuff Of Legend Vol. 2, #1 Page 18 by Charles Paul Wilson III Price: $456.00 from Stuff of Legend The Jungle (2010 Th3rd World Studios) 1A 2010 Th3rd World Studios Original Art from Stuff Of Legend Vol. 2, #1 Page 18 pencils by Charles Paul Wilson III. There are few things more villainous than making ominous small talk over a war map covered in models, and that's where we find the Boogeyman, not-so-subtly threatening his very worried General. Pencil on art board. 14" x 11", B&W.

Original Art from Supervillain Team-Up #10 (1977), Page 11 by Bob Hall with Inks by Don Perlin Price: $6,750.00 from Super-Villain Team-Up (1975) 10 1977 Marvel Original art from Supervillain Team-Up #10, page 11 by Bob Hall with inks by comic veteran Don Perlin. This stunning 3/4 splash page features Namor in all his glory- graceful, determined, and of course surly. The striking posing almost overtakes the background visage of Atlantis, still showing the scars from Dr. Doom's attack in a previous issue. Pencil, ink, and screentone on Marvel Comics art board. 10 1/2" x 15 3/4", B&W. Also includes a copy of the original issue.

Original Art from Superboy #16 (1991) Page 2 Pencils by Curt Swan, Inks by Kim DeMulder Price: $2,000.00 from Superboy (1990 2nd Series) 16 1991 DC It doesn't get much more iconic than this! Legendary Superman artist Curt Swan and comics veteran Kim DeMulder deliver a title page with everything you could ask for in a Superman page- the Man of Steel flying over an astonished crowd, ads for LexCorp and the Daily Planet, and of course a time-displaced and confused Clark Kent smack dab in the middle of it. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2". NOTE: One stat is missing from the page, an ad for a WGBS late night show that should be right above the Daily Planet ad.

Original Art from Superman #285 (1975) Page 2 Pencils by Curt Swan, Inks by Tex Blaisdell Price: $900.00 from Superman (1939 1st Series) 285 1975 DC Delving into the mystery behind the disappearance of Roy Raymond (the TV detective!), the clues lead Superman to an apartment filled with deadly plants! Hmm, maybe the Man of Steel should call Wonder Woman for help on this one- seems like she's been in this kind of situation before. Signed by Swan in third panel. Pencil and ink on comic art board. 10 1/2" x 16", B&W.

Original Art from Superman #6 (1987), Page 20 by John Byrne with Inks by Karl Kesel Price: $9,000.00 from Superman (1987 2nd Series) 6D 1987 DC Original Art for Superman #6 (1987) page 20 by fan-favorite John Byrne and inks by Karl Kesel. This battle page from part two of the story "The Last Five Hundred" sees a stubble-bearing Man of Steel fighting off the villainous robot Host as a possessed Lois Lane looks on and gives orders to Host! Byrne's talent for expressive faces is beautifully displayed in the second panel as the possessed Lois realizes that Superman can fly. Pencil and ink on art board. 16 1/2" x 11 1/4", B&W. Includes a copy of the original issue.

Original Art from Superman Adventures #32 (1999) Page 2 Pencils by Neil Vokes, Inks by Ron Boyd Price: $85.00 from Superman Adventures (1996) 32 1999 DC A fantastic introduction to the villain of this story, The Commander, who in addition to snatch $40 from a security guard, has a bone to pick with Perry White! Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Superman Adventures #32 (1999) Page 6 Pencils by Neil Vokes, Inks by Ron Boyd Price: $175.00 from Superman Adventures (1996) 32 1999 DC A great Superman page that in its fourth panel captures an quintessentially Superman moment as he not only forgoes taking a bite of a delicious hamburger in order to stop a supervillain, but also refuses to dine and dash. What a guy! Some great Lois action here too as she leaps into action against The Commander without a second thought. Pencil and ink on DC Comics art board. 11" x 17".

Original Unused Cover Art for Teenage Mutant Ninja Turtles #14B (2012) by Kevin Eastman Price: $4,700.00 from Teenage Mutant Ninja Turtles (2011 IDW) 14B 2012 It doesn't get better than this for TMNT fans! All four Turtles, Master Splinter, April, and Casey Jones all on one page drawn by creator Kevin Eastman! Atmosphere just drips off this page thanks to Eastman's heavy, blocky inks and clever use of ink splatter. Initially drawn as a variant cover, the piece was redrawn for final publication by Eastman to remove April and Casey and add some decoration to the sewer at the request of editorial. Also included is a copy of the published issue signed and remarked by Eastman as well as copy of the Teenage Mutant Ninja Turtles Time Capsule, a packet put together by Eastman that includes a signed photo and letter as well as reproductions of early TMNT art and materials. Includes a certificate sticker on the reverse signed by Eastman. Pencil and ink on comic art board. 11" x 17".

Original Cover Art for Teenage Mutant Ninja Turtles Turtles in Time #1 Hastings Variant by Sophie Campbell Price: $3,000.00 from Teenage Mutant Ninja Turtles Turtles in Time (2014) 1RE.HASTINGS 2014 For the better part of a decade, Sophie Campbell has become synonymous with the Teenage Mutant Ninja Turtles both as a writer and an artist and it's easy to see why in this delightful cover that captures the spirit of team perfectly. Also included is a copy of the published issue signed and remarked by Campbell. Pencil and ink on art board. 10 1/2" x 14".

Original art from Thor #217 (1973) Page 7 Pencils by John Buscema, Inks by Sal Buscema Price: $3,325.00 from Thor (1962 Marvel 1st Series Journey Into Mystery) 217 1973 Marvel As Thor, Odin, Sif, and the Warriors Three return home to Asgard from battle they find doppelgangers of themselves commanding the forces of the realm! Naturally a battle ensues, gorgeously drawn on this fantastic fight page from two of the Bullpen's best! Pencil and ink on comic art board. 10 1/2" x 16", B&W.

Original Art from Thor #446 (1992) Page 30 Pencils by Patrick Olliffe, Inks by Al Milgrom Price: $285.00 from Thor (1962 Marvel 1st Series Journey Into Mystery) 446 1992 Marvel A dramatic last page cliffhanger closes the 14th chapter of the Operation Galactic Storm crossover! This 3/4 splash sees Shi'ar Majestrix Lilanda, inspired by the heroics of Starfox and the other Avengers, decide not to launch the Nega-Bomb at the Kree- but it might be too late as the ship carrying the bomb reaches the point of no return! Pencil and ink on Marvel Comics art board. 11" x 17".

Original Cover Art for Thor Annual #17 (1992) Pencils and Inks by Dan Panosian Price: $6,500.00 from Thor (1962 Marvel 1st Series Journey Into Mystery) Annual 17 1992 Marvel Eric Masterson, the Thor of the 90's, finds himself tossed through time and ends up facing off with Prester John and his Evil Eye, a plot wonderfully summed up in this powerful cover that sees the two warriors locked in the heat of battle! Pencil and ink on Marvel Comics art board with title logo and cover copy stats on acetate affixed to the board with tape. 11" x 17". NOTE: Two portions of the art are pasted-in redraws (Thor's left forearm/hand and an area just below Prester John's right knee which was likely initially left blank for a barcode box).

Original Art from Ultimate Avengers #4 (2010) Story Page 19 Pencils by Carlos Pacheco, Inks by Dexter Vines Price: $430.00 from Ultimate Avengers (2009) 4 2010 Marvel After (barely) taking down a rogue Captain America, the Ultimate Avengers (Nick Fury, Dr. Gregory Stark, Hawkeye, Black Widow II, Wasp II) and Nerd Hulk gather to lick their wounds and prepare for their next mission- taking on AIM to stop them from building a Cosmic Cube! Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Vamperotica #17 (1996) Page 16 Pencils by Stephen Sandoval, Inks by Eman Torre Price: $180.00 from Vamperotica (1994) Red Reign 17A 1996 Brainstorm A big, romantic splash that prefaces a dark tale of revenge! Cindy, a prostitute, has found a client who wishes only for her to don a wedding gown and play the role of his dead fiancée- unfortunately that client is the vampire known as Blood Hunter, and he's got a lot of enemies! Pencil and ink on art board. 10 1/2" x 17".

Original Cover Art for Vampirella #15B (2002) Pencils by Tony Harris, Inks by Ray Snyder Price: $1,500.00 from Vampirella (2001 Harris 2nd Series) 15B 2002 Harris Comics A fantastic cover that perfectly captures the two key elements of Vampirella- sex and danger! Vampi looks as seductive as ever here as shadowy figures writhe in the background and reach out for her, mirroring a scene from this issue where she seduces a gang of werewolf bikers who have been murdering their way across the countryside. Pencil and ink on the reverse of DC Comics art board. 11" x 17"

Original Art from Veronica #80 (1998) Page 29 Pencils by Jeff Shultz, Inks by Rich Koslowski Price: $200.00 from Veronica (1989 Archie) 80 1998 Archie Publications Veronica's tennis prowess is on full display in this fantastic page that sees her outgunning everyone she knows and needing professional help to find a new challenger. Pencil and ink on Archie Comics art board. 11 1/2" x 17 1/2".

Original Art from War of the Gods #3 (1991 DC), Page 10 Layouts by George Perez (Inker(s) Not Specifically Credited Price: $1,500.00 from War of the Gods (1991) 3A 1991 DC Original Art from War of the Gods #3 (1991 DC), Page 10 Layouts by the late, great George Perez (Inker(s) Not Specifically Credited). With the world under siege by every pantheon of gods, Black Adam and the Suicide Squad have (kind of) teamed up to take the fight to the real threat- Wonder Woman's foe, the evil Circe. This page is quintessential Black Adam as his offer to Amanda Waller of a team-up was merely a ploy to create a distraction so that he could win the day himself. The last panel features Teth-Adam in a powerful hero pose, smashing his way through the creatures protecting their sorceress! Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2", B&W. Note: Small glue stain in last panel due to missing caption box stat.

Original Art from Weapon Zero #14 (1997) Pages 5-6 Pencils by Joe Benitez, Specific Inker not Credited Price: $1,000.00 from Weapon Zero (1995 2nd Series) 14 1997 Image A powerful double page spread that captures the spirit of the sci-fi epic perfectly! The series' penultimate issue of the series sees the shadow war between the Batai and T'siri come into the light as a young Batai is hunted through the city by a a deadly T'siri hunter. The grim central image of the hunter holding his prey's severed head is a stunner that hammers home the impact of the series' final arc. Credited inkers for this issue as a whole are: Joe Weems, Livesay, Jason Gorder, Walden Wong, and Whitney McFarland. Pencil and ink on two unattached sheets of comic art board. Each measures 11" x 17".

Original Art from Weird Western Tales #65 (1980) Page 29 Pencils by Dick Ayers, Inks by Romeo Tanghal Price: $415.00 from Weird Western Tales (1972 1st Series) 65 1980 DC A grim but ultimate hopeful final page to this story about the madness of war! Ke-Woh-No-Tay (better known as Scalphunter) and his new travelling companion have been saved from a crazed Confederate soldier by a bolt of lightning- one that also shocked his ally into his right mind as he throws down his gun and abandons the bloodlust that had gripped them. Pencil and ink on comic art board. 10 1/2" x 15 3/4".

Original Art from Western Action #1 (1975) Story Page 8 Pencils by Jack Abel, Inks by Al Milgrom Price: $715.00 from Western Action (1975 Atlas) 1 1975 Atlas You can't ask for a better western page than this- an old fashioned saloon brawl that explodes through the window and out into the street with action in every panel! The Comanche Kid, after saving a young boy whose home had been attacked by bandits, heads into town looking for the culprits and spots them roughing up the girls at the local watering hole- time for some frontier justice! Pencil and ink on comic art board. 10 1/2" x 15 3/4".

Original Art from What If? #37 (1982 Marvel), Page 2 Pencils by Arvell Jones and Inks by Sam de la Rosa Price: $2,200.00 from What If (1977 1st Series) 32 1982 Marvel Original Art from What If? #37 (1982 Marvel), Page 2 Pencils by Arvell Jones and Inks by Sam de la Rosa (of Venom fame!) The ever-lovin' blue-eyed Thing is the focus of this What If? tale, as thanks to MODOK he's infected with a virus that continues to mutate. This jam packed page is full of details that don't pop as well in the finished issue, especially the use of screen tone on the cell in panel two, and the beginnings of Ben's mutations in panel five making this piece something really special to behold. Pencil, ink, and screen tone on Marvel Comics art board. 11" x 16", B&W. Note: Panel three has been cut out and pasted back in to conform to the editor's note of placing the caption box at the bottom- an excellent decision as it would have bled into MODOK's sdialogue!

Original Art from WildCATS Cover Action Teams Annual #1 (1998) Page 20 Pencils by Larry Stroman, Inks by John Dickenson (as JD) Price: $100.00 from Wildcats Covert Action Teams (1992) Annual 1 1998 This panel page sees a gang of mobsters showing an unlucky gambler what happens when you gamble without the money to back it up- but is there more to this guy than meets the eye? Stroman's singular style, which was even more singular in the age of the Image house style, shines in the fantastic design on the lad gangster in the fourth panel. Pencil and ink on Image Comics art board. 11" x 17".

Original Art from Wolverine Origins #31 (2009) Page 2 Pencils by Yanick Paquette, Specific Inker Not Credited Price: $1,300.00 from Wolverine Origins (2006) 31 2009 "Let's get to work." says Wolverine on this fantastic title splash that sees everyone's favorite Canadian killing-enthusiast teaming up with his estranged son Daken to track down the killer of his biological mother. Paquette's bold figure work shines here with the clawther and son team primed and ready for action. The inkers credited in this issue are Serge LaPointe and Michel Lacombe. Signed by Paquette in bottom margin. Pencil and ink on Marvel Comics art board. 10 3/4" x 17".

Original Art from Wonder Woman #303 (1983) Page 12 Pencils by Gene Colan, Inks by Frank McLauglin Price: $950.00 from Wonder Woman (1942 1st Series DC) 303 1983 DC What a fantastic page! Colan's trademark style is a perfect match for McLaughlin's confident brushwork on this action-packed page that sees the Amazonian leaping into action high in the air to aid Steve Trevor and his fellow pilots against Doctor Polaris! Pencil and ink on comic art board. 11" x 16", B&W.

Original Art from Wonder Woman #311 (1984) Page 20 Pencils and Inks by Don Heck Price: $1,350.00 from Wonder Woman (1942 1st Series DC) 311 1984 DC Making their retreat from the aliens wreaking havoc with earth's aircraft, Wonder Woman and Steve Trevor find themselves cast down into what appears to be an alien scrapyard! Heck's bold, almost abstract rendering of the piles of broken machinery certainly conveys a feeling of claustrophobia for our two heroes. Pencil and ink on comic art board. 11" x 16", B&W.

Original Art from X-51 #8 (2000), Page 18 Pencils by Joe Bennett Inks by Bob Wiacek Price: $1,300.00 from X-51 (1999) 8 2000 Marvel Original Art from X-51 #8 (2000), Page 18 Pencils by Joe Bennett, Inks by Bob Wiacek. If you want an action page, it's hard to do better than this one which sees X-51 (better known as Jack Kirby's Machine Man!) taking on Wolverine, Kitty Pryde, and Jubilee! A dynamic series of panels fill this page with thrilling vignettes from the battle- Wolverine getting clobbered out of frame, Kitty barely phasing through a powerful punch, and Jubilee blasting the robot with her pyrotechnics to little avail. Pencil and ink on Marvel Comics art board. 11" x 17 1/4", B&W.

Original Art from X-Factor #200 (2010) Page 25 Pencils by Bing Cansino Price: $275.00 from X-Factor (2005 3rd Series) 200A 2010 Marvel Peter David's landmark reinvention of X-Factor into a (somewhat) grounded detective series that made it standout from the rest of the line. For the series' 200th anniversary issue, the team moved from Detroit to New York City and took on a heck of a first case- tracking down a missing Sue Storm at the behest of Franklin and Valeria. This of course leads to a classic comic book trope- a misunderstanding leading to some hero vs. hero action! In this case it's Strong Guy taking on The Thing, a fight that gets particularly nasty on this page after Mets-fan Guido brings up the '04 World Series to Ben! Pencil on Marvel Comics art board. 11" x 17 1/4".

Original Art from X-Man #-1 (1997) Page 20 Pencils by Roger Cruz, Specific Inker Not Credited In auction ending January 15 from X-Man (1995 Marvel) -1 1997 Marvel Marvel's -1 initiative was a literal blast from the past for the entire publishing line, with creators digging deep back to the very beginnings of our heroes. For this issue, we see some of Nate Grey's first days outside of a nutrient bath. This oddly touching page sees Nate calmed by the gift of a teddy bear from his father figure Nathaniel Essex, also known as Mr. Sinister! Credited inkers for the issue are Bud LaRosa and Wellington Diaz. Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from X-Men First Class #11 (2008) Pencils and Inks by Nick Dragotta Price: $750.00 from X-Men First Class (2007 2nd Series) 11 2008 Marvel An absolutely incredible Marvel Comics page that sees young Jean, Bobby, and Hank trying to take on Galactus (or at least something that appears to be Galactus) with the threat of a piece of ice shaped like The Ultimate Nullfier! Dragotta is in especially fine form here, with his style that's incredibly singular while still drawing influence from artists like Kirby and Timm to create art that feels quintessentially Marvel. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Batman/Darkness Tryout Pages by Aston Roy Cover Price: $300.00 2000s A tremendous trifect of pages that show Jackie Estacado stopped from taking a kill shot by the Dark Knight before unleashing his own dark alter ego! Cover's pencils are wonderfully tight and detailed, making this pair of pages a treat to pour over. The first page has an almost EC horror style quality both in the expression on the victim's face and in the perspective with his hand breaking the panel. The second and third pages feature outstanding splash shots of the two vengeance-driven heroes. All sheets are signed by the artist in the bottom margin. Pencil on comic art board. All measure 11" x 17".

Bubbaworld Comix 'Dawn of Time' Comic Strip (1/4/2011) by Andy Childress Price: $75.00 2011 Signed by the artist (personalized) in the lower left of the first panel. Pencil and ink on heavy paper stock. 17" x 11".

Economy Size Gag Cartoon by Scott Shadburne Price: $100.00 Pre1950 Likely published in a local Springfield, Missouri newspaper as Shadburne was employed by Springfield Newspapers Inc. until his death in 1953. Signed by the artist. Pencil and ink on art board. 8 1/2" x 11 1/2".

Men Working Above Gag Cartoon by Scott Shadburne Price: $125.00 Pre1950 Likely published in a local Springfield, Missouri newspaper as Shadburne was employed by Springfield Newspapers Inc. until his death in 1953. Signed by the artist. Pencil and ink on art board. 8 1/2" x 11 1/2".

Original Art Betty and Veronica One-Pager by Jeff Shultz Price: $200.00 2000s Archie Publications Betty and Veronica have spirit (yes they do), but the golf course may not be the best place to express it as they learn from noted golf pro Tom Ward! Pencil and ink on Archie Comics art board. 11 1/2" x 17 1/2".

Original Art for a Judomaster Story from Blockbuster/Comics Cavalcade Weekly #4 (Unpublished) by Frank McLaughlin Price: $300.00 1980s DC An interesting artifact from DC's acquisition of Charlton, Blockbuster (as it's titled on the page) or Comics Cavalcade Weekly was intended to be an anthology showcase for the Charlton heroes who editorial did not think could support their own books. Further, the series would have also included reprints of the Superman Sunday strips to attract readers. The first issue of the series would have sported a cover by Dave Gibbons, who of course went on to co-create Watchmen which used the Charlton heroes as the basis for its main cast. This page from what was intended to be Blockbuster #4's Judomaster story sees Judomaster and Tiger wrapping up from last issue's adventure before shifting focus to the next threat- the rise of Swordmaker! Pencil and ink DC Comics art board. 11 1/4" x 16 1/2", B&W.

Original Art for a Judomaster Story from Blockbuster/Comics Cavalcade Weekly #5 (Unpublished) by Frank McLaughlin Price: $350.00 1980s DC An interesting artifact from DC's acquisition of Charlton, Blockbuster (as it's titled on the page) or Comics Cavalcade Weekly was intended to be an anthology showcase for the Charlton heroes who editorial did not think could support their own books. Further, the series would have also included reprints of the Superman Sunday strips to attract readers. The first issue of the series would have sported a cover by Dave Gibbons, who of course went on to co-create Watchmen which used the Charlton heroes as the basis for its main cast. This page from what was intended to be Blockbuster #5's Judomaster story sees the criminal element that haunts the Geisha Gardens bar realize that maybe they should have joined up with Swordmaster when he asked the first time! Pencil and ink DC Comics art board with vellum overlay for the effects in the second to last panel. 11 1/4" x 16 1/2", B&W.

Original Art for the Annie Comic Strip (May 9th, 2004) by Alan Kupperberg Price: $250.00 2004 A somewhat maudlin Sunday entry of the long-running finds Annie and companions searching the mountains of Alaska for a 'lonely grave' which they find thanks to the tracking skills of her faithful dog Sandy. Pencil and ink with title logo/text stats on heavy stock. 15" x 11 1/4", B&W.

Original Art for the Archie Comic Strip (August 20, 1961) by Bob Montana Price: $2,000.00 1961 Archie Publications It's Jughead's world and we're all living in it! Every gal in town already has a date to the big street dance- and it's Jughead. Why on earth would the notoriously aromantic burger fiend want this many dates? Because the man always has a plan. Pencil and ink with title logo stat on art board. 22" x 15", B&W.

Original Art for the Judge Parker Comic Strip (11/5/00) by Harold LeDoux Price: $125.00 2000 Signed by the artist in top margin (personalized). Pencil and ink on art board. 19" x 13 1/2". NOTE: The top third of the piece is on a separate piece of art board, attached to the rest of the strip with tape on the reverse.

Original Art for the Muppets Comic Strip (2/6/1983) by Guy and Brad Gilchrist Price: $350.00 1983 America's greatest stand-up comedian, Fozzie Bear takes center stage in this oversized Sunday strip as he attempts to meet Kermit at a football game. It goes about as well as you'd expect! Signed (personalized) by Guy Gilchrist in the title panel. Pencil and ink on pieces of art board affixed to and lined up on the full sheet with attached vellum overlay which features the color art done in marker. 23" x 16 3/4". NOTE: Title panel is a stat, all other panels are original art.

Original Art for the Nancy Comic Strip (11/28/99) by Guy Gilchrist Price: $175.00 1999 Aunt Fritzi discovers a parenting life hack in this charming fall-themed entry. Signed by the artist in first panel. 15" x 11".

Original Art for the Nancy Comic Strip (4/20/97) by Guy Gilchrist Price: $175.00 1997 Sluggo's grades may not be the best, but he's clearly a trendsetter! Signed by the artist in top margin. Pencil and ink on art board. 17" x 11 1/2".

Original Art for the Nancy Comic Strip (6/6/99) by Guy Gilchrist Price: $175.00 1999 Nancy's attempt to help her Aunt with the home decor doesn't go quite as planned! Signed by the artist in first panel. Pencil and ink on art board. 17" x 11".

Original Art for the Spider-Man Comic Strip (7/10/11) Pencils by Alex Saviuk, Inks by Joe Sinnott Price: $800.00 2011 A great strip that finds Spidey indulging in one of his favorite pastimes- needling J. Jonah Jameson! Signed and personalized by Sinnott in top margin, signed by Saviuk, Sinnott, and writer Stan Lee in bottom margin. Pencil and ink on art board affixed to a piece of heavy backing. Art measures 17 1/4" x 11", backing measures 20" x 16".

Original Art for the Terry and the Pirates Comic Strip (January 20th, 1944) by Milton Caniff Price: $1,600.00 1944 A beautifully illustrated strip that sees Terry doing a little investigating- and getting hoodwinked out of his ride! Signed by Caniff in the second panel (personalized). Pencil and ink on comic art board. 22 1/2" x 7 1/4".

Original Art from Johnny Phantasm 1977 #2 (2020) Page 23 by Patrick Thomas Parnell In auction ending April 16 2020s A wonderfully creepy partial splash that finds the man who was once the vigilante Heartless being pulled into the designs of some extra-dimensional prisoners looking for a way back into our world! Signed by the artist in lower left margin. Also included is a copy of the published trade paperback. Pencil and ink over printed blue-line roughs on art board. 11" x 17"

Original Art from Lady Death The Wild Hunt #3 (Unpublished) Page 12 Pencils by Jim Cheung, Inks by Mark Pennington Price: $300.00 2004 CrossGen Comics A moody, gorgeously inked page that finds Lady Death in mystical chains as a fight between her captors ensues. Pencil and ink on Crossgen Comic art board. 11" x 17".

Original Art from Lady Death The Wild Hunt #3 (Unpublished) Page 15 Pencils by Jim Cheung Price: $320.00 2000s Unpublished likely due to Crossgen's bankruptcy, this page is interesting as the last two panels appear to have been inked with different supplies, if not by a different artist. Pencil and ink on Crossgen comic art board. 11" x 17".

Original Art from Scarlet Heart #1 (2021) Page 9 Pencils and Inks by Patrick Thomas Parnell In auction ending January 15 2021 The final page to this Christmas themed issue that follows Scarlet Heart as he takes down an evil Santa's Workshop. Here we check in on Johnny Phantasm as he observes the chaos from his high rise- indicating that a confrontation may soon be at hand! Also included is a copy of the published issue signed by Parnell. Signed by the artist in lower right. Pencil and ink over printed roughs on art board. 11" x 17".

Original Art from Terry and the Pirates (June 23, 1946) by Milton Caniff Price: $5,130.00 1946 Original Art from Terry and the Pirates (June 23, 1946) by Milton Caniff. This oversized Sunday strip finds Terry and Hotshot in the cockpit under attack from a disguised Japanese fighter! In the cargo hold the Dragon Lady realizes treachery is afoot and finds herself in a perilous situation by the last panel. Caniff's heavy blacks really pop in this original art, and his eye for detail shines the in the title panel with a gorgeous depiction of the cargo plane and the subtle inclusion of the incoming threat. Pencil and ink on art board, with each individual panel cut out from their original board and pasted/formatted on large board. 25 3/4" x 17 1/2". Note: Piece displays some minor glue staining where a couple of text correction stats have fallen off.

Original Art from X-Men Unlimited #9 (1995) Page 41 Pencils by Val Semeiks, Inks by Bob McLeod Price: $220.00 1995 Marvel What started as a nice sailing vacation for the X-Men turned into exploding floating islands and ghost pirates. Ain't that just the way it goes. This epic page by Semeiks & McLeod features a great shot of the immortal villain Bloodscream watching with glee as Belasco's island splits itself in two. Pencil and ink on Marvel Comics art board. 11 1/4" x 17 1/4", B&W.

Original Art Unused Cover for Tomb Raider #8 (2000) Pencils by Andy Park, Inks by Victor Llamas Price: $3,600.00 2000 Though jungle adventure had mostly fallen out of favor with comic readers by the 90's, Tomb Raider kept the genre's torch as the video game hero's appeal was undeniable. Andy Park's art played a large part in that- bold and detailed with a great eye for action shots, his work is always eye catching and iconic. While this piece was not used as the cover to Tomb Raider #8, it was published in some fashion as a fully colored version of it can be found online. Signed by Park in top margin. Pencil and ink on Image Comics art board. 11" x 17".

Original Cartoon Art by Bob Gustafson (c. 1960s) Price: $150.00 1960s Humorama Though its exact place of publication is unknown, this piece was published by Humorama as evidenced by the publisher's 'Paid' stamp on the reverse. Pencil and ink on art board. 8" x 11".

Original Cover Art for Mad Magazine #9 (Brazilian 1985) by Carlos Chagas Price: $2,950.00 1985 An absolutely stunning cover never published in the US! Spotlighting the Mad Movie Satire "Star Blecch III- The Search for Plot" which first appeared in Mad Magazine #251 in the States, this new cover was commissioned for the recently launched Brazilian edition of the legendary humor mag. Chagas' beautiful reimagining of the movie's poster with Alfred E. Neuman swapped in for Spock is classic Mad, combining top tier art with the magazine's signature irreverence. Also included is a copy of the published issue. Paint on heavy stock affixed with glue to heavy art board. 14 1/2" x 18".

Radar Cooked Political Cartoon by Scott Shadburne Price: $150.00 Pre1950 A prescient riff on the newly popular food vending machines that were sweeping the nation at the time. Likely published in a local Springfield, Missouri newspaper as Shadburne was employed by Springfield Newspapers Inc. until his death in 1953. Signed by the artist. Pencil and ink on art board. 13 1/2" x 16".

Small Potatoes Gag Cartoon by Scott Shadburne Price: $100.00 Pre1950 Likely published in a local Springfield, Missouri newspaper as Shadburne was employed by Springfield Newspapers Inc. until his death in 1953. Signed by the artist. Pencil and ink on art board. 8 1/2" x 11 1/2".

Unused Clown Painted Cover or Splash from 2000 AD (1993) by Greg Staples Price: $1,250.00 1993 Greg Staples is one of the definitive artists for 2000 AD, helping cement the publication as one of the go-to's for adventurous sequential art and storytelling. Staples' rendition here of The Clown, who writer Igor Goldkin describes as "a sad, stupid character to whom horrible things happen which transforms him into a twisted ludicrously psychopath bent on murderous revenge" is absolutely gorgeous. Staples' use of pen to lay out the piece provides a unique texture which is really only visible in the original art, most apparent in the areas he crosshatched. His painting is stunning, with rich colors and incredible detail that give the piece an unrivaled sense of depth. Per the Fleetway stamp on the back of the page, it appears that this piece was slated for use in Prog 860, although the piece does not appear there. Staples contributed two chapters of the Clown's second story in Progs 877 and 878, as well as the 1994 2000 AD Yearbook and this piece (unfortunately) does not appear in any of them. Ink and paint on art board. 11 3/4" x 14 1/4".

Vampirella Tryout Page by Louis Paradis Price: $200.00 1999 An absolutely beautiful page from Paradis, demonstrating his mastery of both figurework and technique as everyone's favorite extraterrestrial vampire confronts a devilish figure in a page laid out with nesting panels. Pencil on art board. 11" x 16".

Wolverine/Gambit Tryout Pages by Mike Leonard Price: $225.00 2000s This pair of pages from Leonard is a great example of sequential action storytelling in comics with the first page's near splash of Wolverine leaping after a shadowy figure transitioning to the next page's close-in shots of a thrilling sequence of action. Pencil on art board. Both measure 11" x 17"

Original Art from Johnny Phantasm 1977 #2 (2020) Pages 2-3 by Patrick Thomas Parnell In auction ending January 15 2020 A great two-page spread that features the beginning of Siberian Tiger's origin which saw him rise from an abandoned baby to become Russia's greatest pro wrestler! Also included is a copy of the Johnny Phantasm 1977-1989 TPB. Pencil over printed roughs (with inked panel borders) on two sheets of art board. Each sheet measures 10 1/4" x 17".

Original Art for Superman Taschenbuch (German Series C. 1970's) Issue 78, Page 38 by Alex Saviuk and Pablo Marcos Price: $700.00 1970s DC A fantastic Superman page from a story unpublished in the US! A wonderful layout from Saviuk sees the Man of Steel soaring over Metropolis- before abruptly losing control. Note about this story from Grand Comics Database: The story is not a US original reprint because it was created exclusively for the German market and is listed under the name "Superman Quarterly" #16 'The Luckiest Man in the World'". Pencil and ink on DC Comics art board. 11 1/4" x 16 1/2", B&W.

Original Art from Johnny Phantasm Devil's Night 1985 #1 (2021) Page 9 by Patrick Thomas Parnell In auction ending January 15 2021 "That's where my happiness lies" narrates Johnny Phantasm, as we flash back to a Halloween long ago- though the residents of that house may not be who they appear! Also included is a copy of the published issue, signed and remarked by Parnell. Signed in lower right by the artist. Pencil and ink over printed roughs on art board. 11" x 17".