Issue | #10 |
Published | December 1992 |
Cover Price | 3.95 USD; 4.50 CAD |
Pages | 44 |
Editing | Chris Oliveros |
Notes | Cover on stiffer paper than previous issues. |
Pencils | Santiago Cohen [as Santiago] |
Inks | Santiago Cohen [as Santiago] |
Colors | Santiago Cohen [as Santiago] |
Letters | Typeset |
Notes | Cover on stiffer paper than previous issues. |
Synopsis | The odd relationships between people in a family. |
Script | Santiago Cohen [as Santiago] |
Pencils | Santiago Cohen [as Santiago] |
Inks | Santiago Cohen [as Santiago] |
Colors | Santiago Cohen [as Santiago] |
Letters | Santiago Cohen [as Santiago] |
Notes | Inside front cover. |
Reprinted | in Best of Drawn & Quarterly, The (Drawn & Quarterly, 1993 series) #[nn] |
Pencils | Seth (signed) |
Inks | Seth (signed) |
Synopsis | Short essay about how the magazine will come back in a different format. Short biographies of all the contributors. |
Script | Chris Oliveros ? |
Letters | Typeset |
Synopsis | Debbie eats too many cookies in the middle of the night to block the reality of what is happening to her. |
Script | Debbie Drechsler (signed) |
Pencils | Debbie Drechsler (signed) |
Inks | Debbie Drechsler (signed) |
Letters | Debbie Drechsler (signed) |
Reprinted | in Best of Drawn & Quarterly, The (Drawn & Quarterly, 1993 series) #[nn] |
Synopsis | Twelve things that could happen in three seconds. |
Script | Marti (signed); Kate Sibbald (translation) |
Pencils | Marti (signed) |
Inks | Marti (signed) |
Reprinted | in Best of Drawn & Quarterly, The (Drawn & Quarterly, 1993 series) #[nn] |
Synopsis | Sapo is hit by a car and wonders about alternate versions of his life. |
Script | Francisco Torres Linhart [as Linhart]; Kate Sibbald (translation) |
Pencils | Francisco Torres Linhart [as Linhart] |
Inks | Francisco Torres Linhart [as Linhart] |
Colors | Francisco Torres Linhart [as Linhart] |
Reprinted | in Best of Drawn & Quarterly, The (Drawn & Quarterly, 1993 series) #[nn] |
Characters | John Mullen |
Synopsis | John moves into a house where the dog has been left behind. The dog gets into the henhouse of the woman next door and kills all her prize hens. |
Genre | Biography |
Script | John Mullen (credited) |
Pencils | Michael Dougan (credited) |
Inks | Michael Dougan (credited) |
Letters | Michael Dougan (credited) |
Reprinted | in I Can't Tell You Anything (Penguin, 1992 series) #[nn] |
Characters | Fran |
Synopsis | Fran moves to a new school and makes friends by solving everyone else's problems. |
Genre | Drama |
Script | Debbie Drechsler (signed) |
Pencils | Debbie Drechsler (signed) |
Inks | Debbie Drechsler (signed) |
Colors | Debbie Drechsler (signed) |
Letters | Debbie Drechsler (signed) |
Synopsis | Marcello gives Xavier soap to help solve all his problems. |
Genre | Satire |
Script | Maurice Vellekoop (signed) |
Pencils | Maurice Vellekoop (signed) |
Inks | Maurice Vellekoop (signed) |
Letters | Maurice Vellekoop (signed) |
Synopsis | Kids make fun of an old German guy who lived on their street who might have been a Nazi. |
Script | Gary Panter ? [as Vincent] |
Pencils | Gary Panter ? [as Vincent] |
Inks | Gary Panter ? [as Vincent] |
Letters | Gary Panter ? [as Vincent] |
Notes | Signed and credited to "Vincent", but looks suspiciously like Gary Panter's work. |
Synopsis | Various men recount their relationships with the angelic Claudia. |
Script | Marti (credited); Kate Sibbald (translation) |
Pencils | Marti (credited) |
Inks | Marti (credited) |
Notes | Possibly reprinted from a European source. |
Reprinted | in Best of Drawn & Quarterly, The (Drawn & Quarterly, 1993 series) #[nn] |
Characters | Gloria Badcock |
Synopsis | Gloria Badcock is part of a sexual experiment. |
Genre | Humor; Adult |
Script | Maurice Vellekoop (signed) |
Pencils | Maurice Vellekoop (signed) |
Inks | Maurice Vellekoop (signed) |
Letters | Maurice Vellekoop (signed) |
Synopsis | Ad for other books by Drawn & Quarterly. Dangle, The Playboy, Yummy Fur, Peep Show, Slutburger, Palooka-Ville and Dirty Plotte. |
Synopsis | Pictures of a streetscape and text about the people who live there and what goes on behind closed doors. |
Script | Anne Baraou (credited) |
Pencils | Pascale Bougeault (credited) |
Inks | Pascale Bougeault (credited) |
Colors | Pascale Bougeault (credited) |
Letters | Pascale Bougeault (credited) |
Notes | Inside back cover. |
Synopsis | A woman vaccuums an office and goes home on a streetcar at night. |
Script | Maurice Vellekoop (signed) |
Pencils | Maurice Vellekoop (signed) |
Inks | Maurice Vellekoop (signed) |
Colors | Maurice Vellekoop (signed) |
Letters | Maurice Vellekoop (signed) |
Notes | No dialogue. On back cover. |
Reprinted | in Best of Drawn & Quarterly, The (Drawn & Quarterly, 1993 series) #[nn] |