| Issue | #225 |
| Published | April 1949 |
| Cover Price | 0.10 USD |
| Pages | 36 |
| Editing | ? |
| Notes | Indicia title is "Walter Lantz OSWALD THE RABBIT, No. 225." Code number is OSWALD O.S. #225-494. Copyright 1949 by Walter Lantz Productions. |
| Characters | Oswald the Rabbit; Floyd; Lloyd; Rosabelle |
| Genre | funny animal |
| Pencils | Dan Gormley |
| Inks | Dan Gormley |
| Notes | Pencils and inks credits for this sequence from Alberto Becattini (January 8, 2008). |
| Characters | Oswald the Rabbit |
| Synopsis | Oswald has trouble with a stubborn window shade. |
| Genre | funny animal |
| Pencils | Lloyd White |
| Inks | Lloyd White |
| Notes | Inside front cover; black, red, and white; pantomime story. Pencils and inks credits for this sequence from Alberto Becattini (January 8, 2008). |
| Characters | Oswald the Rabbit; Floyd; Lloyd; Toby; Rosabelle |
| Synopsis | Oswald has a crush on the new neighbor, Rosabelle. Floyd and Lloyd don't care for this development, so they get Toby to trick Oswald into taking an ocean cruise. Toby gets off the ship, but the twins don't and are chased by the crew for being stowaways. |
| Genre | funny animal |
| Pencils | Lloyd White ? |
| Inks | Suzanne Seaborne |
| Letters | Suzanne Seaborne |
| Notes | Pencils, inks, and letters credits for this sequence from Alberto Becattini (January 8, 2008). |
| Characters | Oswald the Rabbit; Floyd; Lloyd |
| Synopsis | Floyd and Lloyd have to save Oswald when he falls asleep while taking a bath. |
| Genre | funny animal |
| Pencils | Lloyd White |
| Inks | Lloyd White |
| Notes | Inside back cover; black, red, and white; pantomime story. Pencils and inks credits for this sequence from Alberto Becattini (January 8, 2008) |
| Characters | Oswald the Rabbit; Floyd; Lloyd |
| Synopsis | Oswald aggravates a draw-bridge operator by making him raise the bridge numerous times for his sailboat. |
| Genre | funny animal |
| Pencils | Lloyd White |
| Inks | Lloyd White |
| Notes | Back cover. Pencils and inks credits for this sequence from Alberto Becattini (January 8, 2008) |