Spider-man comic books

UK edition. Identical to US edition, but has 1/- cover price. Dr. Curt Conners, AKA the Lizard, gets up on the wrong side of the bed as usual in "If this be Bedlam!" Script by Stan Lee; art by John Romita Sr. and Jim Mooney. Last 12-cent cover price. Romita cover. Reprinted in Marvel Tales # 55.

UK edition. Identical to US edition, but has 1/- cover price. Cover by John Romita Sr. Death Without Warning!, script by John Romita (plot) and Stan Lee (script), pencils by John Romita (layouts) and Jim Mooney (pencils), inks by Jim Mooney; Spidey, aware that Dr. Connors and his family are in danger from the Maggia, searches for them; The once-elderly Silvermane tries to convince Marko and Cicero that he is in fact a younger version of himself while Dr. Connors escapes and Spider-Man arrives; In the ensuing free-for-all Connors transforms into the Lizard…and Silvermane just keeps getting younger. Reprinted in Marvel Tales # 56. 36 pgs., full color.

UK edition. Identical to US edition, but has 1/- cover price. Cover art by John Romita. Third Lizard appearance in a row plus Human Torch (of the Fantastic Four) cameo in The Lizard Lives!, script by John Buscema (plot) and Stan Lee (script), pencils by John Buscema (layouts) and Jim Mooney (pencils), inks by Jim Mooney; The Lizard is at large in New York and Captain Stacy wants to talk to Peter about Spider-Man's secret identity. Reprinted in Marvel Tales # 57. 36 pgs.

UK edition. Identical to US edition, but has 1/- cover price. Cover art by John Romita. In the Blaze of Battle!, script by John Buscema (plot) and Stan Lee (script), pencils by John Buscema (layouts) and Jim Mooney (pencils), inks by Jim Mooney; The Human Torch complicates Spider-Man's plan to catch the Lizard without hurting him. Letter from Don McGregor. 32 pgs.

UK edition. Identical to US edition, but has 1/- cover price. Cover by John Romita Sr. The Night of the Prowler!, script by Stan Lee, pencils by John Buscema (layouts) and Jim Mooney (pencils), inks by Jim Mooney; Peter tries to see Gwen only to find that she is (apparently) on a date with Flash; Hobie approaches his boss with ideas for new safety devices for his job as window-washer, only to be rebuffed; He implements them in private, adds a cloak and a mask, and thus creates The Prowler; Hobie plans to rob a newspaper as the Prowler then return the money as Hobie, making himself a hero; Naturally Peter (as Peter) discovers the Prowler in the act and J Jonah discovers Peter in front of an empty safe. Reprinted in Marvel Tales # 59. 36 pgs., full color.

UK edition. Identical to US edition, but has 1/- cover price. Cover by John Romita Sr. To Prowl No More!, script by Stan Lee, pencils by John Buscema (layouts) and Jim Mooney (pencils), inks by Jim Mooney; Spidey and the Prowler fight; The Prowler gets away using a gas bomb, then plans another robbery to make himself (Hobie) a hero when the loot is recovered; Peter anticipates the move and gets there during the robbery; This time the Prowler's gas has no effect and Peter unmasks him to find a well-intentioned kid like himself; Spidey lets him go. Reprinted in Marvel Tales # 60. 36 pgs., full color.

UK edition. Identical to US edition, but has 1/- cover price. Cover by John Romita Sr. On The Trail of...the Chameleon!, script by Stan Lee, pencils by John Buscema (layouts) and Jim Mooney (pencils), inks by Jim Mooney; Harry brings Flash to Peter's apartment and forces them to work out the confusion about Gwen; Peter and Gwen reunite and attend a gala where paintings are stolen under the nose of Capt. Stacy--it is the work of the Chameleon. Spidey sets a trap for the Chameleon but fails to unmask him until he sees…Peter Parker! Reprinted in Marvel Tales # 61. 36 pgs., full color.

UK edition. Identical to US edition, but has 1/- cover price. Cover by John Romita Sr. The Coming of the Kangaroo!, script by John Romita (plot) and Stan Lee (script), pencils by John Buscema (layouts) and Jim Mooney (pencils), inks by Jim Mooney; Aunt May decides Peter is sick and puts him to bed; The Kangaroo escapes Feds who seek to deport him, then steals what he thinks is money but is actually a vial of deadly bacteria; Peter sneaks out to catch the Kangaroo and get the vial back; He succeeds, but Aunt May collapses when she finds the web dummy Peter left in his bed; Now Peter feels more guilt than ever. House ad for Thor #172 and Iron Man #22, art by Jack Kirby, George Tuska, Bill Everett, and Mike Esposito. Reprinted in Marvel Tales # 62. 36 pgs., full color.

UK edition. Identical to US edition, but has 1/- cover price. Cover by Marie Severin. And Then Came Electro!, script by John Romita (plot) and Stan Lee (script), pencils by John Romita (layouts) and Jim Mooney (pencils), inks by Jim Mooney; Peter decides that it would be good for his public image to go on a TV talk show; Unfortunately he chooses a network where Max Dillon [Electro] works; In collusion with Jameson, Electro attacks Spider-Man live on stage; Spidey defeats him, but it is a Pyrrhic victory--Peter is as beat up as Max. Reprinted in Marvel Tales # 63. 36 pgs., full color.

UK edition. Identical to US edition, but has 1/- cover price. Cover art by John Romita. First appearances of the Schemer (Kingpin's son) and Vanessa (Kingpin's wife) in The Schemer!, script by Stan Lee, pencils by John Romita, inks by Mike Esposito [as Mickey Demeo]; The Schemer tries to become the new King of Crime in New York, and starts a war with the Kingpin; Flash Thompson goes to war in Vietnam and Gwen Stacy is injured in a traffic accident. Statement of Ownership, Management and Circulation; Total Paid Circulation 12 month average: 372,352. Reprinted in Marvel Tales # 64. 32 pgs.

UK edition. Identical to US edition, but has 1/- cover price. Cover by John Romita Sr. The Kingpin Strikes Back!, script by Stan Lee, pencils by John Romita (layouts) and John Buscema (pencils), inks by Jim Mooney; Peter could use the $5,000 reward, so Spidey sets out to capture The Schemer; He eventually finds him in his fancy car but keeps falling off it; Schemer arrives at the Kingpin's mansion and confronts him; Vanessa intervenes. Spider-Man has followed Schemer, breaks in, and has a brief tiff with Kingpin before both realize that Schemer - and Vanessa - have vanished. Reprinted in Marvel Tales # 65. 36 pgs., full color.

UK edition. Identical to US edition, but has 1/- cover price. Cover art by John Romita. The Secret of the Schemer!, script by Stan Lee, pencils by John Romita (layouts) and John Buscema, inks by Jim Mooney; Peter pulls a double switch to keep Captain Stacy and Gwendy from identifying him as Spider-Man; Spidey tracks down the Schemer but they both fall into the Kingpin's trap; The ensuing battle comes to an abrupt end when the Schemer is revealed to be Richard Fisk, the Kingpin's long lost son. Reprinted in Marvel Tales # 66. 36 pgs.

UK edition. Identical to US edition, but has 1/- cover price. Cover art by John Romita. Black Widow gets a new costume in Beware...the Black Widow!, script by Stan Lee, pencils by Don Heck (pgs 1-3), John Romita (layouts), and Jim Mooney (pencils), inks by Jim Mooney; Black Widow's past is recapped and she gets a new costume; ; cameo appearances by Iron Man, Hawkeye, Nick Fury, and the Red Guardian. (Widow's story continues from here in Amazing Adventures # 1 from 1970.) Reprinted in Marvel Tales # 67. 32 pgs.

UK edition. Identical to US edition, but has 1/- cover price. Cover by John Romita Sr. Spider-Man is "Unmasked at Last!" (well, the first time since issue 12) in a story written by Stan Lee, pencils by John Romita and Jim Mooney, inks by Jim Mooney; Peter Parker reveals to Gwen, Mary Jane, Harry Osborn, and Captain Stacy that he is Spider-Man; they all assumed Peter was impersonating Spider-Man, but Gwen says that he really could be Spider-Man; Hobie Brown (aka the Prowler) dresses up like Spider-Man. Letters to the editor from comics writer Doug Moench (Master of Kung Fu, Batman) and comics artist Alan Kupperberg (Howard the Duck). Reprinted in Marvel Tales # 68. 36 pgs., full color.

UK edition. Identical to US edition, but has 1/- cover price. Cover art by John Romita. The Arms of Doctor Octopus!, script by Stan Lee, pencils by John Romita, inks by Jim Mooney; From his prison cell, Doc Ock calls to his mechanical arms and even Spidey can't stop the inevitable reuinion; Ock hijacks a plane and holds an Asian general hostage for ten million bucks but Spidey foils his plans. Reprinted in Marvel Tales # 69. 36 pgs.

UK edition. Identical to US edition, but has 1/- cover price. Cover art by John Romita. "Doc Ock Lives!", script by Stan Lee, pencils by Gil Kane (his first work on the title), inks by John Romita; Returning home from the airport following the supposed death of Dr. Octopus, Spider-Man is less than convinced that his long time enemy is gone for good; Changing back to Peter Parker, he gets a copy of the Bugle where he learns that no trace of Doc Ock's body was found, and is determined to find his enemy and bring him to justice; Dr. Octopus, having survived the plane crash learns that the press has considered that he's dead; This gives Octopus ample opportunity to track down and destroy Spider-Man; First part of a Doctor Octopus/Spider-Man battle leading up to the death of Capt. Stacy in issue 90. Reprinted in Marvel Tales #70. 36 pgs., full color.

UK edition. Identical to US edition, but has 1/- cover price. Death of Captain Stacy. Spidey's battle with Doctor Octopus from the previous issue continues in "And Death Shall Come!" Script by Stan Lee; pencils by Gil Kane; inks by John Romita Sr. Kane/Romita cover. An important issue in the early Spider-Man saga featuring some of the finest Lee/Kane/Romita work ever! Reprinted in Marvel Tales # 71.

UK edition. Identical to US edition, but has 1/- cover price. Cover art by John Romita. "To Smash A Spider," script by Stan Lee, pencils by Gil Kane, inks by John Romita; Its the funeral of George Stacy and everyone close to the late police captain is in attendance; Peter Parker is there to support Gwen during this time; He begins wondering what would happen if Gwen (who blames Spider-Man for her fathers death) ever found out that Peter is Spider-Man; Also in attendance is sleazy politician Sam Bullit, a man who was competing with George for the job of district attorney; When Gwen later asks to aid on Bullit's campaign, it's another advantage to Bullit; Bullit seeks the support of the Daily Bugle in exchange for this promotion, he promises to bring in Spider-Man. Reprinted in Marvel Tales #72. 36 pgs., full color.

UK edition. Identical to US edition, but has 1/- cover price. Cover art by John Romita. When Iceman Attacks, script by Stan Lee, pencils by Gil Kane, inks by John Romita and Tony Mortellaro (backgrounds); Thinking Spidey is causing harm to Gwen Stacy, Iceman (of the original X-Men) intervenes and tries to defeat old Webhead; Later, once misunderstandings are resolved, the two team up to take down a crooked politician. Reprinted in Marvel Tales # 73. 32 pgs.

UK edition. Identical to US edition, but has 1/- cover price. Cover by John Romita Sr. The Lady and -- the Prowler!, script by Stan Lee, art by John Romita Jr.; The Prowler is back!; But the return of this villain is the least of Peters worries because Gwen Stacy is leaving for England to stay with her uncle…for good; Hobie is worried that Spider-Man might have somehow framed him for Captain Stacy's death, and so changes to the Prowler and goes looking for Spider-Man. Reprinted in Marvel Tales # 74. 36 pgs., full color.

UK edition. Identical to US edition, but has 1/- cover price. Cover by John Romita Sr. On Wings of Death!, script by Stan Lee, pencils by John Romita Sr., inks by Sal Buscema; Peter Parker thinks back to how he first got his powers, and his origin is retold; Spider-Man attempts to rescue Aunt May after she is kidnapped by the Beatle. Reprinted in Marvel Tales # 75. 36 pgs., full color. $0.15.

UK edition. Identical to US edition, but has 1/- cover price. Cover pencils by John Romita, inks by Sal Buscema. Trap For A Terrorist, script by Stan Lee, pencils by John Romita, inks by Sal Buscema; Peter heads for England looking for Gwendy but is forced to fight terrorists as Spider-Man; Realizing that Peter Parker can't show up with Spidey already swinging around, Pete heads home, leaving Gwendy in mourning for her father. Reprinted in Marvel Tales # 76. 32 pgs.

UK edition. Identical to US edition, but has 1/- cover price. This classic issue is the first of three that were not approved by the Comics Code Authority because of the (anti-)drug themed story. (Not that the Comics Code was pro-drug, of course. It's just that back then, comics couldn't mention drugs at all, even negatively.) Stan Lee published the stories anyway, which eventually led to a major revision in the code, allowing for anti-drug stories, plus other various things such as horror comics and vampires. (That's why there were suddenly tons of horror and mystery comics in the early seventies, shortly after the revision went into effect.) Anyway, back to the Spider-Man story at hand: the Green Goblin returns to annoy Spider-Man in "And Now, the Goblin." Script by Stan Lee, pencils by Gil Kane, and inks by Frank Giacoia. Kane cover. Reprinted in Marvel Tales # 77 and 191.

UK edition. Identical to US edition, but has 1/- cover price. This classic issue is the second of three that were not approved by the Comics Code Authority because of the (anti-)drug themed story. (See notes on issue 96 for more information.) Cover art by John Romita. "In the Grip of the Goblin!", script by Stan Lee, pencils by Gil Kane, inks by Frank Giacoia and John Romita (pages 7, 15, 16, and 19, credited as "Artist Emeritus"); Norman Osborn's Green Goblin identity has returned, and Spider-Man has stumbled across him; After a quick battle across the city, the Goblin escape, vowing to strike back at Spidey; Changing back to his civilian identity, Peter stresses over the damage the Goblin can cause now that he remembers Peter's real identity; Returning home, he finds Harry who is stressed out over his studies and over the turbulence in his relationship with Mary Jane; Peter discovers that Harry has been popping pills. Reprinted in Marvel Tales #78 and #191. 36 pgs., full color.

UK edition. Identical to US edition, but has 1/- cover price. This classic issue is the third of three that were not approved by the Comics Code Authority because of the (anti-)drug themed story. (See notes on issue 96 for more information.) The Green Goblin guest stars in "The Goblin's Last Gasp." Script by Stan Lee, pencils by Gil Kane, inks by Frank Giacoia. Kane cover. Reprinted in Marvel Tales # 79 and 191.

UK edition. Identical to US edition, but has 1/- cover price. Cover pencils by Gil Kane, inks by Frank Giacoia. A Day in the Life of, script by Stan Lee, pencils by Gil Kane and Tony Mortellaro (backgrounds, signed), inks by Frank Giacoia; Peter gets an assignment to snap some pics of a prison riot and swings in as Spidey to get the inside scoop; Once the situation is resolved, Spider-Man appears on the Tonight Show and gives a speech on the rights of prisoners. Guest appearances by Johnny Carson and Ed McMahon. Reprinted in Marvel Tales # 80. 36 pgs.

UK edition. Identical to US edition, but has 1/- cover price. Spider-Man becomes more spidery than ever in "The Spider or the Man?" Script by Stan Lee; pencils by Gil Kane; inks by Frank Giacoia. Cameos by the Green Goblin, the Kingpin, Doctor Octopus, the Vulture, the Lizard, and Captain Stacy. John Romita Sr./Giacoia cover.

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UK edition. Identical to US edition, but has 1/- cover price. First appearance of Morbius the vampire in "A Monster Called Morbius." Script by Roy Thomas, pencils by Gil Kane, inks by Frank Giacoia. Guest appearance by Dr. Curtis Connors (the Lizard). Spider-Man still has six arms in this issue. Kane cover.

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UK edition. Identical to US edition, but has 8p cover price. 52-page giant. Cover pencils by Gil Kane, inks by Frank Giacoia. Origin and second appearance of Morbius in Vampire at Large!, script by Roy Thomas, pencils by Gil Kane, inks by Frank Giacoia; Spider-Man versus Morbius versus the Lizard and we learn the origin of Morbius; Plus, Doc Connors prepares a serum that cures Spidey of his six-arm problem. The Morbius story continues in Marvel Team-Up 3. 52 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by Gil Kane, inks by Frank Giacoia. Walk the Savage Land!, script by Roy Thomas, pencils by Gil Kane, inks by Frank Giacoia; Afraid of falling circulation numbers, Jonah decides to track down a sensational scoop about a strange monster in the Savage Land; With Peter and Gwendy in tow, Jonah reaches his destination and the trio are quickly set upon by savages. Dick Cavett cameo. Reprinted in Marvel Tales # 81/82. 32 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by Gil Kane, inks by Frank Giacoia. The Beauty and the Brute!, script by Roy Thomas, pencils by Gil Kane, inks by Frank Giacoia; Spider-Man and Ka-Zar against Kraven the Hunter in the Savage Land. Reprinted in Marvel Tales # 82/83. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover by Gil Kane and Frank Giacoia. First appearance of the Spider Slayer robot in The Spider Slayer!, script by Stan Lee, pencils by Gil Kane, inks by Frank Giacoia; Spencer Smyth builds J. Jonah Jameson a new Spider-Slayer robot, but JJJ doesnt know that Smyth has his own plans for the hunting-killing machine; Smythe uses cameras to spy on Spider-Man and watch him unmask. Reprinted in Marvel Tales # 84. 36 pgs., full color.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by John Romita, inks by Frank Giacoia. Dr. Curtis Connors (the Lizard) in "Squash! Goes The Spider!", script by Stan Lee, pencils by John Romita, inks by Frank Giacoia; Spider-Man notices a security camera recording him changing back into Peter Parker and webs it up, however he is too late as Spencer Smythe (who had taken control of the camera) had already taken a picture of Spider-Man's real face; Deciding to err on the side of caution, Spider-Man pays a visit to Curt Connors and uses his lab to create a synthetic mask based on his own face to try and reverse any potential compromise the camera has caused his secret identity; Peter goes out with Gwen Stacy. Reprinted in Marvel Tales # 85. 36 pgs., full color.

UK edition. Identical to US edition, but has 6p cover price. Cover by John Romita Jr. and Frank Giacoia. Spidey Smashes Through!, script by Stan Lee, pencils by John Romita Sr., inks by Frank Giacoia; Spider-Man faces off against the upgraded Spider-Slayer; Spider-Man defeats all four leaders, then returns to Smythe's hideout, where he finds Smythe inside the Spider Slayer; And if he survives this bout, hell have a few words for J. Jonah Jameson when hes done. Reprinted in Marvel Tales # 86. 36 pgs., full color.

UK edition. Identical to US edition, but has 6p cover price. Cover by John Romita. "Vengeance From Viet Nam!", script by Stan Lee, pencils by John Romita, inks by John Romita and Tony Mortellaro; Watching Flash Thompson being led into a car by military personnel, Spider-Man finds something wrong and decides to follow them; The car that he's following is then attacked by followers of the Monks of the Light, and their leader the Giant One; Spider-Man gets in the middle and manages to defeat them all, web up the followers, however the Giant One manages to escape; Grabbing Flash and bringing him to a safe location, Flash tells Spider-Man the reason why the followers of the Monks of the Light were after him: While fighting in Vietnam, Flash was injured in combat and stumbled across the hidden temple of the followers. Reprinted in Marvel Tales #87. Letter to the editor from David Michelinie, who would later write Spider-Man himself. 36 pgs., full color.

UK edition. Identical to US edition, but has 6p cover price. Cover by John Romita Sr. Enter: Dr Strange!, script by Stan Lee, pencils by John Romita, inks by John Romita Sr. and Tony Mortellaro; Spider-Man and Dr. Strange rescue Flash Thompson from the Vietnamese monks who mistakenly blame him for the death of their high priest during the war. Reprinted in Marvel Tales # 88. 36 pgs., full color.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by John Romita, inks by Frank Giacoia. First appearance of the Gibbon in "The Birth of the Gibbon," script by Stan Lee, pencils by John Romita, inks by John Romita and Tony Mortellaro; Inspired by Spider-Man's example, misfit Marty Blank dons an ape costume and plans to fight crime as the Gibbon, but Spider-Man mocks him, leaving him vulnerable to someone who plans to take advantage of the situation. Reprinted in Marvel Tales #89. Letter to the editor from David Michelinie, who would later write Spider-Man himself. 36 pgs., full color.

UK edition. Identical to US edition, but has 6p cover price. Cover by John Romita. "To Stalk a Spider!", script by Gerry Conway, pencils by John Romita, inks by John Romita and Tony Mortellaro; Kraven the Hunter, who is still recovering from injuries following his battle against Spider-Man and Ka-Zar in the Savage Land, recruits the Gibbon to battle Spider-Man on his behalf; The Gibbon agrees to do his bidding, as Kraven appeals to the rejects desire to get back at everyone who's ever laughed at him; Web-slinging to Aunt May's, Peter finds a note there from her saying that she's gone away for a while. Spidey leaves when the police arrive, and soon Spider-Man is blamed for kidnapping May Parker. Reprinted in Marvel Tales # 90. 36 pgs., full color.

UK edition. Identical to US edition, but has 6p cover price. Cover by John Romita. Doctor Octopus, the Beetle, and the Gibbon have cameos "Spidey Cops Out!", script by Gerry Conway, pencils by John Romita, inks by John Romita and Tony Mortellaro; After dropping off the Gibbon at the local hospital, Spider-Man resumes his search for Aunt May; Spidey goes after kidnappers and, near the end, faces Doctor Octopus. Reprinted in Marvel Tales #91. 36 pgs., full color.

UK edition. Identical to US edition, but has 6p cover price. Cover art by John Romita. First appearance of Hammerhead in They Call The Doctor...Octopus!, script by Gerry Conway, pencils by John Romita and Jim Starlin, inks by John Romita and Tony Mortellaro; While Dr. Octopus is on a crime spree, Spider-Man is weakened by an ulcer due to stress and his concern for his missing aunt. Reprinted in Marvel Tales # 92. 32 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover art by John Romita. Gang War, Shmang War! What I Want to Know Is...Who the Heck Is Hammerhead?, script by Gerry Conway, pencils by John Romita and Jim Starlin, inks by John Romita and Tony Mortellaro; Dr. Octopus and Hammerhead are at war, with Spider-Man against them both; origin of Hammerhead. Reprinted in Marvel Tales # 93. 32 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover art by John Romita. The Last Battle!, script by Gerry Conway, pencils by John Romita, inks by John Romita and Tony Mortellaro; In the midst of the war between Dr. Octopus and Hammerhead, Spider-Man finds himself held at gunpoint by Aunt May. Reprinted in Marvel Tales # 94. 32 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover art by John Romita. Suddenly...The Smasher!, script by Stan Lee and Gerry Conway, pencils by John Romita, inks by Jim Mooney and Tony Mortellaro; Spidey tackles the Smasher, a ten foot goon who is busting up a billboard for political candidate Richard Raleigh; Finding that his friends are in Raleigh's camp, Pete attends a political rally but, during Raleigh's speech, the roof start to fall in on the crowd. Suddenly, the Smasher! reprints approximately the first twenty pages of "Lo, This Monster" from the Spectacular Spider-Man #1 magazine, though many pages have been redrawn or touched up by John Romita Sr., and the Man Monster has been renamed Smasher. The new dialogue is by Gerry Conway. Because the 1968 magazine is black-and-white, this marks the story's first appearance in color. New cover by Romita. Reprinted in Marvel Tales # 95. 32 pgs.

UK edition. Identical to US edition, but has 6p cover price. "The Deadly Designs of the Disruptor" continues reprinting pages from "Lo, This Monster" in Spectacular Spider-Man #1 (1968)--see comments on Amazing Spider-Man 116 for details. However, there is quite a bit of new material here by scripter Gerry Conway, penciller John Romita Sr., and inkers Romita, Jim Mooney, and Tony Mortellaro. New cover by Romita. Reprinted in Marvel Tales # 117.

UK edition. Identical to US edition, but has 6p cover price. "Countdown to Chaos" concludes the storyline that reprints pages from "Lo, This Monster" in Spectacular Spider-Man #1 (1968)--see comments on Amazing Spider-Man 116 for details. However, there is also new material here by scripter Gerry Conway, penciller John Romita Sr., and inkers Romita, Jim Mooney, and Tony Mortellaro. New cover by Romita. Reprinted in Marvel Tales # 97. Letter to the editor by comics writer Mike Baron (Nexus).

UK edition. Identical to US edition, but has 6p cover price. Cover by John Romita. "The Gentleman's Name Is... Hulk!", script by Gerry Conway, pencils by John Romita, inks by John Romita and Tony Mortellaro; Peter visits Aunt May at her new home in Westchester, which is being guarded by gunmen of Doctor Octopus; He was asked to deliver an urgent telegram by Mrs. Watson; He is concerned as to the importance of Aunt May to Doc Octopus after he overhears a conversation by the guards; Peter excuses himself, heads back to his apartment to read the telegram, but runs into Harry and his father Norman; Harry appears sick and is whisked away by his father; Peter decides to head to Montreal, using the paper's resources to find out about the mysterious Mr. Rimbaud and gets involved in a fight with The Hulk; Green Goblin cameo. 36 pgs., full color.

UK edition. Identical to US edition, but has 6p cover price. Cover by John Romita Sr. The Fight and The Fury!, script by Gerry Conway, pencils by Gil Kane and Paul Reinman (art assist), inks by John Romita and Tony Mortellaro; Peter Parker is in Montreal in response to a mysterious telegram to Aunt May; While he's there, Spider-Man battles the Hulk, with General Ross being a nuisance. Announcement of FOOM (Friends of Ol' Marvel) fan club with list of premiums and a mail-in coupon. Ad for the Dracula Lives magazine, art by Gene Colan. 36 pgs., full color.

UK edition. Identical to US edition, but has 20p cover price. United Kingdom edition. "By My Powers Shall I Be Vanquished!" Part 3 of 3. Guest-starring the Sub-Mariner. Script by Denny O'Neil. Art by John Romita Jr. (breakdowns) and Jim Mooney (finishes). Cover by John Romita Jr. and Al Milgrom. In a diabolical twist of fate, the Wizard transfers Spider-Man's spider-sense into the mind of the Sub-Mariner! The web-slinger's sudden loss and Prince Namor's sudden gain make them easy prey for the Frightful Four! After taking a beating, the two heroes go their separate ways to lick their wounds! Hours later they rendezvous at the Baxter Building to reverse the Wizard's experiment! And then it's time for payback! The Spectacular Spider-Man and the Avenging Son vs. the Frightful Four! Imperious Rex! A terrific three-part story! Cameo appearances by the Invisible Girl, Mr. Fantastic, and the Thing. (Notes: This O'Neil-Romita Jr.-Mooney collaboration is the signature Spider-Man & Sub-Mariner team-up of the bronze age. This issue includes a 3/4 page ad (by Frank Miller) for the Doctor Strange 2nd series; however, another artist ended up penciling the title.

UK edition. Identical to US edition, but has 20p cover price. "Marathon" Script by Denny O'Neil. Art by John Romita Jr. (breakdowns) and Jim Mooney (finishes). Cover by John Romita Jr. and Al Milgrom. It's time for the annual New York City marathon! And this year's race has a special guardian angel...the Amazing Spider-Man! After the web-slinger hears about a possible assassination attempt during the event, he decides to follow the race for the full 26 miles! But there are over 15,000 runners participating! How will Spidey know who is the intended target? Enter Madame Web! With help from his clairvoyant friend, the wall-crawler zeroes in on the sniper; while the runners zero in on the finish line! Cameo appearances by Aunt May, Nathan Lubensky, and J. Jonah Jameson. (Notes: Madame Web appears next in Amazing Spider-Man 229. This issue includes a full-page ad for the first issue of the Dazzler series.) 32 pages.

UK edition. Identical to US edition, but has 20p cover price. "Here's Mud in Your Eye!" Part 1 of 2. Script by Denny O'Neil. Art by John Romita Jr. (breakdowns) and Jim Mooney (finishes). Cover by John Romita Jr. and Al Milgrom. At a shady west side bar, two super-villains bump into each other! The Sandman and Hydro-Man! Initially they fight one another over the affections of a sleazy barmaid, but eventually the duo decides to go after their mutual enemy...the wondrous wall-crawler! Typically sand and water is not a flammable mixture, but in this case it could be a lethal combination for your friendly neighborhood Spider-Man! 32 pages.