Preview the CBCS 10th Anniversary Auction opening June 10, featuring Phantom Lady #17 CBCS 4.5!

Auction in progress, bid now! Weekly Auction ends Monday June 10!

Comic Book New Releases June 5

Comics listed as "New" without a grade are in new uncirculated condition as received from the publisher, excluding any copies in condition that the publisher considers damaged (VG or lower). Copies listed as New could grade as high as Near Mint or as low as Fine. One month after release, any copies remaining in stock will be graded and sold as graded back issues. Most ratio variants and higher value special variants will be graded from day one.

Order comics expected to arrive June 12

Past 8 Weeks of New Releases: Apr 17 | Apr 24 | May 1 | May 8 | May 15 | May 22 | May 29 | June 5

Show only new trade paperbacks and graphic novels.

  • Issue #3-1ST
    Biographix SC (2023- UPoM) 3-1ST


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    This item is not in stock at MyComicShop. If you use the "Add to want list" tab to add this issue to your want list, we will email you when it becomes available.

    Volume 3 - 1st printing. "George Pérez!" Written by Patrick L Hamilton. Art by George Perez. Cover by Antony Hare. Born in the South Bronx to Puerto Rican parents, artist and writer George Pérez (1954-2022) cut his teeth in the 1970s as an artist at Marvel who worked on lesser titles like The Deadly Hands of Kung Fu and Creatures on the Loose, and then mainstays like Fantastic Four and The Avengers. In the 1980s, Pérez jumped ship to DC where he helped turn The New Teen Titans into a top-selling title and co-created Crisis on Infinite Earths, which marked the publisher's fiftieth anniversary and consolidated its sprawling universe. As writer and artist, Pérez relaunched DC's Wonder Woman, a run that later inspired much of the 2017 film. Though Pérez's style is highly recognizable, his contributions to comic art and history have not been fully acknowledged. In George Pérez, author Patrick L. Hamilton addresses this neglect, first, by discussing Pérez's artistic style within the context of Bronze Age superhero art, and second, by analyzing Pérez's work for its representations of race, disability, and gender. Though he struggled with deadlines and health issues in the 1990s, Pérez would reintroduce himself and his work to a new generation of comics fans with a return to Marvel's The Avengers, as well as attempts at various creator-owned comics, the last of these being Sirens from Boom! Studios in 2014. Throughout his career, Pérez established a dynamic and minutely detailed style of comic art that was both unique and influential. Softcover, 5 1/2-in. x 8-in., 128 pages, Text (with full color Illustrations). Cover price $20.00.

  • Issue #1-1ST
    Shaolin Brew: Race, Comics, and the Evolution of the Superhero SC (2024 UPoM) 1-1ST


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    1st printing. By Troy D. Smith. SHAOLIN BREW: RACE, COMICS, AND EVOLUTION OF SUPERHERO looks at how the comic book industry developed from a white perspective and how minority characters were and are viewed through a stereotypical white gaze. Further, the book explores how voices of color have launched a shift in the industry, taking nonwhite characters who were originally viewed through a white lens and situating them outside the framework of whiteness. The financial success of Blaxploitation and Kung Fu films in the early 1970s led to major comics publishers creating, for the first time, Black and Asian superhero characters who headlined their own comics. Author Troy D. Smith focuses on Asian, Black, and Latinx representation in the comic industry and how it has evolved over the years. Softcover, 6-in. x 9-in., 288 pages, Text (with B&W Illustrations). Cover price $30.00.