Comic books in 'Comic History'

Add to cart Very Fine $14.00

1st printing. By Paul Gravett. The narrative possibilities of comics art and the accessibility of the form have made it one of the more innovative contemporary genres. Self-publishing and the Internet have given rise to new, autobiographical forms and an increasing number of authors draw from outside the mainstream, whether sexually, ethnically, or politically. In this richly illustrated and accessible survey, acclaimed author Paul Gravett considers the vast output of comics culture from the late 19th century to today, including syndicated comics, graphic novels, and contemporary art and illustration. From foundational masterpieces such as Rodolphe Topffer's and Wilhelm Busch's albums, George McManus's Art Deco Bringing Up Father, and Alex Raymond's Flash Gordon to the later retro stylings of Robert Crumb, Gravett considers lines of influence from around the world and examines how comics have shifted from supporting the status quo to becoming the voice of alternative subcultures. Gravett traces the major themes taking place in contemporary comics, noting the rise of publications that function as questioning, transgressive outlets for outsider stories and ideas, and includes the ways that folk art traditions are reinvigorating the form. Hardcover, 8-in. x 11-in., 144 pages, PC/PB&W. Cover price $35.00.

Add to cart Near Mint $29.00

1st printing. BY John A Lent and Xu Ying. In the most comprehensive and authoritative source on this subject, Comics Art in China covers almost all comics art forms in mainland China, providing the history from the 19th-century to the present as well as perspectives on both the industry and the art form. Hardcover, 8-in. x 11-in., 288 pages, PC/PB&W. Cover price $65.00.

1st printing.

Edited by Kim A. Munson. Cover by Will Eisner.

A comprehensive history of how comics and comic art gained recognition as art. Through essays and interviews, Kim A. Munson's anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journalists, and academics who championed the serious study of comics, the trends and controversies that produced institutional interest in comics, and the wax and wane and then return of comic art in museums. With over eighty images and thoughtful essays, this anthology shows how exhibitions expanded the public dialogue about comic art and our expectation of "good art."

Softcover, 6-in. x 9-in., 384 pages, PC/PB&W.

Featuring contributions by Kenneth Baker, Jaqueline Berndt, Albert Boime, John Carlin, Benoit Crucifix, David Deitcher, Michael Dooley, Damian Duffy, M.C. Gaines, Paul Gravett, Diana Green, Karen Green, Doug Harvey, Charles Hatfield, M. Thomas Inge, Leslie Jones, Jonah Kinigstein, Denis Kitchen, John A. Lent, Dwayne McDuffie, Andrei Molotiu, Alvaro de Moya, Kim A. Munson, Cullen Murphy, Gary Panter, Trina Robbins, Rob Salkowitz, Antoine Sausverd, Art Spiegelman, Scott Timberg, Carol Tyler, Brian Walker, Alexi Worth, Joe Wos and Craig Yoe.

Cover price $30.00.

Add to cart Very Good $19.99

1st printing.

By Steve Duin and Mike Richardson.

This lavish volume takes an in-depth look at the history of comics in a manner decidedly unlike the dry timelines and profiles of most reference-style titles. Via alphabetical entries, the authors take an irreverent, often hilarious, behind-the-scenes look at creators, companies, characters, collectors, and conventions, pulling no punches when exposing some of the darker sides of the industry. Containing countless stories gleaned from over 150 interviews of comics industry veterans, Comics Between the Panels is loaded with more than half a century of insider information on the talented and eccentric creators who forged the comics industry and art form. Featuring 670 illustrations and photos -- including dynamic and bizarre cover art compiled under such curious headings as Atomic Bombs, Death with Indignity, Gorillas, Headlights, Hooded Menaces, and Skulls -- Comics Between the Panels will entertain and enlighten the hardcore comic collector as well as the casual reader with an eye for pop-culture curiosity.

Hardcover, 9-in. x 11-in., 500 pages, full color (with Photos).

Cover price $49.95.

Variant Cover - 1st printing.

By Steve Duin and Mike Richardson.

This lavish volume takes an in-depth look at the history of comics in a manner decidedly unlike the dry timelines and profiles of most reference-style titles. Via alphabetical entries, the authors take an irreverent, often hilarious, behind-the-scenes look at creators, companies, characters, collectors, and conventions, pulling no punches when exposing some of the darker sides of the industry. Containing countless stories gleaned from over 150 interviews of comics industry veterans, Comics Between the Panels is loaded with more than half a century of insider information on the talented and eccentric creators who forged the comics industry and art form. Featuring 670 illustrations and photos -- including dynamic and bizarre cover art compiled under such curious headings as Atomic Bombs, Death with Indignity, Gorillas, Headlights, Hooded Menaces, and Skulls -- Comics Between the Panels will entertain and enlighten the hardcore comic collector as well as the casual reader with an eye for pop-culture curiosity.

Hardcover, 9-in. x 11-in., 500 pages, full color (with Photos).

Cover price $34.95.

2nd and later printings.

By Steve Duin and Mike Richardson.

This lavish volume takes an in-depth look at the history of comics in a manner decidedly unlike the dry timelines and profiles of most reference-style titles. Via alphabetical entries, the authors take an irreverent, often hilarious, behind-the-scenes look at creators, companies, characters, collectors, and conventions, pulling no punches when exposing some of the darker sides of the industry. Containing countless stories gleaned from over 150 interviews of comics industry veterans, Comics Between the Panels is loaded with more than half a century of insider information on the talented and eccentric creators who forged the comics industry and art form. Featuring 670 illustrations and photos -- including dynamic and bizarre cover art compiled under such curious headings as Atomic Bombs, Death with Indignity, Gorillas, Headlights, Hooded Menaces, and Skulls -- Comics Between the Panels will entertain and enlighten the hardcore comic collector as well as the casual reader with an eye for pop-culture curiosity.

Hardcover, 9-in. x 11-in., 500 pages, full color (with Photos).

Cover price $34.95.

Add to cart Near Mint $9.00

1st printing. Respected anthologist Leonard S. Marcus turns his literary microscope to the world of comics, which has lately morphed and matured at a furious pace. Powerful influences from manga to the movies to underground comix have influenced the thirteen artists and writers interviewed in these pages to create their own word-and-picture narratives. Here are their moving, funny, inspirational stories: true tales from the crucible of creative struggles that led each to become a master of one of today's most vibrant art forms. Featuring interviews with: Harry Bliss, Catia Chien, Geoffrey Hayes, Kazu Kibuishi, Hope Larson, Danica Novgorodoff, Matt Phelan, Dave Roman, Mark and Siena Cherson Siegel, James Sturm, Sara Varon, and Gene Luen Yang. Hardcover, 6-in. x 9-in., 192 pages, full color. Cover price $24.99.

1st printing.

Edited by Tom DeFalco.

Stuffed with exclusive sketches and script pages, this book offers an in-depth history of the Fantastic Four, featuring interviews with every major creator, from original co-creator Stan Lee to classic writer/artists Walt Simonson and John Byrne, right up to recent and current stars such as Mark Waid and Mike Wieringo!

Softcover, 6-in. x 9-in., 272 pages, B&W.

Cover price $17.95.

1st printing.

Edited by Tom DeFalco.

Comic industry luminaries discuss the impact and importance of Spider-Man, and give insight into the creative processes involved in bringing the web-slinger to life on the page over the last 40 years.

Featuring interviews with some of Spider-Man's most famous writers and artists, this book overseen by DeFalco gets to grips with the lively creative genii behind the wall-crawling wonder. Featuring Stan Lee, Brian Michael Bendis, Mark Buckingham, Todd McFarlane, Mark Bagley, Ron Frenz, John Romita, Sal Buscema, Gerry Conway, Roger Stern, Howard Mackie, David Michelinie, J.M. DeMatteis, Marv Wolfman, Paul Jenkins and Len Wein.

Softcover, 6-in. x 9-in., 248 pages, B&W.

Cover price $16.95.

1st printing.

Edited by Tom DeFalco.

Packed with exclusive sketches, script pages and essential information on every X-Man, this definitive look at the mighty mutants includes interviews with co-creator Stan Lee, writers Roy Thomas and Chris Claremont, superstar artists John Byrne, Neal Adams, and Alan Davis, and controversial writer Grant Morrison!

Softcover, 6-in. x 9-in., 256 pages, B&W.

Cover price $17.95.

1st printing.

By Françoise Mouly.

Filled with activities, Comics: Easy as ABC is a fun way for young readers to effortlessly and playfully start thinking like writers and artists.

This simple guide is also aimed at parents, teachers, and librarians: all will enjoy learning the ABCs of this popular and rapidly growing medium. Children kindergarten-age and up are shown how to use basic shapes to make faces, eyes, noses, and design their own characters. Ivan Brunetti's funny and incisive advice on the language of comics (panels, lettering, balloons, and so much more) naturally leads budding artists and writers into thinking about their characters, settings, and prompts.

A section with essential tips on how to read comics with young children rounds out the package.

Hardcover, 8-in. x 11-in., 56 pages, full color. All Ages.

Cover price $16.95.

Add to cart Near Mint $6.95

Add to cart Very Fine $5.49

1st printing.

By Françoise Mouly.

Filled with activities, Comics: Easy as ABC is a fun way for young readers to effortlessly and playfully start thinking like writers and artists.

This simple guide is also aimed at parents, teachers, and librarians: all will enjoy learning the ABCs of this popular and rapidly growing medium. Children kindergarten-age and up are shown how to use basic shapes to make faces, eyes, noses, and design their own characters. Ivan Brunetti's funny and incisive advice on the language of comics (panels, lettering, balloons, and so much more) naturally leads budding artists and writers into thinking about their characters, settings, and prompts.

A section with essential tips on how to read comics with young children rounds out the package.

Softcover, 56 pages, full color. All Ages.

Cover price $9.99.

1st printing. By James Van Hise. Art by Jack Kirby and John Byrne. A comprehensive looke at the first 25 years of Marvel's First Family. Featuring interviews with Jack Kirby, Roy Thomas, John Byrne, Roger Stern and Mike Carlin and includes dossiers on the heroes, villains, and supporting cast of the world of the Fantastic Four. Softcover, 8 1/2-in. x 11-in., 66 pages, B&W. Cover price $5.95.

1st printing. Softcover, 8 1/2-in. x 11-in., 56 pages, B&W. Cover price $5.95.

1st printing. The Avengers have been the premiere superhero team in the Marvel Universe for over two decades (1963-1986) now, ever since they started with a line-up including virtually every major superhero that Marvel Comics published in the early 1960s. They have not always been the most popular, the best-selling, but they have always had the distinction of being one recognized by the government, the one where writers could promote heroes that they wanted to give more attention. Featuring a complete history; All Line-Ups; "A Typical Day"; and much, much more! Softcover, 8 1/2-in. x 11-in., 58 pages, B&W. Cover price $8.99.

1st printing. While the second comic book revolution can accurately be stated to have begun with the Fantastic Four in 1961, the focal point of that period would have to narrow down to one character who epitomized the new trend towards "humanized" superheroes. Spider-Man was the alienated adolescent - the geek, the nerd, the outsider who didn't fit in with everyone else and who didn't have a clue as to what he could do to change his lot in life. Then along came a spider.... Take a look at the early years, history, the influence of the Romitas (Sr. & Jr.), and much more as Comics File Magazine puts the spotlight on Spider-Man! Softcover, 8 1/2-in. x 11-in., 56 pages, B&W. Cover price $5.95.

Add to cart Very Good $7.99

Add to cart Very Good $7.99

1st printing. This volume chronicles the continuing expanding mutant universe and its impact on comics as a whole. Includes an introduction to the original X-Men, a look at the "Claremont Revolution", the debut of the New Mutants, the Marvel Mutant Universe, and the X-Men's Canadian cousins, Alpha Flight. Softcover, 8 1/2-in. x 11-in., 58 pages, B&W. Cover price $5.95.

Add to cart Fine $8.80

Add to cart Very Good $7.99

1st printing. Edited by James Van Hise. It's hard to believe it, but once upon a time the popularity of the uncanny X-Men had fallen so low that the series was on the verge of cancellation. Enter: Chris Claremont, Dave Cockrum, John Byrne and Len Wein. Together with a new cast of mutant heroes, including Nightcrawler, Storm, Colossus, and Wolverine, these Uncanny and amazingly talented creators brought the series back back from the edge of exstinction and now the X-Men is the highest selling comic in the world! Includes a look at the Lee & Kirby years. interviews with Roy Thomas and Chris Claremont, and over a dozen profiles featuring all your favorite X-Men heroes and villains! Softcover, 8 1/2-in. x 11-in., 66 pages, B&W. Cover price $5.95.

1st printing. The Batman. The very words conjure up vivid images of dark alleyways, filth-infested streets and the vermin taht plague the grimmer parts of out cities. He is the creature of the night, the dark night that haunts our worst nightmares - to protect us from evil. His visage can easily scare the good as well as the bad but it was designed to strike fear in the hearts of evildoers, a modern day Shadow. The good need not fear for he is their protector. In this volume you will find the vision come to life in profiles, histories, and interviews. Featuring a look at the works of Jerry Robinson, Bill Finger, Bob Kane, Denny O'Neil, Neal Adams, Steve Englehart, Marshall Rogers, Frank Miller and David Mazzuchelli. Softcover, 8 1/2-in. x 11-in., 68 pages, B&W. Cover price $5.95.

1st printing.

The magazine features a ten page article about the G.I.Joe comic, including interviews with Larry Hama and Herb Trimpe. The interview is identical to the one found in Comics Feature 52 dated February 1987. Both magazines were published by different (but apparently related) companies but had the same editor, Hal Schuster.

Softcover, 8 1/2-in. x 11-in., 56 pages, B&W.

Cover price $5.95.

1st printing.

Cover by Arthur Adams (based on Jack Kirby).

They may be only one notch below humans on the evolutionary ladder, but gorillas and monkeys have for decades climbed to the top of the comic-book world as heroes and villains, monsters and masterminds, and soldiers and sidekicks. Comics Gone Ape! is the missing link to primates in comics, spotlighting a barrel of simian superstars like Beppo, BrainiApe, the Gibbon, Gleek, Gorilla Man, Grease Monkey, King Kong, Konga, Mojo Jojo, Sky Ape, and Titano. Comics Gone Ape! is loaded with rare and classic artwork, chest-thumping cover galleries, and 11 exclusive interviews with apes artists and writers.

Softcover, 8 1/2-in. x 11-in., 144 pages, B&W. Cover price $16.95.

1st printing.

By Coulton Waugh.

The first comprehensive history and analysis of comic strips. Shows the evolution and subgenres of the comics from The Yellow Kid in 1895 through the first decade of the modern comic book in the 1940s and considered to be one of the best books ever written on the subject. Profusely illustrated.

Hardcover, 6-in. x 9 1/2-in., 360 pages, PC/PB&W.

Cover price $5.00.

No Dust Jacket

1st printing.

By Coulton Waugh.

The first comprehensive history and analysis of comic strips. Shows the evolution and subgenres of the comics from The Yellow Kid in 1895 through the first decade of the modern comic book in the 1940s and considered to be one of the best books ever written on the subject. Profusely illustrated.

Hardcover, 6-in. x 9 1/2-in., 360 pages, PC/PB&W.

Cover price $5.00.

Cover by Simon Bisley. Featuring articles about Lobo and the Omega Men, with interviews with Alan Grant, Keith Giffen, Val Semeiks, Simon Bisley, Roger Slifer, and more! Softcover, 124 pages, B&W. Cover price $9.95.

Volume 1 - 1st printing. Collects Comics Interview (1983) #1-14. By David Anthony Kraft, Bill Cucinotta, and Gerry Giovinco. Featuring the greatest collection of interviews in the history of comic books! Softcover, 8 1/2-in. x 11-in., 688 pages, B&W.

Volume 2 - 1st printing. Collects Comics Interview (1983) #15-28. By David Anthony Kraft, Bill Cucinotta, and Gerry Giovinco. Featuring the greatest collection of interviews in the history of comic books! Softcover, 8 1/2-in. x 11-in., 688 pages, B&W.

Volume 3 - 1st printing. Collects Comics Interview (1983) #29-42. By David Anthony Kraft, Bill Cucinotta, and Gerry Giovinco. Featuring the greatest collection of interviews in the history of comic books! Softcover, 8 1/2-in. x 11-in., 656 pages, B&W.

1st printing.

Written by Janine Utell. Art and cover by Alison Bechdel.

Alison Bechdel is both a driver and beneficiary of the welcoming of comics into the mainstream.

Indeed, the seemingly simple binary of outside/inside seems perpetually troubled throughout the career of this important comics artist, known for Fun Home, Are You My Mother?, and Dykes to Watch Out For. This volume extends the body of scholarship on her work from a range of interdisciplinary perspectives.

In a definitive collection of original essays, scholars cover the span of Bechdel's career, providing insights on major themes in Bechdel's work, such as gender performativity, masculinity, lesbian politics and representation, trauma, life writing, and queer theory.

Softcover, 6-in. x 9-in., 272 pages, B&W.

Cover price $30.00.

Add to cart Near Mint $28.00

1st printing. Written by Jared Gardner and Ian Gordon. Art and cover by Charles M. Schulz. An unparalleled gathering of research devoted to one of the world's most influential comic strips. The Comics of Charles Schulz collects new essays on the work of the creator of the immensely popular Peanuts comic strip. Despite Schulz's celebrity, few scholarly books on his work and career have been published. This collection serves as a foundation for future study not only of Charles Schulz (1922-2000) but, more broadly, of the understudied medium of newspaper comics. Hardcover, 6-in. x 9-in., 192 pages, B&W. Cover price $65.00.

Add to cart Near Mint $9.00

1st printing.

Written by Jared Gardner and Ian Gordon. Art and cover by Charles M. Schulz.

An unparalleled gathering of research devoted to one of the world's most influential comic strips, The Comics of Charles Schulz collects new essays on the work of the creator of the immensely popular Peanuts comic strip. Despite Schulz's celebrity, few scholarly books on his work and career have been published. This collection serves as a foundation for future study not only of Charles Schulz (1922-2000) but, more broadly, of the understudied medium of newspaper comics.

Softcover, 6-in.x 9-in., 234 pages, B&W. Cover price $25.00.

Add to cart Near Mint $26.00

1st printing. Art and cover by Herge. As the creator of Tintin, Hergé (1907-1983) remains one of the most important and influential figures in the history of comics. This volume shows how his life and art turned out much more complicated than his method. The book opens with Hergé's aesthetic techniques, including analyses of his efforts to comprehend and represent absence and the rhythm of mundaneness between panels of action. The next section considers the fraught lines between high and low art. A final section considers how the clear line style has been reinterpreted around the world. With contributors from five continents drawing on a variety of critical methods, this volume's range will shape the study of Hergé for many years to come. Hardcover, 6-in. x 9-in., 192 pages, B&W. Cover price $60.00.

1st printing.

Art and cover by Herge. As the creator of Tintin, Hergé (1907-1983) remains one of the most important and influential figures in the history of comics. When Hergé, born Georges Prosper Remi in Belgium, emerged from the controversy surrounding his actions after World War II, his most famous work leapt to international fame and set the standard for European comics. While his style popularized what became known as the "clear line" in cartooning, this edited volume shows how his life and art turned out much more complicated than his method.

Hardcover, 6-in. x 9-in., 192 pages, B&W. Cover price $30.00.

1st printing.

Written by Kevin Haworth. Art and cover by Rutu Modan.

The first in-depth study of acclaimed work by a pioneer of Israeli comics. The Comics of Rutu Modan: War, Love, and Secrets conducts a close reading of her work and examines her role in creating a comics arts scene in Israel. Drawing upon archival research, Kevin Haworth traces the history of Israeli comics from its beginning as 1930s cheap children's stories, through the counterculture movement of the 1970s, to the burst of creativity that began in the 1990s and continues full force today.

Softcover, 6-in. x 9-in., 194 pages, B&W.

Cover price $30.00.

Volume 1 - 1st printing. Discover the dark chapter in comics' history when Congress held a series of hearings that explored whether or not comic books contributed to juvenile delinquency. Testimony from Walt Kelly, Milton Caniff, William Gaines, and Frederic Wertham given in April and June of 1954 is included. These are the hearings that almost killed the comics industry and lead to the creation of the Comics Code Authority. A must-have for historians and fans alike. Softcover, 8 1/2-in. x 11-in., 184 pages, B&W. Cover price $25.00.

Volume 2 - 1st printing. "Crime and Horror Comic Books: Delinquency!" A fascinating look at the comics and the courts. The DC vs. Victor Fox suit testimony (including Will Eisner's) is featured, as well at the final report of the 1954 Congressional Hearings into the Comics. Also featured are the depositions in the Kirby Estate vs. Disney/Marvel trial, including Roy Thomas, John Romita, Larry Leiber, and Stan Lee. Softcover, 8 1/2-in. x 11-in., 160 pages, B&W. Cover price $25.00.

Volume 3 - 1st printing. "Kirby Estate vs. Disney/Marvel!" By Greg Theakston. Cover by Jack Kirby. The most important case in comic book history unfolds with depositions by Larry Leiber, Joe Sinnott, John Romita, Sr., Stan Lee, and others. Also included is the 44-page verdict from the judge. Softcover, 8 1/2-in. x 11-in., 160 pages, B&W. NOTE: Even though this book says "V.2" on title page, this is Volume 3. Cover price $25.00.

1st printing.

Edited by Charles Hatfield and Bart Beaty.

In the twenty-first century, the field of comics studies has exploded.

Scholarship on graphic novels, comic books, comic strips, webcomics, manga, and all forms of comic art has grown at a dizzying pace, with new publications, institutions, and courses springing up everywhere. Comics Studies: A Guidebook offers a rich but concise introduction to this multifaceted field, authored by leading experts in multiple disciplines.

An invaluable one-stop resource for veteran and new comics scholars alike, this guidebook represents the state of the art in contemporary comics scholarship.

Softcover, 6-in. x 9-in., 198 pages, Text.

Cover price $34.95.

1st printing. Edited by Ron Goulart. This issue examines the early history of DC Comics. Softcover, 8 1/2-in. x 11-in., 106 pages, B&W. Cover price $12.95.

Add to cart Near Mint $7.00

Add to cart Very Fine $5.00

1st printing. Year of the Bat: The History of DC Comics: Fifty Years of Fantastic Imagination" (an issue of Comics: The Golden Age). Edited by Ron Goulart. This issue examines the early history of DC Comics. Softcover, 8 1/2-in. x 11-in., 112 pages, B&W. Cover price $14.95.

1st printing. By Bart Beaty. On the surface, the relationship between comics and the high arts once seemed simple; comic books and strips could be mined for inspiration, but were not themselves considered legitimate art objects. Though this traditional distinction has begun to erode, the worlds of comics and art continue to occupy vastly different social spaces. Comics Versus Art examines the relationship between comics and the most important institutions of the art world, including museums, auction houses, and the art press. Bart Beaty's analysis centres around two questions: why were comics excluded from the history of art for most of the twentieth century, and what does it mean that comics production is now more closely aligned with the art world? Approaching this relationship for the first time through the lens of the sociology of culture, Beaty advances a completely novel approach to the comics form. Softcover, 6-in. x 9-in., 274 pages, text (with B&W Illustrations and photos).

Add to cart Near Mint $28.00

1st printing. By Harriet E.H. Earle. Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. In Comics, Trauma, and the New Art of War, Harriet E. H. Earle brings together two distinct areas of research-trauma studies and comics studies-to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in post-Vietnam War American comics, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Hardcover, 6-in.x 9-in., 240 pages, B&W. Cover price $65.00.

1st printing. By John Adkins Richardson. Now, whether you've had any form training or not, this book offers ou step-by-step directions on how to do all types of cartoons and caricatures. In this practical guide, the author reveals the secrets of composition, characterization, and rendering used by professional cartoonists in such areas as single-panel gags, editorial cartoons, strips, comic books, greeting cards, and even animation. You'll learn what tools and techniques to use in drawing your cartoons, as well as how to prepare them for such printing processes as letterpress, halftone, and color. Including a section on how to get your work published, The Complete Book of Cartooning could be the first step to an interesting and rewarding career. Softcover, 6 1/2-in. x 9-in., 266 pages, B&W.

2nd and later printings. By John Adkins Richardson. Now, whether you've had any form training or not, this book offers ou step-by-step directions on how to do all types of cartoons and caricatures. In this practical guide, the author reveals the secrets of composition, characterization, and rendering used by professional cartoonists in such areas as single-panel gags, editorial cartoons, strips, comic books, greeting cards, and even animation. You'll learn what tools and techniques to use in drawing your cartoons, as well as how to prepare them for such printing processes as letterpress, halftone, and color. Including a section on how to get your work published, The Complete Book of Cartooning could be the first step to an interesting and rewarding career. Softcover, 6 1/2-in. x 9-in., 266 pages, B&W. Cover price $6.95.

1st printing.

By Kim Weston

This book is a comprehensive index and concordance of all Carl Barks' comic book work. It is keyed to the original comic books and reprints in Another Rainbow's The Carl Barks Library, Craig Yoe's The Carl Barks Big Book of Barney Bear, and Kim Weston's The Unavailable Carl Barks (in color). In addition to comic book work, it includes information on paintings, storyboard and animation drawings, model sheets, and drawings for fans, among other things as published in The Carl Barks Library. Each of the over 29,000 data entries in the Index includes reference to the original USA comic book publications, with comic book title, issue, and story page numbers. It also includes reference to The Carl Barks Library publication including set, volume, and page reference, as well as submission dates, based on Carl Barks' personal work records and similar title and page references for the other two books. The regular and Large Print are identical in content except for the print size and formatting of the Index portion of the book. Both include over a dozen chapters of introductory, background and historical material, and topics of special interest.

Softcover, 8-in. x 11-in., 304 pages, B&W.

Cover price $34.95.

Large Print Index Edition - 1st printing.

By Kim Weston

This book is a comprehensive index and concordance of all Carl Barks' comic book work. It is keyed to the original comic books, and reprints in Another Rainbow's The Carl Barks Library, Craig Yoe's The Carl Barks Big Book of Barney Bear, and Kim Weston's The Unavailable Carl Barks (in color). In addition to comic book work, it includes information on paintings, storyboard and animation drawings, model sheets, and drawings for fans, among other things as published in The Carl Barks Library. Each of the over 29,000 data entries in the Index includes reference to the original USA comic book publications, with comic book title, issue, and story page numbers. It also includes reference to The Carl Barks Library publication including set, volume, and page reference, as well as submission dates, based on Carl Barks' personal work records and similar title and page references for the other two books. Information has also been included to make the Index useful even with other reprints in addition to the original comic books and these three book reprintings.

The Complete Carl Barks Index LARGE PRINT INDEX EDITION is 548 pages.

The regular and LARGE PRINT editions are identical in content except for the print size and formatting of the Index portion of the book. Both include over a dozen chapters of introductory, background, and historical material, and topics of special interest.

Softcover, 8-in. x 11-in., 548 pages, B&W.

Cover price $39.95.

1st printing. By Andrew Farago. People around the world recognize Charlie Brown, Lucy, and Snoopy. And Peanuts enthusiasts know Peggy Jean, Roy, and Spike. But what about Shermy? Truffles? And who exactly is Floyd? The Complete Peanuts Family Album explores the entire Peanuts universe, from its most iconic personalities to the its most obscure characters. This encyclopedia of each character covers every significant event and key icon from the mind of Charles M. Schulz, and includes comic strips, memorabilia, and new art that bridges the gap between nostalgia and contemporary culture. Hardcover, 9-in.x 11-in., 256 pages, full color. All Ages Cover price $40.00.

1st printing. By Maria Reidelbach. A History of the Comic Book and Magazine. Hardcover, 10-in. x 9 1/2-in., 208 pages, PC/PB&W. Cover price $39.95.

Add to cart Near Mint $9.00

Add to cart Very Fine $7.00

Add to cart Very Good $9.99

1st printing. By Maria Reidelbach. A History of the Comic Book and Magazine. Softcover, 10-in. x 9 1/2-in., 208 pages, PC/PB&W. Cover price $24.95.

Add to cart Fine $3.80

Add to cart Fine $3.80

Add to cart Very Good $7.99

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2nd and later printings. By Maria Reidelbach. A History of the Comic Book and Magazine. Softcover, 10-in. x 9 1/2-in., 208 pages, PC/PB&W. Cover price $24.95.

1st printing. Written by Paul Sammon and Michael Moorcock. Cover by Frank Frazetta. This in-depth tour through the history of fantasy's greatest hero covers everything from the earliest prose, to Frazetta's explosive artwork, through the Schwarzenegger film, and into the recent rebirth of the character as a leading comic-book hero. Since his first appearance in a 1932 pulp magazine, Conan the Barbarian has enjoyed every success available to a fictional character. Robert E. Howard created the genre of sword and sorcery with his original stories; Frank Frazetta's definitive Conan book covers set the standard for dynamic fantasy artwork; Roy Thomas, with Barry Smith and later John Buscema, used the character to push the boundaries of comic-book adventure; and Arnold Schwarzenegger launched his amazing film career. Now, with the character's popularity renewed thanks to the award-winning comics series, all of these eras of Conan are examined under one cover in this lavishly illustrated book. Conan historian Paul Sammon looks at all the stages of the character's development, with commentary and archival material from the most integral players in that history. Softcover, 9-in. x 12-in., 200 pages, full color. Cover price $19.99.