Issue | #1 |
Published | October 1993 |
Cover Price | $2.50 |
Pages | 36 |
Editing | John Weeks |
Notes | Wrap-around cover. |
Pencils | Basil Wolverton |
Inks | Basil Wolverton |
Colors | Chris Chalenor |
Notes | Wrap-around cover. |
Reprinted | from ? |
Pencils | Basil Wolverton |
Inks | Basil Wolverton |
Letters | typeset |
Notes | Inside cover illustration. |
Reprinted | from ? |
Genre | science fiction |
Script | Basil Wolverton |
Pencils | Basil Wolverton |
Inks | Basil Wolverton |
Letters | Basil Wolverton |
Notes | "This circa 1939 Meteor Man episode was never continued so far as anyone knows, these six pages apparently being the only survivors of an unsold series. From the Glenn Bray collection." |
Genre | science fiction |
Script | Basil Wolverton |
Pencils | Basil Wolverton |
Inks | Basil Wolverton |
Letters | Basil Wolverton |
Reprinted | from ? |
Script | Bill Spicer; Basil Wolverton |
Pencils | Basil Wolverton |
Inks | Basil Wolverton |
Letters | typeset |
Notes | Reprinted excerpt of the Wolverton interview from Graphic Story Magazine #14 (Winter 1971-72) along with a few paragraphs by Spicer. Includes an illustration by Wolverton from his Apocalypse series. |
Pencils | Basil Wolverton |
Inks | Basil Wolverton |
Notes | Artwork from Wolverton's classic Apocalypse series, a series of illustrations depicting the biblical end of the world. Done either at the request of or with the assistance of Herbert W. Armstrong, founder of the Worldwide Church of God. |
Genre | science fiction; humor |
Script | Basil Wolverton |
Pencils | Basil Wolverton |
Inks | Basil Wolverton |
Letters | Basil Wolverton |
Reprinted | from ? |
Genre | science fiction; humor |
Script | Basil Wolverton |
Pencils | Basil Wolverton |
Inks | Basil Wolverton |
Letters | Basil Wolverton |
Notes | First page only of a story "possibly planned for one of the numerous 1950s cartoon and photo girly mags." "..unknown to us if the story was ever finished or not." |
Genre | science fiction |
Pencils | Basil Wolverton |
Inks | Basil Wolverton |
Notes | Inside back cover. "..an example of Wolverton's early '30s pulp art, drawn in a Hugo Gernsbackian Amazing Stories mode and probably never published at that time." |