Comic Art
- Original Comic Art
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Drawings, Sketches, Paintings, etc.
- Drawing/Sketch 83 items
- Illustration 18 items
- Painting 27 items
- Prelim 3 items
- Sketch Card 40 items
- Sketch Cover 10 items
- Prints and Lithographs
- Production Art
- Animation Art
- Wall Art/Posters
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Crisis on Infinite Earths #7 Homage Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Crisis on Infinite Earths Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Doiby Dickles #137 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Doiby Dickles House Ad from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Golden Age Sandman & Dr. Mid-Nite Cover from The Secret History of All-American Comics by Larry Guidry (Unused) 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Green Lantern Family #164 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil with spot inks on art board. 11" x 17". |
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Justice League of America #10 Homage Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Kid Flash/Electron/Hawklad from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Lantern Legion #240 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Lantern Legion #263 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil with on art board. 11" x 17". |
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Lantern Legion #304 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Ruse Movie Pitch Art Pencils by Mike Perkins, Inks by Rick Magyar 2000s CrossGen Comics Created to help pitch a proposed movie adaptation of Ruse, this cover-quality illustration shows Simon and Emma watching in horror as their nemesis Malcom Lightbourne is dragged away by the Voodoo Child and his dark army. Signed by Perkins in bottom margin. Pencil and ink on Crossgen comic art board. 11" x 17" |
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Ruse Movie Pitch Art Pencils by Mike Perkins, Inks by Rick Magyar 2000s CrossGen Comics Created to help pitch a proposed movie adaptation of Ruse, this stunning widescreen splash-style illustration portrays a gruesome hanging! Signed by Perkins in lower right. Pencil and ink on Crossgen comic art board. 11" x 17" |
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Ruse Movie Pitch Art Pencils by Mike Perkins, Inks by Rick Magyar 2000s CrossGen Comics Created to help pitch a proposed movie adaptation of Ruse, this cover-quality illustration of the movie's new villain Voodoo Child makes for a fantastic introduction to the character. Signed by Perkins in middle right. Pencil and ink on Crossgen comic art board. 11" x 17" |
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The Shadow Illustration by George Tuska 2000s In his later years, legendary comics artist George Tuska released three portfolios titled "Shadows, Villains, Good Girls" and his appreciation for the pulp hero is clear in this stunning pinup, likely produced for one of the hard to find portfolios. Tuska's ability to capture figures in motion is in full effect here with the Shadow appearing in complete control as he both fires at his enemy and keeps a firm grip on the damsel in quite a bit of distress. Signed by the artist. Pencil, ink, and correction fluid on art board. 12" x 17". |
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Superman #123 Homage Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Veronika Kotlajic Pinup by Jeff Pittarelli 2003 An eye catching and beautifully textured piece of Playboy model and fashion designer Veronika Kotlajic from noted erotic artist Jeff Pittarelli was featured in one of his ArtFantastix books. Pencil and airbrush on paper. 17" x 14" |
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Original Art from Dungeons and Dragons: The Book of Exalted Deeds (2003) Page 125 'Barachiel The Messenger' by Ron Spencer In auction ending January 15 from Dungeons and Dragons Book of Exalted Deeds HC (2003 Wizards of the Coast) 1-1ST 2003 Wizards of the Coast The D&D equivalent of angels, archons are an entirely good/lawful race and tome archon Barachiel stands at their head, the defender of the Seven Heavens. Spencer delivers a beautiful rendition of the here, with his trademark longsword and glistening metallic form contrasting well with a flowing cloak that mirrors the night sky. Signed by the artist (once on the piece and once on the overlay). Paint over pencil on art stock with protective overly affixed with tape on the reverse. 8 1/2" x 11". |
