Mad magazine comic books

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Cover art by Norman Mingo. "A Mad Look at Modern College Courses" photo story, script by Max Brandel; College course descriptions are illustrated with photos of college rioting for ironic effect. "On a Cruise to a South Sea Island," script and art by Don Martin; Two tourists find a surprise in a Polynesian wishing well. Cartoons in the margins by Sergio Aragones. "Boredom-12," script by Dick DeBartolo, art by Mort Drucker; In a parody of the TV series "Adam-12," two Los Angeles police officers patrol their district ignoring crimes unless they involve attractive women. "Spy Vs. Spy," script and art by Antonio Prohias. "Passionate Gun Love," script by Larry Siegel, art by Jack Davis; A niche magazine for people who really, really like guns. "A Mad Peek Behind the Scenes: At a Hospital," script by Larry Siegel, art by Al Jaffee. "The Kidney Transplant," script and art by Don Martin. "If Everyone Talked Like Don Rickles," script by Earle Dowd, art by Angelo Torres. "The Lighter Side of Wheels," script and art by Dave Berg; Satirical look at how people deal with objects with wheels. "Who Knows What Evil Lurks in the Hearts of Men? The Shadow Knows," script and art by Sergio Aragones; Series of cartoons where a person's shadow indicates what that person is really thinking. "Hoo-Boy, Columbus," script by Tom Koch, art by Mort Drucker; Parody of the film "Goodbye, Columbus"; a middle class Jewish man tries to date an upper class Jewish woman and suffers class discrimination from her family. "What Great New Chasm Has Been Discovered That Dwarfs Even the Grand Canyon" Mad Fold-In by Al Jaffee. Back cover phony ad for Ronreagan brand rum, intimating that former actors running for political office spurs alcohol abuse. 52 pgs., B&W. Cover price $0.35.

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Cover photo by Lester Krauss. "Mad's Modern Believe It or Nuts 9," script by Arnie Kogen, art by Bob Clarke; Parody of the cartoon panel "Ripley's Believe It or Not." "Peace on Earth, Good Will Toward All Men," script by Max Brandel; News photos altered to make it seem like philosophical enemies are embracing as friends; featuring Edward Kennedy; Richard Nixon; Dr. Timothy Leary; Rev. Billy Graham; Gen. William Westmoreland; Gamel Abdul Nasser; Golda Meir; Mao tse-Tung; Chaing Kai-shek; Jacqueline Kennedy; Jacqueline Susanne; Muhammed Ali; Tom Smothers; Dick Smothers; Hugh Hefner; Pope Paul VI; William F. Buckley; Stokely Carmichael; and George Wallace. Cartoons in the margins by Sergio Aragones. "On the Trail with a Zoologist," script and art by Don Martin; An ornithologist chooses to follow the tracks of a bird he thinks is less dangerous. "The Academy Awards Show We'd Like to See," script by Larry Siegel, art by Mort Drucker; The Academy Awards adds new award categories to accommodate changing sexual mores in modern films. "Sergio Aragones Takes a Mad Look at Protest Demonstrations," script and art by Aragones; Cynical look at protest demonstrations and society's reaction to them. "The Lighter Side of Birthdays," script and art by Dave Berg; Examination of how we celebrate birthdays and their implications. "Spy Vs. Spy" by Antonio Prohias. "Playthings Based on TV Commercials," script by Lou Silverstone, art by Bob Clarke; Basing the concepts for toys and games aimed at children on famous television commercials and advertising slogans. "The Month Before Christmas," script by Frank Jacobs, art by Don Martin; Rewritten version of Clement Clark Moore's "Twas the Night Before Christmas" to reflect modern consumerism. "Mad Peek Behind the Scenes at the Phone Company," script by Earle Dowd, art by Angelo Torres; Cynical look at the inner workings of the phone company. "Condemner Reports," script by Dick DeBartolo, art by Bob Clarke; In a parody of the magazine "Consumer Reports," products are rated based on dubious standards. "Spy Vs. Spy" by Antonio Prohias. "What New Trend Is Destroying a Time-Honored Theater Art?" Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.35.

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Cover art by Norman Mingo. "True Fat," script by Larry Siegel, art by Mort Drucker; Parody of the film "True Grit"; a spoiled brat teams up with a drunken marshal and a dimwitted Texas Ranger to track down the man who murdered her father. "The Facts of Life (& Death)," script by Ronnie Nathan, art by Jack Davis; Examples, in verse, of how our modern lifestyle is slowly killing us. "If TV Shows Were Actually Like Their Capsule Descriptions," script by Earle Dowd, art by Angelo Torres; Television programs provide the literal content of their TV Guide summaries. Cartoons in the margins by Sergio Aragones. "During a Summer Shower," script and art by Don Martin. "The Lighter Side of Family Gatherings," script and art by Dave Berg. "What Is a Born Winner?", script by Al Jaffee, art by Sergio Aragones; Analysis of what makes certain people luckier than others. "Mad's Lifetime Chart of Attitudes and Behaviors," script by Frank Jacobs, art by Paul Coker Jr.; Examples of how perceptions of current issues change as a person ages are told. "Spy Vs. Spy" by Antonio Prohias. "A Mad Peek Behind the Scenes at the U. S. Congress," script by Lou Silverstone, art by Bob Clarke. "A Mad Look at Celebrities in Real-Life Situations," script by Larry Siegel, art by John Johns. "Mad Green Paper: The State of Our Suburbs," script by Stan Hart, art by George Woodbridge; Suburban life is examined by a television news reporter. "What Is One Special Benefit Derived From Modern Rock Music By Some of Its Fans" Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.35.

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Cover art by Norman Mingo. "Ditched in the South Pacific," script and art by Don Martin; A man adrift in the ocean inflates a raft. Cartoons in the margins by Sergio Aragones. "Midnight Wowboy," script by Stan Hart, art by Mort Drucker; In a parody of the film "Midnight Cowboy," an idiot Texan befriends a lowlife New Yorker while they try to make a living in the big, bad city. "Mad's Frozen Foods That Fake-Out Fresh," script by Sy Reit, art by Irving Schild. "Spray Can Sprays We'd Like to See," script by Stan Hart, art by George Woodbridge; New concepts in aerosol products. "The Lighter Side of Money," script and art by Dave Berg. "Spy Vs. Spy" by Antonio Prohias. "I Remember, I Remember the Wondrous Woodstock Music Fair," script by Frank Jacobs, art by Sergio Aragones; Satirical remembrance, in verse, of the Woodstock Music Festival. "The Ghost and The Mrs. Misses," script by Dick DeBartolo, art by Mort Drucker; In a parody of the TV series "The Ghost and Mrs. Muir," a widow lives in a house with the ghost of a sea captain only she can see. "Ads We Can Look For After the Next Successful Space Mission," script by Dick DeBartolo, art by Bob Clarke. "One Night at the Fights," script and art by Don Martin. "Mad's Up-Dated Modern Day Mother Goose," script by Frank Jacobs, art by Jack Davis; Nursery rhymes describing current celebrities. "A TV Scene We'd Like To See," script by Chevy Chase, art by John Cullen Murphy; In a short parody of the TV series "Mission: Impossible," Mr. Phelps gets an unexpected assignment. 52 pgs., B&W. Cover price $0.35.

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Cover art by Jack Davis. "Sleazy Riders," script by Larry Siegel, art by Mort Drucker; Parody of the film "Easy Riders"; two young men on motorcycles tour the back roads of the United States, searching for the "Real America." "One Day Downtown," script and art by Don Martin; A man gets a karmic response for stepping on an insect. Cartoons in the margins by Sergio Aragones. "Life From the Broadside," script by Sidney Paulson, art by Jack Rickard; Examples of how the same behavior elicits different value judgments if the person exhibiting the behavior is a male or a female. "The Mad Book of Magic & Other Dirty Tricks," script and art by Al Jaffee; Satirical examples of how stage magic illusions are performed. "A Mad Peek Behind the Scenes at a Fancy Restaurant," script by Larry Siegel, art by Sergio Aragones. "The Lighter Side of Worry," script and art by Dave Berg; The behavior of people concerned about things are satirized. "More Up-to-Date Health & Safety Songs for Children," script by Larry Siegel, art by George Woodbridge; Songs for children promoting good health and safety practices. "Then Came Bombsome," script by Dick DeBartolo, art by Angelo Torres; Parody of the TV series "Then Came Bronson"; a disillusioned reporter tours the United States, searching for "The Real America" and trying not to seem too much like "Easy Rider." "The Richard M. Nixon Presidential Primer," script by Larry Siegel; Richard Nixon outlines why he will be a good President to a juvenile audience. "Who Is Fast Becoming Our All-Time Top Comic Character" Mad Fold-In by Al Jaffee. Image on the back cover of Richard Nixon addressing the press wearing a Spiro Agnew face mask. 52 pgs., B&W. Cover price $0.35.

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Cover art by Norman Mingo. "Botch Casually and the Somedunce Kid," script by Arnie Kogen, art by Mort Drucker; In a parody of the film "Butch Cassidy & the Sundance Kid," two wild west outlaws rob, steal, have fun and generally act adorably. "One Day in a Tenement," script and art by Don Martin. Cartoons in the margins by Sergio Aragones. "The Lighter Side of Sex," script and art by Dave Berg; Satirical examples of the sexual attraction between genders. "Spy Vs. Spy," script and art by Antonio Prohias; The Black Spy booby-traps his observation headquarters. "Feature By Feature Advertising" photo story by Dick DeBartolo, photos by Irving Schild; Ads that go overboard pointing out each desirable feature of a product. "A Mad Look at College," script by Stan Hart, art by Jack Davis; A satirical look at the antics and interactions at a modern university. "Obituaries for Traditions, Pasttimes and Other Dying-Out Landmarks of the American Way of Life," script by Frank Jacobs, art by Norman Mingo. "Mad's Vice-President of the Year," script by Stan Hart, art by John Cullen Murphy; Satirical profile of Vice-President Spiro Agnew, following him as he performs his basic job of being a complete public buffoon, making the President look good in comparison. "More So How Come...?", script by Stan Hart, art by George Woodbridge; Examples of how the same situation can be viewed differently from different perspectives. "Spy Vs. Spy" by Antonio Prohias. "Room 222ZZZZZZZZZ," script by Stan Hart, art by Angelo Torres; Parody of the TV series "Room 222"; a handsome, popular teacher is part of the staff of the most boring, unrealistic inner city high school in existence. 52 pgs., B&W. Cover price $0.35.

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Cover art by Jack Rickard. "Boob And Carnal And Tad And Alas," script by Stan Hart, art by Mort Drucker; A satire of the movie, "Bob & Carol & Ted & Alice." "Great Non-Violent Guns !", script and art by Don Martin. "The Lighter Side Of Summer Resorts," script and art by Dave Berg. "A Boy-Dog Named Lassie," script by E. Nelson Bridwell, art by Jack Davis; A parody of the song, "A Boy Named Sue", featuring Lassie. "Sports Cars We'd Like To See," script and art by Basil Wolverton; A series of gags featuring whacky cars designed by the insane mind of Basil Wolverton. "Spy VS. Spy" by Antonio Prohias. "If The World's Greatest Painters Drew The Comics," script by Frank Jacobs, art by Jack Rickard; Famous painters drawing comic strips in their unique style. "21st Century Outdoors Magazine," script by Dick DeBartolo, art by George Woodbridge; A mock magazine focusing on outdoor life and man's involvement in destroying it. "Makeus Sickby M.D.," script by Dick DeBartolo, art by Angelo Torres; A parody of the TV series, "Marcus Welby, M.D." 52 pgs., B&W. Cover price $0.35.

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Cover art by Jack Rickard. Ad for Mad paperback books. "Moroned," script by Dick DeBartolo, art by Mort Drucker; A satire of the movie, "Marooned." "One Day At The Ocean," script and art by Don Martin; Surf's up for a ship wrecked survivor. "A Sports Fan's Garden Of Verses," script by Frank Jacobs, art by Jack Davis; Poems based on various sports themes; Poems included are: Broadway Joe; Skis; The Sportsman's Hour Doubleday; I must Go Out To The Track Again; Lew Alcindor; On The Road To Baltimore; Come Bowl With Me & The Hometown Goalie. "How To Read A Resort Ad," script by Gilbert Barnhill, art by George Woodbridge. "If Peanuts Were A Weekly TV Series," script by Lou Silverstone, art by Jack Rickard; If the Charlie Brown specials were turned into a weekly TV series, the shows concepts would be: Young Doctor Brown; Peanuts Squad; Peanuts Place; Charlie Brown, Attorney For The Defenseless. "The Lighter Side Of Transportation," script and art by Dave Berg. "Spy VS. Spy" by Antonio Prohias. "Those Wonderful Sixties ! A Year 2000 Backward Look At A Warm And Wonderful Decade" photo story, script by Larry Siegel. "M*I*S*H M*O*S*H," script by Arnie Kogen, art by Angelo Torres; A parody of the movie, "M*A*S*H." Cartoons in the margins by Sergio Aragones. 52 pgs., B&W. Cover price $0.35.

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Cover art by Jack Davis. "The Vampire" inside front cover strip by Sergio Aragones; A vampire gets the true meaning of peace when he drains the blood of a hippy. "Airplot," script by Larry Siegel, art by Mort Drucker A satire of the movie, Airport. "A Mad Look at Tokenism of the Future," script by Vic Cowen, photos by Irving Schild; Photo gags showing how ad agencies can go too far when pushing token minorities. "The Lighter Side of... the Revolutionary Movement," script and art by Dave Berg; Dave Berg's Lighter Side of gag section focusing on a singular topic, The Revolutionary Movement. "Mad's Guaranteed Effective All-Occasion Non-Slanderous Political Smear Speech," script by Bill Garvin, art by George Woodbridge. "Still Life," script by Jerry Robinson, art by Jerry Robinson; A collection of political gags featuring inanimate objects. "Silent Majority the Magazine for Middle America," script by Larry Siegel, art by George Woodbridge; A mock magazine focusing on Middle American lifestyles. "A Mad Peek Behind the Scenes at an Ad Agency," script by Larry Siegel, art by Jack Rickard. "Ads For Movie Revivals," script by Frank Jacobs, art by Bob Clarke; Updating classic straight-laced films like Born free; Moby Dick; Ten Commandments & Snow White And The Seven Dwarfs with a more adult sex themed angle. "Ironride," script by Lou Silverstone, art by Angelo Torres; A TV satire of Ironhide. "One Day In A Crash Pad," script and art by Don Martin. Art in the margins by Sergio Aragones. 52 pgs., B&W. Cover price $0.35.

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Cover art by Norman Mingo. "Put*On," script by Larry Siegel, art by Mort Drucker; In a parody of the film "Patton," the Allies win World War II in spite of the psychotic sadist in charge of the tank brigade. "One Day on Location," script and art by Don Martin; On the set of a "King Kong" film, the lead actor has a special talent for the role. "The Lighter Side of Bad Habits," script and art by Dave Berg; Satire of things that people do that really annoy other people. "Mad's Christmas Carols for the 1970 Season," script by Frank Jacobs, art by Jack Rickard; The lyrics of traditional Christmas carols are altered to reflect current events. "If There Had Been Advice Columns Throughout History," script by Lou Silverstone, art by George Woodbridge. "A Mad Look at Birds," script and art by Sergio Aragones; Collection of cartoons satirizing humanity's interaction with birds. "You Know You're Really a Football Fan When...," script by Stan Hart, art by Jack Davis; Examples of behavior that identifies a person as an obsessed football fan. "Mad Christmas Cards From Celebrities," script by Max Brandel; featuring photos of Richard Nixon; H. Rap Brown; Abbie Hoffman; Golda Meir; George Wallace; Graham Kerr [as The Galloping Gourmet]; Richard Daley; Spiro Agnew; Don Rickles; Eldridge Cleaver; Hugh Hefner; and William Fulbright. "Spy Vs. Spy" by Antonio Prohias. Cartoons in the margins by Sergio Aragones. "The Doris Daze Show," script by Stan Hart, art by Angelo Torres; In a parody of the TV series "The Doris Day Show," a widow faces her boring job, unrealistic financial situation and the amorous intentions of every man she meets with the same perky optimism. Parody of Winston cigarette print ads. 52 pgs., B&W. Cover price $0.35.

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Cover art by Jack Rickard. "Catch-All-22," script by Stan Hart, art by Mort Drucker; In a parody of the film "Catch-22," at an American air base in the Italian Theater in World War II, a pilot tries everything he can think of to get out of the Army Air Force while insanity occurs all around him. Cartoons in the margins by Sergio Aragones. "On a Streetcorner Downtown," script and art by Don Martin. "Spy Vs. Spy" by Antonio Prohias. "Get It Out of Your System Land," script by Sy Reit, art by George Woodbridge; Theme park that allows patrons to perform anti-social acts. "Marching Songs for Crusaders, Militants and Assorted, Sundry Non-Conformists," script by Frank Jacobs, art by Jack Davis; Old standards with new lyrics satirizing rebels in society. "A Mad Look at Tropical Fish," script by Earle Doud, art by Bob Clarke; Overview of the types of tropical fish available as pets and their care. "The Lighter Side of Clubs and Organizations," script and art by Dave Berg. "Spy Vs. Spy" Antonio Prohias. "How-Are-Ya, Five-0?", script by Dick DeBartolo, art by Angelo Torres; In a parody of the TV series "Hawaii Five-0," a dense police detective and his squad of equally dense subordinates search Hawaii for a missing Hawaiian artifact. "What Is Contributing Most to the Breakdown of Communication Between People?" Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.35.

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Last 35-cent cover price. "West Coast Story," script by Frank Jacobs, art by Jack Davis; A musical parody of the peace movement, the counter-culture who participate in it and the members of "The Establishment" who oppose it. "Communism Revisited" photo story, script by Max Brandel; Quotes from Marxist and Communist leaders are placed in counterpoint with photos of reality for ironic effect. Cartoons in the margins by Sergio Aragones. "Violent TV Commercials," script by Earle Doud, art by Mort Drucker; If the sudden graphic violence trend of contemporary films was extended to contemporary television commercials. "Horrifying Cliches 9," script by May Sakami, art by Paul Coker Jr; Ordinary phrases are given monstrous illustrations, such as "embracing a belief" or "avoiding a confrontation." "What Is a Parent?", script by Tom Koch, art by Sergio Aragones; Essay on what are the joys and duties of a modern parent. "The Lighter Side of Love," script and art by Dave Berg; Examples of romance that don't always go according to plan. "Spy Vs. Spy" by Antonio Prohias. "Mad's Dirty Old Man of the Year," script by Stan Hart, art by George Woodbridge; Mad interviews a man who exploits the counterculture for his own benefit. "My Three Sonny Boys," script by Arnie Kogen, art by Angelo Torres; In a parody of the TV series "My Three Sons," a widower raises his boring family while not fully coming to grips with contemporary society. "On the Hunchback of Notre Dame Set" one-page strip by Don Martin. Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.35.

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First 40-cent cover price. Cover art by Norman Mingo. "On a Clear Day You Can See a Funny Girl Singing 'Hello Dolly' Forever," script by Frank Jacobs, art by Mort Drucker; In a parody of Barbra Streisand star vehicles, a college student is examined under hypnosis by a psychologist; He discovers that she has starred in several major Hollywood films, essentially playing the same character. "Nixon & Agnew, As Seen By..." photo story; The faces of Richard Nixon and Spiro Agnew are superimposed onto the bodies of other political group members to show how they are perceived by various factions of the public. "One Day in a Bus Depot," script and art by Don Martin; A man goes to the manufacturer to complain because a vending machine barber gave him a poor haircut. "The Lighter Side of Baby Sitting," script and art by Dave Berg. Cartoons in the margins by Sergio Aragones. "Altar Ego," script by Marylyn Ippolito, art by Wally Wood; A Catholic bishop outlines to a Protestant priest how he plans to maintain his high end lifestyle in a poor parish. "The Game Is Inane," script by Lou Silverstone, art by Angelo Torres; In a parody of the TV series "The Name of the Game," the bumbling editors and publisher of a news magazine get their administrative assistant in all sorts of trouble while pursuing news. "Spy Vs. Spy" by Antonio Prohias. "ABC's Campus Riot of the Week", script by Tom Koch, art by Jack Davis; Anti-war protests presented as a college football game telecast. Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.40.

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Cover art by Norman Mingo. "Schmoe," script by Larry Siegel, art by Mort Drucker; In a parody of the film "Joe," an upper class father murders the drug addict boyfriend of his daughter, then teams up with a borderline psychotic construction worker to search the city's counterculture hangouts for his missing daughter. Cartoons in the margins by Sergio Aragones. "The Mad Non-Smoker's Hate Book," script and art by Al Jaffee; Examples of how inconsiderate smokers annoy people who don't smoke. "The Lighter Side of Sound Equipment," script and art by Dave Berg. "One Afternoon at the Beach," script and art by Don Martin. "Spy Vs. Spy" by Antonio Prohias. "The F.I.B.", script by Dick DeBartolo, art by Angelo Torres; In a parody of the TV series "The F.B.I.," two F.B.I. agents track down diamond thieves while making sure that the products of the show's sponsor are prominently displayed. "A Mad Peek Behind the Scenes at a Recording Studio," script by Earle Dowd, art by Jack Davis; A look at the behind closed doors antics at a commercial recording studio. "Incredible Occult Magazine," script by Frank Jacobs, art by George Woodbridge; A niche magazine dedicated to documenting supernatural occurrences. Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.40.

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Add to cart PR 0.5 $2.50 Full length spine split. Missing interior panel.

Cover art by Norman Mingo. Ad for MAD paperback books. "Five Easy Pages!", script by Lou Silverstone, art by Mort Drucker; Everyone drops out of their lives to find something more meaningful, including the artist and writer. "Very Early One Morning," script and art by Don Martin; A man exercises with an unusual form of pushups. "A Mad Look at Then...and Now (Or We've Come a Long Way, Baby!)", script by Max Brandel; Comparisons of old culture to new culture. "The Lighter Side of Boating," script and art by Dave Berg; A look at the strange things people do when boating. "That Sinking Feeling…"; Various quotes of President Nixon regarding the Vietnam War, arranged chronologically to show the change of focus. "Spy Vs. Spy" by Antonio Prohias. "What Coaches Say," script by Paul Peter Porges, art by Jack Davis; Things sports coaches say about their player in public, compared to what they say in private. "Greeting Cards for the Sexual Revolution," script by Frank Jacobs, art by Bob Clarke. "A MAD Look at Palm Reading," script and art by Sergio Aragones. "Excuses, Excuses!", script by Dick DeBartolo and Donald K. Epstein, art by George Woodbridge; Comparison of typical excuses of times past and today. "Prison Record Albums of the Future," script by Arnie Kogen, art by Jack Rickard. "The Foul and the Prissy Cats," script by Stan Hart, art by Angelo Torres; A parody of the movie "The Owl and the Pussycat," about a writer and prostitute who end up living together. 52 pgs., B&W. Cover price $0.40.

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Cover art by Norman Mingo. "Lover's Story," script by Larry Siegel, art by Mort Drucker; In a parody of the film "Love Story," a rich college boy romances an ethnic girl below his social station in spite of pressure from his parents, and then she dies--beautifully. Cartoons drawn in the margins by Sergio Aragones. "This Is America," script by Max Brandel; Photos are juxtaposed ironically in order to satirize contemporary United States society; Includes photos of Richard Nixon; Spiro Agnew; Alfred E. Neuman; Neil Armstrong; and Robert Kennedy. "The Lighter Side of the Now Look," script and art by Dave Berg; Satirical look at contemporary youth fashions and behavior and the reaction to it by the previous generation. "The Very First Musical Instrument," script and art by Don Martin; A cave man invents the flute, then invents music criticism. "The Mad Effluent Society Pollution Primer," script by Sy Reit, art by Angelo Torres; The effect of pollution on modern American society and its influence on the members of that society. "Spy Vs. Spy" by Antonio Prohias. "Mad Interviews a Typical Middle American Family," script by Lou Silverstone, art by Paul Coker Jr.; Dick Cavett interviews a suburban couple in a typical American city. "Recruiting Posters Through History," script by Paul Peter Porges, art by George Woodbridge; Recruitment posters, based on the famous "Uncle Sam wants you" poster from the U.S. Army, are fashioned for multiple historical military actions. "A Mad Look at Amusement Parks," script and art by Sergio Aragones; Humorous incidents from amusement parks are portrayed. "One Fine Day a Million Years Ago," script and art by Don Martin. "Reality Street," script by Dick DeBartolo, art by Jack Davis; In a parody of the TV show "Sesame Street," local residents and puppets try to teach simple lessons amid the decay and danger of an inner city slum neighborhood block. Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.40.

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"Little Dull Man," script by Arnie Kogen, art by Mort Drucker; Parody of the film "Little Big Man"; a one hundred twenty-one year old man recalls for an interviewer his life as the biggest schmuck in the old west. "An Italian Robin Catching a Worm," script and art by Don Martin. Cartoons in the margins by Sergio Aragones. "Future Shock," script and art by Sergio Aragones; A man dismisses the outlandish predictions of a reputed fortune teller. "The New Army," script by Frank Jacobs, art by Jack Davis; Examples of how the military has changed with the times. "Spy Vs. Spy" by Antonio Prohias. "If Nixon Were President During Custer's Last Stand," script by Lou Silverstone, photo by Irving Schild; President Nixon tries to stonewall the press's inquiries into the Massacre at Little Big Horn. "The Lighter Side of Time," script and art by Dave Berg; How people deal with the demands of punctuality. "A Mad Look at Pet Owners," script by Stan Hart, art by Bob Clarke. "Spy Vs. Spy" by Antonio Prohias. "Modern Muscle Magazine," script by Dick DeBartolo, art by George Woodbridge. "Gall in the Family Fare," script by Larry Siegel, art by Angelo Torres; In a parody of the TV series "All In The Family," the bigoted head of a dysfunctional family spouts his opinions to anyone and everyone while waiting for a reunion with an old army buddy. 52 pgs., B&W. Cover price $0.40.

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Cover art by Norman Mingo. "If the Characters in Peanuts Aged Like Ordinary People," script by Frank Jacobs, art by Bob Clarke; Glimpses of the age-progressed cast of "Peanuts" at various stages of their lives. "The Trauma of '42," script by Stan Hart, art by Mort Drucker; Parody of the film "The Summer of '42"; an awkward teen has a series of awkward encounters with an older woman waiting for her husband to return from the war. Cartoons in the margins by Sergio Aragones. "Don Martin in a Play-Land," script and art by Don Martin; A man has a series of problems with an arcade game. "The Lighter Side of Living Space," script and art by Dave Berg; Satire of modern society's attempts to deal with urban sprawl. "Spy Vs. Spy" by Antonio Prohias. "Mad's Rhyming Guide to Pro Football," script by Frank Jacobs, art by Jack Davis; An explanation, in rhyme, of the positions, strategies and coverages of pro football. "A Mad Look at Waterbeds," script and art by Paul Peter Porges. "Messy's Thanksgiving Day Parade," script by Dick DeBartolo and Kedzie North, art by Angelo Torres; Satire of the silly floats and balloons of the Macy's Thanksgiving Day Parade, the antics of the people who watch it, and the network television coverage of it. "The Daily Congressional Off-The-Record" photo story by Lou Silverstone, photos by Irving Schild; A newsletter covering Congress and the actions of the elected representatives. Parody of a Wishbone Salad Dressing television ad. 52 pgs., B&W. Cover price $0.40.

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Cover art by Jack Rickard. "Road Signs We'd Like to Post," script by Max Brandel; Traffic signs are superimposed on photos of real events and celebrities for ironic effect. "One Dark and Lonely Night," script and art by Don Martin; A man makes an obscene phone call. "Truly Relevant TV Shows," script by Tom Koch, art by Angelo Torres; Examples of television series that have had their formulas modified to be more relevant to contemporary society. Cartoons in the margins by Sergio Aragones. "The Sports Spectators' Hall of Fame," script by Tom Koch, art by Jack Davis; Busts of fictional sports fans who represent specific types of fans. "Spy Vs. Spy" by Antonio Prohias. "The Lighter Side of Dropping Out," script and art by Dave Berg; Examples of people walking away from society, its expectations or its petty annoyances. "A Mad Guide to TV Late Show Cliché Movie Props," script by Paul Peter Porges, art by Angelo Torres; Examples of props you're sure to find in specific movie genres. "Distinctive Birth Announcements," script by Frank Jacobs. "A Mad Peek Behind the Scenes at a Moving Company," script by Lou Silverstone, art by George Woodbridge; Examples of deceptive or arrogant behavior from professional moving companies. "Willies," script by Dick DeBartolo, art by Mort Drucker; In a parody of the film "Willard," a young man, smothered at home and oppressed at work, takes revenge with the help of hordes of rats. Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.40.

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"The Tourist" inside cover strip, script and art by Antonio Prohias; A man books a south sea vacation, but doesn't exactly get what he hoped for. "The White House Follies of '72," script by Frank Jacobs, art by Mort Drucker; Life in the Nixon White House, presented as a Gilbert & Sullivan operetta. Cartoons in the margins by Sergio Aragones. "Ads That Turn People Off," script by Frank Jacobs, art by Bob Clarke; Examples of print ads that don't exactly put the product in the best light. "More Snappy Answers to Stupid Questions," script and art by Al Jaffee; Examples of sarcastic responses to obvious questions, including a blank balloon to encourage audience participation. "One Fairly Nice Day Downtown," script and art by Don Martin; A man decides to step on an ant, to his regret. "A Mad Message to the Leading Democratic Candidates for President," script and art by Dave Gantz; The Democratic contenders for the 1972 Presidential nomination are given the noses of other famous people in order to raise their public favor. "When TV Makes Full Use of Howard Cosell," script by Frank Jacobs, art by Jack Davis; Casting Howard Cosell in other television situations, such as appearing on Sesame Street and reporting on the weather. "A Mad Look at Snow Mobiles," script and art by Paul Peter Porges. "The Lighter Side of Air Travel," script and art by Dave Berg. "The Putrid Family," script by Arnie Kogen, art by Angelo Torres; In a parody of the TV series "The Partridge Family," a family made up of an over-the-hill musical star, her vain teen idol son and a group of supporting children tour America as a pop band. Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.40.

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Cover art by Norman Mingo. "Mad Photoetry" photo story, script by Max Brandel; Selected classic poetry and prose verse is printed under photos of contemporary events for ironic effect; featuring Golda Meir; Richard Nixon; Shirley Chisholm; Bella Abzug; Gloria Steinum; Pope Paul VI; Adam Clayton Powell; Spiro Agnew. "In the Operating Room With Don Martin," script and art by Don Martin; Series of single and multiple panel gags revolving around surgeons and operations. "Mad's Songbook For the '72 Candidates," script by Frank Jacobs, art by Dave Gantz; Anthems written for the various candidates for the 1972 Presidential nomination that are descriptive of their careers and character. Cartoons in the margins by Sergio Aragones. "Miracle Center," script by Dick DeBartolo, art by Angelo Torres; In a parody of the TV series "Medical Center," this story is a drama about a metropolitan hospital that is more concerned with a patient's back story than his or her condition. A Mad Look at TV Sports Interviews - - Past, Present and Future," script by Tom Koch, art by Jack Davis. "The Lighter Side of Modern Technology," script and art by Dave Berg. "Mad's Auto Manufacturer of the Year," script by Tom Koch and Earle Dowd, art by George Woodbridge; A shady, profiteering auto executive is interviewed. "Carnival Knowledge," script by Larry Siegel, art by Mort Drucker; In a parody of the film "Carnal Knowledge," the story of two college students in love with the same woman. Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.40.

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"What's the Connection?", script by Dick DeBartolo, art by Mort Drucker; In a parody of the film "The French Connection," a racist, violent narcotics detective tries to arrest the members of a drug-smuggling ring. "One Day at Campsite 39-B," script and art by Don Martin; A man sets up his pre-fabricated tent. "Mad Photo-Toons," script by Max Brandel, art by Bob Clarke; Wire photos of famous people have cartoon backgrounds added to them for satirical effect. Cartoons in the margins by Sergio Aragones. "Mad's Educator of the Year," script by Lou Silverstone, art by Paul Coker Jr.; Mad interviews the administrator of a progressive, structure-less school. "The Lighter Side of Weddings," script and art by Dave Berg; Examples of the good and bad sides of getting married. "Spy Vs. Spy" by Antonio Prohias; The Black Spy uses subliminal messaging to trap the White Spy. "A Mad Look at Bicycling," script and art by Sergio Aragones. "A Treasury of Television Poetry and Prose," script by Tom Koch, art by Jack Davis; A review of the low points of television, presented in verse. "Manic," script by Lou Silverstone, art by Angelo Torres; In a parody of the TV series "Mannix," a very violent private investigator racks up a large body count, but doesn't solve many crimes. "Mad Fold-In by Al Jaffee. Richard Nixon and Carroll O'Connor (as Archie Bunker) campaign poster for an unlikely presidential ticket on the back cover. 52 pgs., B&W. Cover price $0.40.

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Cover art by Norman Mingo. "Dirty Larry," script by Arnie Kogen, art by Mort Drucker; In a parody of the film "Dirty Harry," a city government turns to a violent, borderline psychotic police detective to run down a terrorist holding the city for ransom. Cartoons in the margins by Sergio Aragones. "The Mad Religion in America Primer," script by Larry Siegel, art by Paul Coker Jr.; A look at the state of religion in the United States, presented in the style of a children's reading primer. "Don Martin Looks at Cave Men," script and art by Don Martin; Examples of household life in prehistoric days. "Typical Sports Movie of the Past," script by Lou Silverstone, art by Jack Davis; A college football coach's program is rescued by an unassuming walk-on athlete. "Typical Sports Movie of the Present," script by Lou Silverstone, art by Jack Davis; A modern football coach recruits a hippie dropout to play quarterback for his powerhouse squad. "Snappy Answers to Stupid TV Commercials," script and art by Al Jaffee. "Spy Vs. Spy" by Antonio Prohias. "The Lighter Side of Summer Activities," script and art by Dave Berg. "A Mad Peek Behind the Scenes at a Political Convention," script by Lou Silverstone, art by Jack Rickard. "Longshot," script by Stan Hart, art by Angelo Torres. 52 pgs., B&W. Cover price $0.40.

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Cover art by Norman Mingo. "The Cowkids," script by Dick DeBartolo, art by Jack Davis; Parody of the film "The Cowboys"; a rancher, desperate for hands for a cattle drive, is forced to hire a group of school boys to replace his deserted crew. Cartoons in the margins by Sergio Aragones. "Mad's Ecology Mother Goose," script by M. S. Pinkham (plot) and Frank Jacobs, art by Paul Coker Jr.; Familiar nursery rhymes altered to reflect modern issues. "When Watching Television, You Can Be Sure of Seeing," script by Lou Silverstone, art by Angelo Torres; Examples of the predictability of television fare. "One Day at the Bullfights," script and art by Don Martin. "The Mad Car-Owners Hate Book," script and art by Al Jaffee. "Spy Vs. Spy" by Antonio Prohias. "The Mad Guide to Political Types," script by Frank Jacobs, art by George Woodbridge; Lists of stereotypical characteristics of various political factions. "The Lighter Side of Hang-Ups," script and art by Dave Berg; Examples of modern obsessions, phobias and compulsions. "The Television Yellow Pages 1972-73," script by Tom Koch, art by Jack Rickard, Jack Davis (uncredited), and Mort Drucker (uncredited); A section of the telephone company yellow pages with ads and listings for famous celebrities and the services they can provide. "The Cute Rook," script by Stan Hart, art by Mort Drucker; In a parody of the film "The Hot Rock," four incredibly cute cons are hired by a foreign agent to steal a precious jewel from a museum. 52 pgs., B&W. Cover price $0.40.

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Cover art by Norman Mingo. "The Oddfather," script by Larry Siegel, art by Mort Drucker; In a parody of the film "The Godfather," a Mafia Don's son is reluctantly recruited into the family business due to an attempt on his father's life. "One Tuesday Morning," script and art by Don Martin; Two witnesses attempt to get a man run over by a steamroller to the hospital as quickly as possible. "A Parade of Mad Protesting Co-Signers," script by Max Brandel, art by Angelo Torres; Celebrities of one political leaning hold up signs next to the signs held by celebrities of the opposite political leaning to change that sign's meaning. "A Mad Peek Behind the Scenes at Your Local Power & Light Company," script by Dick DeBartolo and Donald K. Epstein, art by George Woodbridge; The behind the scenes antics of the employees of a local utility. "Spy Vs. Spy" by Antonio Prohias. "A Mad Look at Hunting," script and art by Sergio Aragones. "The Lighter Side of Commuting," script and art by Dave Berg. "Mail Order Gift Catalog," script by Tom Koch, art by Bob Clarke; A holiday mail order gift catalog filled with useless junk gifts. "Howard at the Mike," script by Frank Jacobs, art by Jack Davis; An ode, patterned after Ernest Lawrence Thayer's poem "Casey at the Bat", to the importance of announcer Howard Cosell to the popularity of ABC's Monday Night Football. "The Mary Tailor-Made Show," script by Tom Koch, art by Angelo Torres; Parody of "The Mary Tyler Moore Show"; a flighty divorcee tries to find career and romantic success amid the incompetent antics of a local TV newsroom. 52 pgs., B&W. Cover price $0.40.

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Cover art by Norman Mingo. "Antenna on the Roof," script by Frank Jacobs, art by Mort Drucker; The musical "Fiddler on the Roof" is updated to contemporary times and transplanted into American suburbia. "A Mad Peek Behind the Scenes in a Department Store at Christmastime," script by Dick DeBartolo, art by George Woodbridge; Examples of the chaos and mass commercialism rampant in a modern department store. "Don Martin's Personal Experiences With New Power Tools For the Home Craftsman," script and art by Don Martin. "The Lighter Side of Week-ends," script and art by Dave Berg. "Profitable Football News," script by Frank Jacobs, art by Jack Davis; A magazine that focuses on the monetary side of pro football. "The Mad Christmas Hate Book," script and art by Al Jaffee; Examples of things that spoil the Christmas season for people. "Spy Vs. Spy" by Antonio Prohias. "Clodumbo,"script by Lou Silverstone, art by Angelo Torres; Parody of the TV show "Columbo"; a police detective solves crimes by being a general pest and driving suspects into confessing out of self-defense. "Visiting Day," script and art by Sergio Aragones; A mother has a surprise for her son, whom she is visiting in prison. 52 pgs., B&W. Cover price $0.40.

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Cover by Norman Mingo. Stories and art by Don Martin, Al Jaffee, Tom Koch, Arnoldo Franchioni, Lloyd Gola, Frank Jacobs, Don (Duck) Edwing, Bob Clarke, Mort Drucker, George Woodbridge, Paul Coker, Jack Rickard, Jack Davis, Dave Berg, Antonio Prohias and Sergio Aragones. Spoofs of the endless Planet of the Apes sequels and The Sonny and Cher Show, featuring art by Mort Drucker and Angelo Torres. Mad's takes on money, bigotry, and The Wizard of Oz. Classic Don Martin strips, Lighter Side strips by Dave Berg, Marginals by Sergio Aragones, and Spy vs. Spy. The Milking of the Planet That Went Ape; A Mad Look at Money; One Day On the Highway; You Never Can Win With a Bigot!; Don't You Feel Like a Schmuck?!; The Lighter Side of... Permissiveness; Spy vs Spy; Middle Class Poverty Is...; Your Monthly "Pen Pal"; Some Really Dangerous Jobs For George Plimpton; Oz Revisited, or...Let's Follow the Yellow Brick Road Again...If We Can!; The Funny & Glare Show; Late One Night on a Dark and Scary Street; Fold-In; The Choke's On Us! 8.5-in. x 11-in., 48 pages, B&W. Cover price $0.40.

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Add to cart Very Good $3.60

Cover art by Norman Mingo. "A Moving Jungle Tale," script by Don Edwing, art by Jack Davis; Tarzan meets an African jungle god. "The New Comedians," script by Dick DeBartolo, art by Mort Drucker; In a parody of the film "The New Centurions," a veteran beat officer schools a rookie officer on the dangers and intricacies of being an urban police officer. "The Mad TV Viewers Hate Book," script and art by Al Jaffee; Examples of the aggravating aspects of owning a television set. "Late One Night in a Waterfront Tavern," script and art by Don Martin; Two bar patron engage in a contest of strength. "The Lighter Side of Reading," script and art by Dave Berg; Profile of a politically progressive family who are progressive when it's convenient. "Spy Vs. Spy" by Antonio Prohias. "Head Shop Supplies," script by Tom Koch, art by Bob Clarke; A niche magazine aimed at hippies and stoners. "When All of TV Must Grant Equal Time," script by Tom Koch, art by Angelo Torres; Television series, such as soap operas, sitcoms, and dramas are forced to give equal time to advocacy groups. Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.40.

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Cover art by Norman Mingo. "A Crockwork Lemon," script by Stan Hart, art by George Woodbridge; In a parody of the film "A Clockwork Orange," a sadistic gang youth is captured by the police and subjected to brainwashing to remove his anti-social tendencies. "Planned Obsolescence in Everyday Products," script and art by Al Jaffee; Examples of how everyday household products can be modified to break down sooner, forcing the consumer to buy more. "The Lighter Side of Spectators," script and art by Dave Berg; Examples of the less admirable aspects of people who watch. "One Night in a Living Room," script and art by Don Martin; A woman has a gruesome encounter with her house cat. "How Come on TV...?", script by Paul Peter Porges, art by Jack Rickard; Examples of how things that happen on television aren't realistic. "Failing Health," script by Tom Koch, art by Jack Davis; A niche magazine aimed at hypochondriacs. "Who Knows What Evil Lurks in the Hearts of Men? The Shadow Knows," script and art by Sergio Aragones; Examples of someone's shadow revealing things about them that isn't immediately obvious. "Owem Marshmallow, Attorney-at-Law," script by Lou Silverstone, art by Angelo Torres; In a parody of the TV series "Owen Marshall, Counselor-at-Law," an incompetent attorney is engaged to defend the hedonistic son of a local Native American on a charge of assault. Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.40.

Add to cart VF- 7.5 $6.70	Add to cart Fine $5.40	Add to cart Fine $5.40	Add to cart Very Good $3.60
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Cover art by Norman Mingo. "Tell-Tale Comic Strip Balloons," script by Don Edwing, art by Bob Clarke; Word balloons are given specific silhouette shapes to convey a non-verbal message. "Cannonball," script by Dick DeBartolo, art by Jack Davis; In a parody of the TV series "Cannon," a private detective is given a case to solve, if he can stop eating long enough to solve it. "One Day in the North Woods," script and art by Don Martin; Two lumberjacks drop their trees in the wrong spots. "Spy Vs. Spy" by Antonio Prohias. "Mad's Corporate Ecologist of the Year," script by Lou Silverstone, art by Paul Coker Jr.; Mad interviews the head of a corporation lauded for its pro-ecology efforts. "A High School Yearbook That Tells It Like It Really Is," script by Tom Koch, art by Jack Rickard; A yearbook from a less-than-stellar inner city high school that doesn't hide the warts. "A Mad Look at Weddings," script and art by Sergio Aragones; Examples of embarrassing or unusual incidents at wedding ceremonies. "Going Thy Way," script by Lou Silverstone, art by Angelo Torres; In a parody of the film "Going My Way," a traditional Catholic priest has a clash of styles with a new priest with more contemporary values. "Going Way Out," script by Lou Silverstone, art by Angelo Torres; Parody sequel to "Going My Way", in which Father O'Irish, now in his sixties, is paired with a younger priest with contemporary seventies values. 52 pgs., B&W. Cover price $0.40.

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Add to cart Very Good $3.60

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Cover art by Norman Mingo. "The Poopsidedown Adventure," script by Dick DeBartolo, art by Mort Drucker; In a parody of the film "The Poseidon Adventure," an odd collection of odd passengers try to escape a capsized ocean liner. "Crime Foilers For the Average Citizen," script and art by Al Jaffee; Examples of gadgets that will protect an average citizen from criminals. "One Morning in Marrakesh," script and art by Don Martin; A tourist tries to use a flying carpet. "Fairy Tales Continued," script by Frank Jacobs, art by Paul Coker Jr.; The consequences of the happy endings of various fairy tales. "A Mad Look at Tarzan," script by Don Edwing, art by Jack Davis. "The Lighter Side of Fun," script and art by Dave Berg; Examples of how people try to relax. "Protest Songs For Life's Everyday Complaints," script by Frank Jacobs, art by Bob Clarke; The lyrics of sixties era protest songs are altered to more mundane subjects. "Idjit Love Ernie," script by Arnie Kogen, art by Angelo Torres; In a parody of the TV show "Bridget Loves Bernie," a Jewish man marries a Catholic woman and together they try to deal with their bigoted, stereotype in-laws. 52 pgs., B&W. Cover price $0.40.

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Cover art by Norman Mingo. "The Heartburn Kid," script by Larry Siegel, art by Mort Drucker; In a parody of the film "The Heartbreak Kid," a shallow man commits adultery on his honeymoon. "The Mad Motorist's Guide to American Wildlife," script by Robert Kaufman (plot) and Al Jaffee, art by Al Jaffee; How to identify the animals you just hit with your car. "One Morning at a Bus Depot," script and art by Don Martin. "You Know It's Really Summer When...," script by Tom Koch, art by Jack Rickard. "Spy Vs. Spy" by Antonio Prohias. "The Lighter Side of Crime in the Streets," script and art by Dave Berg. "Magazines For Neglected Sports," script by Tom Koch, art by Jack Davis. "Mad's Summer Camp Owner of the Year," script by Larry Siegel, art by Paul Coker Jr.; The shady owner of a kid's recreational camp is profiled. "A Mad City Street Scene We'd Like to See," script by Lou Silverstone, art by George Woodbridge; A city street with building business signs that tell the entire truth. "Bawde," script by Tom Koch, art by Angelo Torres; In a parody of the TV series "Maude," a modern Liberal family go out of their way to be shocking to their audience. 52 pgs., B&W. Cover price $0.40.

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Add to cart Fine $5.40

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Add to cart Very Good $3.60

"Early One Morning in the Near Future" inside front cover story by Sergio Aragones. "The Clods of '44," script by Stan Hart, art by Mort Drucker; In a parody of the film "The Class of '44," the three boring high school students from "The Summer of '42" graduate and become boring college students. "One Fine Day on a Guided Tour of Mount Rushmore," script and art by Don Martin. "A Mad Look at Two Grammar School Generations," script by Lou Silverstone, art by Paul Coker Jr. "The Lighter Side of Corruption," script and art by Dave Berg; Examples of dishonesty being its own reward. "A Mad Look at Karate," script and art by Sergio Aragones. "Picket & Strike," script by Lou Silverstone, art by George Woodbridge; A niche magazine aimed at union members and activists. "Graffiti Through History," script by Paul Peter Porges, art by Bob Clarke. "Mad's Sure-Fire Sports Predictions," script by Paul Peter Porges, art by Jack Davis. "Least Horizon," script by Arnie Kogen, art by Angelo Torres; In a parody of the film "Lost Horizon," a plane sets down in the Himalayas, and the cynical passengers stumble onto a bizarre paradise. Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.40.

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Cover art by Norman Mingo. "Kung Fool," script by Dick DeBartolo, art by Angelo Torres; In a parody of the TV series "Kung Fu," a fugitive Shaolin Monk roams the west demonstrating his physical superiority and his social naiveté . "A Modern Fairy Tale" one-page story by Sergio Aragones. "When All Businesses Rely on Sales Promotion Gimmicks," script by Tom Koch, art by Bob Clarke; Promotions and premiums for businesses usually not associated with such things. "The Lighter Side of the Holiday Season," script and art by Dave Berg; The ups and downs of the holiday season and how people deal with them. "An Architectural Triumph," script and art by Al Jaffee; A foreign object on blueprints gets built into the structure. "Yecch, or What a Waste!", script by Lou Silverstone, art by Don Martin; A modern metropolis is menaced by a pile of human fecal matter come to life. "Spy Vs. Spy" by Antonio Prohias. "Mad's 1973 Christmas Poem," script by Frank Jacobs, art by Angelo Torres; A poem listing gifts Mad would give to various celebrities. "Mad's Rattlers," script by Larry Gore, art by Jack Davis; Examples of sarcastic answers for every day occurrences. "Caper Goon," script by Larry Siegel, art by Mort Drucker; In a parody of the film "Paper Moon," an iterate grifter is saddled with an obnoxious ten year old girl in the Depression-Era American Southwest. 52 pgs., B&W. Cover price $0.40.

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Cover by Don Martin. Statement of ownership; Total paid circulation, avg. for year: 2,651,677. "8 James Bomb Bomb Movies," script by Arnie Kogen, art by Mort Drucker; Short parodies of the James Bond features "Dr. No", "From Russia With Love", "Goldfinger", "Thunderball", "You Only Live Twice", "On Her Majesty's Secret Service", "Diamonds Are Forever", and "Live And Let Die." The Mad Bowling Primer," script by Larry Siegel, art by Jack Davis. "The Lighter Side Of Cold Weather," script and art by Dave Berg. "One Dark Night In A Laboratory," script and art by Don Martin; A mad scientist tries to animate a fabricated human body, with unexpected results. "Mad Sequels To Famous Poems," script by Tom Koch, art by George Woodbridge; Parodies of famous poems, including "Hiawatha", "Casey At The Bat", "The Raven", "Gunga Din", and "Chicago." "Mad Visits The Realistic School Of Medicine", script by Larry Siegel, art by Paul Coker, Jr.; An investigative reporter does a documentary on how modern medicine has caused medical school to evolve with the times. "Spy Vs. Spy" by Antonio Prohias. "Unavoidable Exercises For The Urban Dweller," script by Frank Jacobs, art by Al Jaffee. "The Dulltons," script by Lou Silverstone, art by Angelo Torres; Parody of the television show "The Waltons." Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.40.

Cover art by Norman Mingo. "American Confetti," script by Larry Siegel, art by Mort Drucker; In a parody of the film "American Graffiti," teenagers in 1962 California spend their waning teen years cruising, finding love and acting stupidly. "The Historic Landmark" one-page story, script and art by Sergio Aragones; A man makes an impassioned plea to spare an old theater scheduled for demolition. "A Mad Look at Miss Liberty," script and art by Arnoldo Franchioni; The Statue of Liberty is placed in incongruous situations as a means of social commentary. "Gambler Magazine," script by Stan Hart, art by Jack Davis. "Don Martin Looks at Three Fairy Tales," script and art by Don Martin. "The Lighter Side of Polarization," script and art by Dave Berg; How people deal, or don't deal, with increasing social and political polarization. "Spy Vs. Spy" by Antonio Prohias. "Mad's Academy Awards for Best Performances in Every Day Situations," script by Dick DeBartolo and Donald K. Epstein, art by Paul Coker Jr. "Clean Ads for Dirty Movies," script by Larry Siegel, art by Jack Rickard; X-Rated films are given movie posters that will appeal to a family audience. "M*A*S*H*uga," script by Stan Hart, art by Angelo Torres; In a parody of the TV series "M*A*S*H*," two joke-a-minute surgeons turn an army hospital unit upside down. Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.40.

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Add to cart Very Good $3.60

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Cover art by Norman Mingo. "A Swinging Jungle Tale," script by Humberto De La Torre, art by Jack Davis; Tarzan swings a little too close to a river. "My Fair Laddie," script by Frank Jacobs, art by Mort Drucker; The Broadway musical "My Fair Lady" is recast in reverse gender as a commentary on the modern women's liberation movement. "Mad's Karate Movie Producer of the Year," script by Stan Hart, art by Jack Davis; The producer of Hong Kong martial arts films is interviewed. "One Fine Evening in the Castle," script and art by Don Martin; A princess gets a surprise with her dinner of frog's legs. "What Is an Introvert?", script by Tom Koch, art by Sergio Aragones. "The Lighter Side of Minor Ailments," script and art by Dave Berg; How people deal with, or don't deal with, injury and illness. "The Mad Game of Basebrawl," script and art by Al Jaffee; Altering the rules of baseball to make it more violent and therefore more exciting. "Busing in Other Areas for the Purpose of Social Integration," script by Arnie Kogen, art by George Woodbridge; Mixing social polar opposites through court-ordered busing. "The Straights of San Francisco," script by Dick DeBartolo, art by Angelo Torres; In a parody of the TV series "The Streets of San Francisco," a tough veteran detective pairs with an idealistic rookie to investigate a murder. Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.40.

Add to cart Fine $5.40

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Cover art by Norman Mingo. "The Way We Bore," script by Larry Siegel, art by Mort Drucker; In a parody of the film "The Way We Were," two ex-lovers are reunited during the United States' involvement in World War II. "One Evening at a Cocktail Party," script and art by Don Martin; A man engages an animal trainer in conversation at a party. "Singable Theme Songs for TV Shows," script by Frank Jacobs, art by Angelo Torres; The lyrics of popular songs are rewritten in order to make them theme songs for current television series. "The Lighter Side of the Energy Crisis," script and art by Dave Berg; How people deal with the gasoline shortage. "A Mad Guide to Recycling Garbage," script and art by Al Jaffee; Examples of how discards can be converted into useable items. "Billy Jock," script by Stan Hart, art by Angelo Torres; Parody of the film "Billy Jack"; a native American ex-marine tries to live a peaceful life, but the local redneck idiots just won't let him. 52 pgs., B&W. Cover price $0.40.

Add to cart Fine $5.40

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Cover by Mort Drucker. Stories and art by Don Martin, Al Jaffee, Tom Koch, Jan van Wessum, Stan Hart, Larry Siegel, Dick de Bartolo, Lou Silverstone, Don (Duck) Edwing, Frank Jacobs, Bob Clarke, Mort Drucker, Angelo Torres, John Putnam, George Woodbridge, Paul Coker, Jack Rickard, Jack Davis, Dave Berg, and Sergio Aragones. Spoofs of the classic police drama Serpico and cowboy cop show McCloud, featuring art by Mort Drucker and Angelo Torres. Mad's takes on sex, status symbols, and funerals. A primer on tennis, and a post-Watergate take on the Presidential Seal. Classic Don Martin strips, Lighter Side strips by Dave Berg, and Marginals by Sergio Aragones. Fairy Tale Scenes Wed Like to See (The Frog Prince); Serpicool; Trademark Graffiti; Alfreds Poor Almanac; A Mad History of Sex; One Day in the City; The Lighter Side of the High Cost of Living; A Mad Guide to Status Symbols; One Day at Notre Dame; A Mad Look at Funerals; Follow-Up Letters to Advertisers; Mad's Talking Stamps; The Mad Tennis Primer; One Day in the Patent Office; McClod; Fold-In; Save the Eagle! 8.5-in. x 11-in., 48 pages, B&W. Cover price $0.40.

Add to cart Very Good $3.60

Add to cart Very Good $3.60

"The Ecchorcist," script by Larry Siegel, art by Mort Drucker; In a parody of the film "The Exorcist," when the medical community can't cure a young girl of her violent mood swings and random disgusting acts, a harried mother turns to a grizzled Catholic priest and his less-than-committed junior. "Wishful Thinking," script by Paul Peter Porges, art by Jack Davis; Examples of how reality doesn't measure up to a person's expectations. "One Sunday Morning on the Beach," script and art by Don Martin; A man gives a drowning victim mouth-to-mouth resuscitation. "Mad Singles Only Resort Owner of the Year," script by Lou Silverstone, art by George Woodbridge; The shady owner of an x-rated singles resort is interviewed. "Horrifying Cliches 10," script by May Sakami, art by Paul Coker Jr.; Cliche phrases are given monstrous visualization, such as reviving an old custom and cooking up an alibi. "The Lighter Side of Hot Weather," script and art by Dave Berg; Examples of curious behavior brought on by hot weather. "You Know You Married a Gal/Guy Who's Much Too Young/Old for You When," script and art by Lloyd Gola; Examples of generational differences impacting a relationship. "1974 Hospital Supply Catalogue," script by Tom Koch, art by Bob Clarke; A catalog of medical supplies and equipment of dubious value. "Spy Vs. Spy" by Antonio Prohias. "Poppicorn," script by Dick DeBartolo, art by Angelo Torres; Parody of the film "Papillon"; a prisoner in a Hellish island French prison persists in trying to escape in the face of all odds. 52 pgs., B&W. Cover price $0.40.

Add to cart Fine $3.60

Add to cart Very Good $2.50

Add to cart Very Good $2.50

Last 40-cent cover price. Cover art by Norman Mingo. "A Mind-Blowing Incident," script and art by Sergio Aragones; A man tries to stop an apparent suicide. "The Zing," script by Arnie Kogen, art by Mort Drucker; In a parody of the film "The Sting," two con men run an elaborate con on a crime boss in retaliation for the killing of one of the men's partner. "The Mad Crisis Primer," script by Stan Hart, art by Paul Coker Jr.; Advice on how to cope with various life crises. "The Lighter Side of Dieting," script and art by Dave Berg; How people deal, or don't deal, with trying to lose weight. "A Mad Look at Fairy Tales," script and art by Sergio Aragones; Various famous fairy tales are given ironic new endings. "Mad's Sure-Fire Cliche Killers," script by Stan Hart, art by Jack Davis; People respond to cliche observations of life with biting, satirical answers. "Spy Vs. Spy" by Antonio Prohias. "Bible Rave," script by Frank Jacobs, art by George Woodbridge; What a teenage fan magazine would look like if it was published during biblical times. "The Rookers," script by Dick DeBartolo, art by Angelo Torres; In a parody of the TV series "The Rookies," three rookie police officers try to prove their worth, and fail. 52 pgs., B&W. Cover price $0.50.

Add to cart FR/GD 1.5 $2.50

First 50-cent cover price. Cover art by Norman Mingo. "The Great Gasbag," script by Stan Hart, art by Mort Drucker; In a parody of the film "The Great Gatsby," a boring socialite gets involved with a man with a dubious past and they proceed to be boring together. "Don Martin's Natural History Movies, Short Subject #14: Insect Masters of Camouflage and Illusion," script and art by Don Martin. "More Powerful Than a Locomotive," script and art by Sergio Aragones; Superman stops a train from running over a man, but fails to consider the physics. "Picture Road Signs We'd Like to See," script by Al Jaffee and Frank Jacobs, art by Bob Clarke; Picture road signs are expanded to encompass other traffic hazards. "The Lighter Side of Staying Young," script and art by Dave Berg; Dealing with, or hiding from, getting older. "Mad Solutions to Big City Doggie-Do Problems," script and art by Al Jaffee; Creative ways to clean up after your dog. "The Six Million Dollars, Man," script by Lou Silverstone, art by Angelo Torres; In a parody of the TV series "The Six Million Dollar Man," an astronaut injured in an accident is given bionic implants and must rescue the surgeon who implanted them from his Soviet abductors. 52 pgs., B&W. Cover price $0.50.

Add to cart Fine $3.60

Add to cart Very Good $2.50

Cover art by Jack Davis. "Chinaclown," script by Larry Siegel, art by Mort Drucker; Parody of the film "Chinatown"; a private detective is hired to prove adultery on the part of the city water commissioner and winds up in the middle of a deep and confusing scheme. "One Saturday Morning in a Supermarket," script and art by Don Martin; Two grocery baggers get a little too enthusiastic about their work. "A Mad Look at Our Consumer Society," script and art by Arnoldo Franchioni; Symbols of consumerism are used as objects of irony. "A Mad Look at Model-Building," script and art by Sergio Aragones; Humorous examples of the hobby of plastic model kits. "The Lighter Side of Collecting," script and art by Dave Berg; Examples of obsessive behavior demonstrated by collectors and hobbyists. "Spy Vs. Spy" by Antonio Prohias. "Mad's Poll-Taker of the Year," script by Lou Silverstone, art by Paul Coker Jr.; A professional opinion poll researcher is interviewed. "A Modern Business Success Story," script by Dick DeBartolo, art by Bob Clarke; Genesis of a business from its humble roots to its ultimate destiny. "Kojerk," script by Arnie Kogen, art by Angelo Torres; In a parody of the TV series "Kojak," a Manhattan police detective tries to solve crimes in between being stylish and lovable. 52 pgs., B&W. Cover price $0.50.

Add to cart Fine $3.60

Add to cart VG- 3.5 $2.50

Cover art by Norman Mingo. "Gulliver's Travails," script by Don Edwing, art by Paul Coker Jr; The Lilliputians give their prisoner a hygiene assist. "Death Wishers," script by Stan Hart, art by Mort Drucker; In a parody of the film "Death Wish,"a recently widowed man starts stalking the streets of New York, gunning down criminals. "A Mad Look at the Military," script and art by Arnoldo Franchioni. "Spy Vs. Spy" by Antonio Prohias. "More Modern Fairy Tales," script by Don Reilly, art by Paul Coker Jr.; Current events are presented in the form of fairy tale; featuring Richard Nixon, The Beatles, and Leonid Brezhnev. "Some Real Life Scenes We'd Like to See," script by Paul Peter Porges, art by Jack Davis; Examples of socially annoying people getting what's coming to them. "The Lighter Side of Anxiety," script and art by Dave Berg; How people deal, or don't deal, with stress and emotional tumult. "One Afternoon at a Bus Stop," script and art by Don Martin; A man dons sunglasses to conceal the fact that he's ogling passing women. "The Mad Good News - Bad News Book," script by Frank Jacobs, art by George Woodbridge; Examples of how events initially seen as good turn out to be not so good. "The Tommy-Red Seed," script by Dick DeBartolo, art by Angelo Torres; In a parody of the film "The Tamarind Seed," two members of the British and Soviet diplomatic corps conduct a tepid affair and precipitate an overreaction from their country's intelligence services. Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.50.

Add to cart Very Good $2.50

Add to cart Very Good $2.50

Cover art by Norman Mingo. "What's Entertainment?", script by Frank Jacobs, art by Mort Drucker; Parody of major motion picture releases which are basically cheaply assembled clip shows of past film releases. "One Morning on an Assembly Line," script and art by Don Martin. "What is a Guidance Counselor?", script by Tom Koch, art by Sergio Aragones; Satirical essay on the profession of guidance counseling. "The Lighter Side of Chores," script and art by Dave Berg; The good and bad points of performing menial household tasks. "Has Anybody Every Really Seen...," script by Larry Sharp, art by George Woodbridge; Examples of comic strip cliches which really don't occur in reality, illustrated by famous comic strip characters. "Spy Vs. Spy" by Antonio Prohias. "Popular Photo-Monotony," script by Dick DeBartolo, photos by Irving Schild; A niche magazine devoted to photography hobbyists. "Mad's College Football Coach of the Year," script by Lou Silverstone, art by Jack Davis; A college football coach is interviewed and program excesses are exposed. "Footnotes* to History," script by Paul Peter Porges, art by Paul Coker Jr.; Ironic takes on historical situations, presented so that only the participants' feet and legs are visible. "Barnacle Groans," script by Tom Koch, art by Angelo Torres; In a parody of the TV series "Barnaby Jones," a folksy senior citizen becomes a private detective. Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.50.

Add to cart Very Good $2.80

Add to cart Very Good $2.80

Add to cart Good $2.50

Cover art by Mort Drucker. "Airplot '75," script by Dick DeBartolo, art by Mort Drucker; In a parody of the "Airport" disaster movie series, a pack of washed up movie actors try to keep an airliner, and their careers, from crashing in flames. "Don Martin Escapes From Prison...Almost," script and art by Don Martin; An inmate engages in a series of unsuccessful prison escapes. "The Mad Handbook of House-Guesting," script by Paul Peter Porges, art by Jack Davis; A print guide to dealing with guest who overstay their welcome. "Footnotes* to Hollywood," script by Paul Peter Porges, art by Paul Coker Jr.; Humorous takes on classic film scenes, with the characters depicted only below the knees. "The Lighter Side of Graduation," script and art by Dave Berg; The upside and downside of graduating high school. "Other Betting Pools," script by Lou Silverstone, art by George Woodbridge; Examples of office betting pools that have nothing to do with sporting events. "Headlines of the Insect World," script by Paul Peter Porges, art by Bob Clarke; Examples of sensationalistic tabloid headlines with insect themes. "The Longest Yardbird," script by Arnie Kogen, art by Angelo Torres; In a parody of the film "The Longest Yard," a sadistic prison warden forces a prisoner to join his prison football team. Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.50.

Add to cart Very Good $2.80

Add to cart Very Good $2.80

Add to cart GD+ 2.5 $2.50

Cover by Norman Mingo. Stories and art by Don Martin, Al Jaffee, Tom Koch, Stan Hart, Paul Peter Porges, Dick DeBartolo, Lou Silverstone, Don (Duck) Edwing, Frank Jacobs, Bob Clarke, Mort Drucker, Angelo Torres, Irving Schild, George Woodbridge, Paul Coker, Jack Rickard, Jack Davis, Dave Berg, Antonio Prohias and Sergio Aragones. Spoofs of the classic disaster film The Towering Inferno and the Freddie Prinze Sr. sitcom Chico and the Man, featuring art by Mort Drucker and Angelo Torres. A Sports Illustrated magazine for kids, a decade before there really was such a magazine. A Mad look at superheroes, with art by Sergio Aragones. Classic Don Martin strips, Lighter Side strips by Dave Berg, Marginals by Sergio Aragones, and Spy vs. Spy. More Fairy Tale Scenes Wed Like to See (The Frog Prince); The Towering Sterno; A Collection of Mad X-Rayvings; One Sunday Morning in the Park; Young Sports Illustrated; A Mad Look at Super Heroes; How Many Mistakes Can You Find in This Picture?; The Lighter Side of... Summer Hazards; One Beautiful Evening Last May; It Ain't Fair When...; Mad Devices Designed to Solve Our Smoker vs. Non-Smoker Problems; Footnotes* to Folklore; Spy vs Spy; Cheeko and the Ham; The Great Zucchini; Fold-In; The Modern-Day Carpetbaggers. 8.5-in. x 11-in., 48 pages, B&W. Cover price $0.50.

Add to cart Very Good $2.80

Cover by Jack Davis. Stories and art by Don Martin, Al Jaffee, Larry Siegel, Arnoldo Franchioni, Alen Robin, E. Nelson Bridwell, Stan Hart, Paul Peter Porges, Dick DeBartolo, Lou Silverstone, Don (Duck) Edwing, Frank Jacobs, Bob Clarke, Mort Drucker, Angelo Torres, Irving Schild, George Woodbridge, Paul Coker, Sandy Kossin, Jack Rickard, Jack Davis, Dave Berg, Antonio Prohias and Sergio Aragones. Spoofs of the classic 1970s films The Godfather Part II and Murder on the Orient Express, featuring art by Mort Drucker and Angelo Torres. A prescient "family tree," showing all the then-current and future TV spin-offs from "All in the Family," is not far from the eventual reality. Mad's takes on Mother Goose, President Ford, and vitamin ads. The cover by Jack Davis is practically a Who's Who of 1975 Hollywood caricatures. Classic Don Martin strips, Lighter Side strips by Dave Berg, Marginals by Sergio Aragones, and Spy vs. Spy. Mad Artists' Response to a "Draw This Figure" Ad; The Odd Father Part, Too!; The Mad Circus; One Day in South Dakota; The Mad Economics Primer; Zappers That History Forgot; Spy vs. Spy; Business and Social Cards; The "All in the Family" Tree; The Lighter Side of Indoor and Outdoor Gardening; A TV Ad We'd Like to See - The Geritol Commercial; A Mad Look at Some Well-Kept Celebrities' Secrets; Mad's Recession Mother Goose; Muddle on the Orient Express; One Saturday Night at the North Pole; Fold-In; Here's Looking At You, Kid! 8.5-in. x 11-in., 48 pages, B&W. Cover price $0.50.

Add to cart Fine $4.80

Add to cart FN- 5.5 $3.70

Add to cart Very Good $2.80

Add to cart Very Good $2.80

"Another Day in the Jungle," script by Don Edwing, art by George Woodbridge. "Fun Lady," script by Stan Hart, art by Mort Drucker; In a parody of the film "Funny Lady," a burlesque comedienne is torn between feelings for the three men in her life. "One Fine Day During Lunch Period," script and art by Don Martin; A student learns that science is part observation. "Future No-Frills Travel Gimmicks," script by Dick DeBartolo and Al Jaffee, art by Al Jaffee; Examples of how airline flight will change as airlines cut back on money spent. "The Lighter Side of the Fast-Food Craze," script and art by Dave Berg; Examples of how fast-food restaurants have changed life. "Broken Homes and Gardens," script by Stan Hart, art by Jack Rickard; A niche magazine for members of divorced families. "Mad's Obnoxious Sports Spectator of the Year," script by Lou Silverstone, art by Jack Davis. "A Mad Look at Backpacking," script and art by Sergio Aragones; The down side of hiking and camping. "U.S. Commemorative Stamps That We'll Never See," script by Frank Jacobs, art by Bob Clarke. "Spy Vs. Spy" by Antonio Prohias. "Footnotes* to Football," script Paul Peter Porges, art by Paul Coker Jr.; Flubs and foibles on the football field, with the characters shown only from the knees down. "Shampooped," script by Arnie Kogen, art by Angelo Torres; In a parody of the film "Shampoo," a handsome hairdresser sleeps his way through his clients while trying to become a big name. Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.50.

Cover art by Mort Künstler. "The Frog Prince," script and art by Don Martin; When a princess kisses a tree frog, she gets more than she bargained for. "Jaw'D," script by Larry Siegel, art by Mort Drucker; In a parody of the film "Jaws," a local sheriff teams with a foul-mouthed fisherman and a nerdy ichthyologist to catch a shark menacing the local beach. "A Mad Portfolio of Contemporary Horror Scenes," script and art by Arnoldo Franchioni; Photos of real objects are cut into shapes of monsters menacing average citizens. "TV Disclaimers We'd Like to See," script by Lou Silverstone, art by Jack Davis; Celebrities appear on network TV series in order to deliver disclaimers concerning the uninspired content of the series. "Don Martin Beats the High Cost of Gasoline," script and art by Don Martin. "The Lighter Side of Change," script and art by Dave Berg; How people deal or don't deal with change in their lives. "A Mad Look at Sharks," script and art by Sergio Aragones; Examples of how the film "Jaws" has affected everyday life. "Mad's CIA Agent of the Year," script by Lou Silverstone, art by Paul Coker Jr. "Mirthquake," script by Dick DeBartolo, art by Angelo Torres; In a parody of the film "Earthquake," a cross-section of Los Angeles residents don't prepare for the major earthquake they all know is coming. 52 pgs., B&W. Cover price $0.50.