Comic Art
-
Original Comic Art
- Comic Art: Cover 26 items
- Comic Art: Splash Page 18 items
- Comic Art: Double Page Splash 6 items
- Comic Art: Interior Page 196 items
- Comic Art: Double Page Spread 7 items
- Comic Art: Complete Story 10 items
- Comic Art: Comic Strip 16 items
- Comic Art: Unpublished Page 10 items
- Drawings, Sketches, Paintings, etc.
- Prints and Lithographs
- Production Art
- Animation Art
- Wall Art/Posters
|
Original Art from Action Comics #704 (1994) Page 16 Pencils by Jackson 'Butch' Guice, Inks by Denis Rodier from Action Comics (1938 DC) 704 1994 DC In the aftermath of Zero Hour, the tendrils of broken continuity wrap around the Man of Steel! After discovering a body lying in the tomb of his memorial, Superman is struggling with whether he's the real deal- and the Eradicator has answers (or so he hopes). This stunning splash page sees Superman gaining the upper hand over his former doppelganger, still engulfed in flames from the being's energy attack. A powerful image that captures everything we love about 90's Superman. Signed by Rodier in bottom margin. Pencil and ink on DC Comics art board. 11" x 17", B&W. |
|
Original Art from Captain America #10 (1997), Page 6 by Joe Bennett with Inks by Sandra Hope from Captain America (1996 2nd Series) 10 1997 Original Art for Captain America #10, Page 6 by Joe Bennett and Sandra Hope (1997). This striking splash page captures the bombast and style of the 90's in spectacular fashion as Captain America and the armored soldiers of SHIELD's Stealth Flight Gamma dive into action to take down the Sons of the Serpent. Pencil and ink on Image Comics art board. 11" x 17", B&W. Includes a copy of the original issue. |
|
Original Art from Conan the Adventurer #11 (1995) Page 23 Pencils by Rafael Kayanan, Inks by John Floyd from Conan the Adventurer (1994) 11 1995 Marvel After escaping the clutches of the depraved Grand Inquisitor with the help of blind master Shimata-Kawai, Conan is ready for his next adventure in this beautiful last-page splash that features a full hero shot of the barbarian! Signed by Kayanan in top left margin. Pencil and ink on Marvel Comics art board. 11" x 17". |
|
Original Art from Crux #22 (2003) Page 1 Pencils by Steve Epting, Inks by Roland Paris from Crux (2001) 22 2003 CrossGen Comics A powerful opening splash page that sees the Atlantean seer Verityn returning to Atlantis only to realize that something feels off. Pencil and ink on Crossgen comic art board. 11" x 17". |
|
Original Art from Danger's Dozen #1 (2008) Page 4 Pencils and Inks by Norm Breyfogle In auction ending January 15 from Danger's Dozen (2007) 1A 2008 In the heat of combat, Boss Aman is struck by a vision from the Wadjet Eye- a blast cosmic chaos that Breyfogle renders beautifully on this splash page. Signed by the artist in lower margin. Pencil and ink on comic art board. 11" x 17". |
|
Original Art from Deadpool #19 (2010) Page 22 Pencils by Carlo Barberi, Inks by Juan Vlasco from Deadpool (2008 2nd Series) 22A 2010 Marvel A downright iconic last-page splash of the Merc With a Mouth! After (kind of) winning Spider-Man over to his cause, the pair come up with a plan to take on Hit-Monkey- one that will put Wade right in the assassin's crosshairs! Blue line pencil and ink on art board. 11" x 17". |
|
Original Art from Deadpool Badder Blood #3 (2023) Page 1 Pencils and Inks by Rob Liefeld from Deadpool Badder Blood (2023 Marvel) 3A 2023 Marvel "SOMEWHERE WITHIN THE SENTIENT TORTURE TESSERACT KNOWN AS KILLVILLE..." reads the opening caption on this incredible splash page from the legendary Rob Liefeld, and what a perfect way to begin a comic like this! Trapped within this Sentient Torture Tesseract, Wade finds himself confronted with a massive mirror image of himself infected by a Symbiote (in case the tongue didn't give it away!) and a fight for survival ensues. All of the raw power that made Liefeld a pillar in comic art is present on this stunner of a page. Signed by Liefeld, once in the lower left and in his stylized signature in the top right margin. Pencil and ink over printed roughs on Image Comics art board. 11" x 17". |
|
Original Art from Doctor Strange #53 (1993) Page 6 Pencils & Inks by Geof Isherwood from Doctor Strange (1988 3rd Series) 53 1993 Marvel What a page! After seemingly escaping the clutches of Nightmare in the Astral Plane, Morbius heads to the Sanctum only to learn that Doctor Strange's corporeal form has been inhabited by the villain- and finds himself on the receiving end of Strange's mastery of the mystic arts! A striking page that shows off Isherwood's talent with a brush! Signed by Isherwood in bottom margin. Pencil and ink on Marvel Comics art board. 11 1/2" x 17 1/2", B&W. |
|
Original Art from Fury of Firestorm #10 (2012) Page 20 Inks by Marlo Alquiza, Printed Pencils by Yildiray Cinar In auction ending January 15 from Fury of Firestorm (2011) 10 2012 DC A magnificent last-page splash that sees Ronnie Raymond fully powered up and ready for a fight against the Rogue Firestorms who have been causing havoc across the world. A powerful splash with bold inks from Alquiza who perfectly captures not just Firestorm's heroic visage but the wild energy of his nuclear powers! Ink over printed pencils on DC Comics art board. 11" x 17". |
|
Original Art from Guardians of the Galaxy #55 (1994) Page 1 Pencils by Kevin West, Inks by Steve Montano from Guardians of the Galaxy (1990 1st Series) 55 1994 Marvel What a way to introduce a villain! West and Montano strike a perfect balance between mood and the boldness of the 90's style on the first page to Guardians of the Galaxy #55 that sees the "Interplanetary Serial Killer, Ripjack" waiting to pounce on the Gaurdians! Signed by West on the reverse. Pencil and ink on Marvel Comics art board. 11" x 17, B&W. |
|
Original Art from Lobo Gallery, Portraits of a Bastich (1995) Page 29 Pencils and inks by John Dell from Lobo Gallery, Portrait of a Bastich (1995) 1 1995 DC Fetal's Gizz, what a page! Long-time Lobo inker John Dell provides the full art for this pinup that can only be described as fraggin' beautiful. The detail on both Lobo himself and the array of weaponry pointed in his direction is a sight to behold, especially in contrast with the ink splatter background. Also included is a copy of the published issue. Pencil and ink on DC Comics art board. 11" x 17". |
|
Original Art from Modeling With Millie #32 (1963) Page 12 Pencils and Inks by Stan Goldberg from Modeling with Millie (1963) 32 1963 Marvel A classic fashion page by comics veteran Stan Goldberg who does some especially neat work on the textures of these fan-designed outfits. Pencil and ink with title logo stat on art board. 13 1/2" x 21", B&W. |
|
Original Art from Myst: The Book of the Black Ships (1997) Page 5 by Doug Wheatley from Myst Book of the Black Ships (1997) 1A 1997 Dark Horse An absolutely magnificent splash page from this series that furthered the lore of one of the most popular computer games of the 1990's, Myst! A beautiful showcase for artist Doug Wheatley whose work runs the gamut from comics mainstays like Superman and the Hulk to Star Wars and Aliens as well as work for various film and television productions and adaptations. Wheatley's tight, intricate pencil work shines on this page with an astounding amount of detail to pour over. Pencil on vellum which is affixed to the reverse of a sheet of Dark Horse comic art board with tape at all edges. 11" x 17". NOTE: The lower right corner of the vellum displays a slice which has been sealed with tape, presumably by the artist. |
|
Original Art from Sable #4 (1988) Page 6 Pencils by Bill Jaaska, Inks by Doug Hazelwood from Sable (1988) 4 1988 First Comics A shocking and impactful title page that doesn't hit until page six! An assassin's bullet delivered just as Jon Sable tells Myke Blackmon that he loves her, the creative team did a wonderful job building to this moment with several pages of scenes from the sniper's point of view as she followed the couple around town on a date. Signed by Hazelwood in bottom margin. Pencil and ink with title and credit states on First Comics art board. 11" x 17". |
|
Original Art from Superboy #16 (1991) Page 2 Pencils by Curt Swan, Inks by Kim DeMulder from Superboy (1990 2nd Series) 16 1991 DC It doesn't get much more iconic than this! Legendary Superman artist Curt Swan and comics veteran Kim DeMulder deliver a title page with everything you could ask for in a Superman page- the Man of Steel flying over an astonished crowd, ads for LexCorp and the Daily Planet, and of course a time-displaced and confused Clark Kent smack dab in the middle of it. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2". NOTE: One stat is missing from the page, an ad for a WGBS late night show that should be right above the Daily Planet ad. |
|
Original Art from Vamperotica #17 (1996) Page 16 Pencils by Stephen Sandoval, Inks by Eman Torre from Vamperotica (1994) Red Reign 17A 1996 Brainstorm A big, romantic splash that prefaces a dark tale of revenge! Cindy, a prostitute, has found a client who wishes only for her to don a wedding gown and play the role of his dead fiancée- unfortunately that client is the vampire known as Blood Hunter, and he's got a lot of enemies! Pencil and ink on art board. 10 1/2" x 17". |
|
Original Art from Wolverine Origins #31 (2009) Page 2 Pencils by Yanick Paquette, Specific Inker Not Credited from Wolverine Origins (2006) 31 2009 "Let's get to work." says Wolverine on this fantastic title splash that sees everyone's favorite Canadian killing-enthusiast teaming up with his estranged son Daken to track down the killer of his biological mother. Paquette's bold figure work shines here with the clawther and son team primed and ready for action. The inkers credited in this issue are Serge LaPointe and Michel Lacombe. Signed by Paquette in bottom margin. Pencil and ink on Marvel Comics art board. 10 3/4" x 17". |
|
Original Art from Scarlet Heart #1 (2021) Page 9 Pencils and Inks by Patrick Thomas Parnell In auction ending January 15 2021 The final page to this Christmas themed issue that follows Scarlet Heart as he takes down an evil Santa's Workshop. Here we check in on Johnny Phantasm as he observes the chaos from his high rise- indicating that a confrontation may soon be at hand! Also included is a copy of the published issue signed by Parnell. Signed by the artist in lower right. Pencil and ink over printed roughs on art board. 11" x 17". |
